stewblack

Spent a bit of time with this pedal over the last couple of days. The more I learn about it the better it gets. Discovered the slicer and the whammy and got them to nail the start of Fox On The Run for my glam band!

Used my RM 500 1/12 combo at a couple of recent gigs. The first one (a small outdoor festival) I paired it with the matching 1/12 cab. The second one a bar in Bristol I used the combo on its own. The sound was wonderful on both occasions. What I noticed however - and I've remarked this before - with both cabs it's monstrously loud, an absolute beast. With just the combo it's significantly quieter than I'd expect. I mean I really had to crank the volume to get a decent level. I understand the impedance implications and how these affect the efficiency of an amp, and I have many years of practical experience in the differences playing with two cabs and then one. My point is this is remarkably different from what I'd expect. Anyway, that aside, I'm more than happy to recommend the RM series, and paired with the 12" Ashdown cabs they are particularly good.

Hey Mike - I love it, everyone else loves it too 😊

Hmm. Not that I've noticed.

As has been said it's the Boss Waza Air headphone system. Just the best things ever.

Paddy's a great guy to deal with. Our transaction was simplicity itself and the pedal arrived super fast perfectly packaged. More than happy to recommend this most excellent Basschatter to you all

No. Not from me today. Life is full of moaning and sarcasm. I just can't believe how lucky I am to be in a time of such easy luxury.

Kitchen table rehearsal and if I'd used my wireless bugs there'd be no cables at all.

No. All provided including sound engineer.

The Glam Band I put together recently just had it's second rehearsal. We've now added 17 songs to the set which is pretty good going. I have worked with the drummer in other projects and know how good he is but seeing him at work in rehearsal - wow! This guy is quite incredible. Makes it a joy to be in any band if the drummer is A) a nice person and B) an amazing musician

Bear in mind I have no clue whether we asked the appropriate amount or whether it should have been double - as others have said there's no way to know. We asked for 800 for one 75 minute set.

Well, we got the gig. It's not too far to travel and I managed to double the quote the band were initially discussing going in with. Thank goodness I wore them down. We'd have looked like total amateurs asking for peanuts. My only regret is we didn't go in higher, they virtually took our hands off .

An entertainment agency has approached one of my bands about playing a holiday park. There's a band debate about how much we ought to charge Anyone with any experience who can chop in would be very welcome. Thanks Edit: feel free to pm me if you prefer not to discuss your finances in public

Great stuff @Freddie B - glad you got it working

Last night's extravaganza... Four band weekend for me. After the drunken scaffolders on Friday with my soul band, my originals were parachuted in by the booking agent to fill a cancellation in a town centre pub in darkest Somerset. Three mass brawls, several minor skirmishes, a gentleman being extravagantly sick in the gents whenever I went to the loo and constant demands for songs clearly not in our genre. Two large television screens broadcast sport throughout; a cricket match on one and horses running in circles around a track on the other. This isn't quite what I'd pictured when miming with a tennis racket in front of the mirror as a small boy.

An early start, in the beer garden of a rough assed pub just outside Bristol. We were a last minute stand in, which worked as our planned gig had been cancelled. I've never seen so many drunken scaffolders in the same place before. With their families. At 5pm. Football came on in the pub and the garden emptied. We played the second set to the occasional smoker. The place was so filthy I stopped at a Macdonalds to wash on the way home.