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gapiro

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Everything posted by gapiro

  1. Except that more peopl voted for parties that were remain or 2nd ref than leave in the last election, but the biggest leave party gets a huge majority in our quite frankly, f****d voting system
  2. Except the number of day jobs is doing down and there are just shedloads of Zero Hour contracts to fiill.... and Jobcentre paperwork. The effect on immiigration on supressing workers wages is under a single percent. There are far more iissues, like constant deregulation etc. Sources https://www.bbc.co.uk/news/business-46918729 https://migrationobservatory.ox.ac.uk/resources/briefings/the-labour-market-effects-of-immigration/
  3. Take your ABBA record, and put it in a washing up bowl with soapy water.
  4. Bit far for me from Cambridge, but GLWTS
  5. We need clicks to keep in time because samples, effects, etc are going to be very programmed to tempos (because we're trying to recreate very produced music)
  6. As yet we have no other midi data - we've got Drummer using a hybrid kit, (although he has some sort of pedal or button to change kits - that might well be midi?) Keys player using Mainstage - I assume a patch or a bank of patches per track Myself - Bass and Bass Synth (although it appears I might be adding a keyb)
  7. Hello! I'm currently working on a start of a project doing classic house music and one of the things we really need is in ear clicks - primarily for transitions of songs etc Its not something i've ever done - I've been doing some research and it seems harder that I would like to set up! What would you recommend as the way to do it? I looked at mainstage but it appears you have to define bar lengths for things - is there such a thing as having something change to the next click track at the next tempo etc upon a pedal press (ie i'm assuming a midi signal - could thus be also a trigger pad?)
  8. Any room for manoeuvre on price, given you can pick up the head brand new for 260?
  9. And perhaps the best reply ever too! https://www.joinmyband.co.uk/classifieds/im-handsome-like-phoenix-and-play-all-instruments-t1171843.html
  10. Yo So I picked up a bass synth, because, well, I fancied the fun of it, and I haven't bought anything bass related for a good 5+ years I was wondering if anyone can point me to any beginner resources for synth - I guess it will be much the same learning techniques as keyboard? (I know what each note is but that is about it !)
  11. Its a bit of a [Rocky] Horror in there.
  12. Very excited for my new bass synth day - Ordered a bassstation 2, with a family/friends discount as one of my buddies works at novation I suspect my wife will be less happy with the wierd noises coming out of my man cave tonight.
  13. Welcome, I'm just dowwn the road the other way (Huntingdon) but Hai!
  14. Sorry to holy thread revive, but does anyone still have the copy of the dots/scan of the bass guitar mag with it in? The links earlier didn't work for me
  15. I have managed maybe 3 years on major purchases - I bought a LS 2 pedal about 2 years ago , and a pre-amp for the DB about 3 months ago, but apart from that, its been 3 years since I bought the DB, haven't bought any basses for about 5?? and been using the same head/cab for about 5 too
  16. Bought a pre-amp off Chris, super fast, paid on thursday and was on my desk 9am on friday!
  17. Hes the guy who build an underground bunker isn't he?
  18. This, I was formerly in a Ska Band doing similar sort of set It does get a bit bloody boring after 2 years of playing the same 30-40 songs every week though! Always a lot of fun though, and messing around with lyrics to songs like Sally Brown
  19. Do you think I'd be able to use this in a pub gig? (Pete Wentz/ Fall Out Boy / BBC Reading and Leeds Coverage)
  20. Interested, let me have a look at the finances!
  21. Does the filter pass the scunthorpe test?
  22. Unless you have a sound engineer - if you have a sound engineer, send it pre so they can shape it to fit in the mix/ the room. (One of my biggest bug bears is function/wedding bands that dont have a soundman - the sound you set in the empty room at midday when it was 20 degrees is not going to sound the same when you've got 200 people in the room at 7pm when its up at 25 odd degrees)
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