casapete

Great pic! Unusual mod on the Dano, John Birch modified so many basses back then. I’ve had a few Longhorns and really like them. Still got one, a late 90’s Korean model and it's one of those basses I can’t see me parting with. Sorry for the thread derail!

You still got the Dano?

This ^^^ Hate to see cable being coiled up the way my mum used to do her washing line! Quality cables well looked after should last for years. ( I'm sure I'll have cables in my gig bag that are older than some of the people on this site ) 😁

The Laney should do the job, although personally I’d go for a Fender Rumble 15 or 25. Really light but sound great. Like the Laney, both feature the all important headphone jack and also input for hooking up an auxiliary device such as phone/ tablet so they can silently jam along with their favourite tunes.😊

The plexiglass DA basses were not the same as the wooden bodied jobs, despite a similar outline. These were known as DA London model, and had a sliding pickup mounted on rails along with a chunky mahogany body and set in neck and also a different bridge/tailpiece arrangement. I always fancied one of these for some reason, getting quite rare nowadays though. Also wanted a JJ Longhorn like you had! Missed buying one in the 90’s, just after I got hooked on Longhorns. Have had a few Danos and liked them all. There was a Dynelectron for sale recently, think they were around in the 70s after the Danos finished production and before the Korean reissues. Never tried one but they look okay.

I always fancied an Aerodyne, thought they looked great and usually fairly lightweight. I tried the P-bass version and loved it, except for the fact my forearm didn’t feel great resting on the bound body. If it hadn’t been for that I’d have bought it - nice blue finish and great neck. I believe the Jazz Aerodynes have a more contoured body which is more comfortable. Also seem to remember a lot of people who bought the original Aerodynes often replaced the pickups as the standard ones were considered a bit average, although this may have been sorted now? Great basses nevertheless, and usual Japanese high quality.

Two for one on this classic tune by Emmylou Harris - the piano solo by Glen Hardin is just perfect, followed by the pedal steel of Hank De Vito. Pure class.

Interesting bit of trivia about this song - When the band performed the song on Top of the Pops (which is also mentioned in the song) as the UK new number one, the band members began by tearing up pictures of Travolta and Newton-John to emphasise the fact that the pair - who had spent a total of 16 weeks out of the preceding 22 at the top of the charts - had been deposed. Geldof mimed the saxophone part on a candelabra, a jest he explained in his autobiography Is That It?: "The Musicians' Union had forbidden me to play saxophone on the video, as obviously I hadn't done so on the record. But I saw a candelabra on the piano at the shoot and I put a mouthpiece in the central candle holder and played it. The impact of video came home when during the next few British gigs kids pulled out candelabras from nowhere and began playing them during the sax solo in 'Rat Trap'".[6]

Reminds me of a bloke I sold an old Hofner to a few years ago. He said he was a 'dealer', and when I asked him was it just in guitars, he replied - 'No mate, I do all the middle aged bloke stuff - cameras, watches and motorbikes as well as guitars'. 😂 ( As I was probably pushing 60 at the time, I can only guess he was trying to flatter me for a better price)

The Covid pandemic has really made me wonder about having so many instruments generally, as well as how many basses. There's no doubt I could manage with one for everything - it has to be light as possible, well made / reliable and plays and sounds to my liking. Hence I could flog everything but my favourite Precision Lyte. However, I can never sell my 63 P-bass, so that makes it two without even considering the heartbreak of losing my Dano, Washburn acoustic/electric and a few more. That, combined with the market causing prices to be low, means they're all staying where they are. 😊

I’ve just taken a gig in July with my acoustic duo. Will be outside, weather permitting. Obviously will observe social distancing, both with the audience and each other - we’ll need to travel separately etc, but think it’s still possible. If the weather means we have to cancel then so be it, but at the moment with the situation as it is now it’s probably the only gig I have for the rest of the year. Just hope it’s a good one!

Just noticed the Clapton doc is on again tonight (6th June 2020) at 9.15pm for anyone who missed it. Cheers.

You're kidding, right? 🤣

Following on MacDaddy's selection, I love this version by Bonnie Raitt.

I had some Whirlwind cables too, probably the same vintage as yours. Lasted for years, before being nicked / lost , presumably at a gig where pack down was in a marquee in darkness at 2am or something.

I met him at a guitar show, and he made me my cables while I waited. Proper kit!

Before I discovered OBBM on here, I used ClearTone cables. Still got some, must be over 10 years old and still working 100%. They’re still made with the best Neutrik / Van Damme combo and their prices are competitive, as well as offering a 5 year warranty.

I played at a club he owned called ( I think) Jimmy Deans. Was a new venture for him at the time, probably early 90’s ish. Certainly a colourful character...

Phil Spector was an early user of more than one drummer, primarily in the studio. Hal Blaine’s drum parts were often doubled to create the ‘Wall of Sound’. Drummer Earl Palmer was also a member of the legendary group of musicians known as ‘The Wrecking Crew’ who played on so many hits in the 60’s and 70’s. I recently watched a great film about this, available IIRC on YouTube. Search for ‘The Wrecking Crew Movie’ and I think it’s still there.

I believe the recent reissue (model 1974x) is a pretty good stab at matching the sound of the original, and is available with a matching 1x12 cab to augment the combo’s 1x12. They are quite a loud 18 watts too, used mine in a band scenario a few times. Maybe lacking the clean headroom of a Fender Deluxe but fabulous Bluesbreaker tones when running flat out. 😊

Ha ha, it was an interesting thing. Mate of mine has recently bought an Ibanez short scale acoustic bass, can’t remember the model number but similar scale to the Taylor and less than £200. He loves it. There’s also the Guild Jumbo Junior for around £400 if you’re still looking to scratch the short scale itch.

Hey Frank - no, and no! Although I liked the way the Taylor played, I found it a little problematic soundwise, some ‘wolf’ tones when using it on gigs that I couldn’t EQ out for some reason. Think it may have been something to do with the bridge/pickup arrangement, as a mate of mine brought his identical Taylor to a gig I was playing and that was okay. Anyway, no problems as I sold it on eBay for what I paid for it and just put it down to experience. Hope you’re okay mate, cheers. Pete.

Just in case you’re not aware, the Epi Jack Casady is a semi hollow electric bass, so if it’s the acoustic type of sound you’re looking for it won’t nail it. Cracking basses though. 🙂

Honestly think my next gig may be NYE. Hoping so as it’s local and a good payer too. That’s if I can remember how to set my gear up and play of course....😉

My Kingman sounds great too - use it through a Fender Rumble 100 and it seems to suit it well. You can definitely hear the ‘acousticness’ come through. Unfortunately I may have to sell it soon due to the Covid situation, as I’ll not be able to afford the luxury of having 2 electro acoustic basses much longer. 😕