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Ou7shined

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Everything posted by Ou7shined

  1. These are awesome. The first gig I did with one of these on my very small pedal board, the amount of musos who came up and asked what my big new sound was was amazing. Pissed the guitarist off no end with his gazillions of pedals which no one could care less about.
  2. Ou7shined

    Bridges

    Can you take the spring out to allow you to come back further?
  3. Voted Black coz that's what mine is (single ply though)..... but I wouldn't say no to the tort.
  4. Hey thanks ever so much for taking the time to post this. From what I can see, it looks a little different to the one I have here. He might have used similar techniques to wire them up though. I wonder if you could knock up a rough sketch of how everything is connected in your circuit? I might be able to get a better idea of where he was coming from and replicate it in this one here.
  5. Lol I saw that one. Who knows it might be a good time for it with this sudden trend for double Ps on here just now.
  6. [quote name='skelf' timestamp='1393876142' post='2385420'] Rich. Have a look at this thread on the very subject. [url="http://www.finnbass.com/showthread.php?t=10021"]http://www.finnbass....ead.php?t=10021[/url] [/quote] Wow well done guys. What a beauty. Great minds think alike eh. I'm sadly not going to make this bash but tell Dave that he and I need to organise a duet for the next one each taking turns to play bass then guitar. Seriously. That modular thing that Stuart found at the end of the thread is very interesting. Wish I'd thought of that.
  7. [quote name='tommorichards' timestamp='1393797893' post='2384511'] That one is from here: [url="http://www.philandjoanworld.com/index.php/pheo_guitars/"]http://www.philandjo...p/pheo_guitars/[/url] But i spent a few hours googling doubleneck and twinneck guitars, and saved a bunch of pictures i liked. [/quote] Nice collection. Do you have one of your own?
  8. Ok so here at last are my thoughts in pictorial form. At first (when I was thinking more practically) I was planning something along these lines.... Hardly ground breaking. But then while I was hunting for inspiration fate brought forth an Ibby Iceman neck and a Dimarzio Model One. Now I've always liked certain aspects of the Iceman design but I'm not big on single cuts or stubby upper horns.... so ideas started forming. As for the Dimarzio - check out this video... [media]http://youtu.be/OFB9o9agOsA[/media] At around 1:06 he finds something close to my holy grail of tones. Very Geezer Bultler the early years. I'm sold on the Model One. So a couple of hours pottering about in photoshop and here's the fruit of my labours.... My g/f calls it the [color=#008000]Green Goblin[/color]. She's not wrong. So here we have a more definitive list of the items I have for this project.... Ibanez Iceman neck Dimarzio Model One EB-3 bridge pickup (may or may not use this) Schaller 2000 bridge Yamaha LL-?? neck Rio Grande Tallboy humbucker Schaller 456 bridge I've seen green speed dial knobs on ebay. Still needs a few details ironed out here and there but generally I'm happy.
  9. [quote name='apa' timestamp='1393789946' post='2384410'] The VPL was the deal breaker for me sorry A [/quote] I think for me it was the brazilian.
  10. Here's meh! (edit : English Translation = This will be me)
  11. [quote name='tommorichards' timestamp='1393677225' post='2383216'] This one is quite compact, and i agree with the idea of angling the necks away from eachother to make it a bit lighter. [/quote] Wow a real "parts box" job that one eh.... where do you find these Using an existing body seems like the idea practical[size=4] solution (and I considered it) but the cost to the aesthetics is too much for me. The trick is finding the balance. I fear that my newest design may be placing more emphasis on looks that it does on practicality. Hopefully I'll be able to tweak this a bit more once I have the timber glued and have something physical to work with.[/size] [size=4]I guess I should get some concept pics up soon. [/size]
  12. [quote name='discreet' timestamp='1393671709' post='2383108'] While idly searching for a picture of an audio waveform that closely resembles a knob, I came across (fnarr) this intriguing idea for jewellery based on significant waveforms such as this 'I love you' pendant... But I digress... [/quote] Wouldnt that make a wonderful concept for a buttplug.... for valentines day perhaps? Anyway my vote went to the guy who sadly didn't get a review from Paul (late arrival - oopsie). I felt it was an original piece, dark and supremely atmospheric which suited the subject picture to a tee. The production felt a bit mechanical to me but considering it was compiled entirely of vst's its not surprising. Worthy of a few more votes if you ask me.
  13. [quote name='Dom in Somerset' timestamp='1393661946' post='2383020'] There was no pop when switching. Setting the necks at different depths is something I considered, it could also allow you to get the necks closer together without compromising access to the machine heads.. If I did it again I would go Steinberger, I'd be able to get the necks closer together and drastically reduce the weight. Being able to change necks even on occasion mid song was great but to keep costs down I couldn't build the bass I really wanted. [/quote] Cheers Dom. I guess the weight/mass aspect could actually be more of an issue than I gave serious thought to. Your design looks very neat and yet you'd still prefer less body. Very interesting. Getting the necks closer together isn't as much of a problem for a guitar/bass as the guitar can nuzzle alongside the bass without the machineheads even being close (especially if you don't make the necks parallel). In fact I'm bothered that I could[size=4] place them too close in my effort to save space. What do you think would be an optimal distance apart?[/size] Does a double necker balance the same as a normal one? I'm considering a shorter top horn than standard for my design ... which has now drastically changed overnight due to a bit of late night "inspiration". If things come together as I hope then my new design will make it a world first.
  14. [quote name='Dom in Somerset' timestamp='1393626014' post='2382869'] [/quote] Ah yes. I remember when you built this. I remember too how much I admired it. I take it the switch in the middle selects between fretted and fretless. Something I'm worried about, is there any "pop" as you switch guitars? Funnily enough I was just going over my design in photoshop and I added the upper fret access for my guitar neck in exactly the same way as you have for your fretless. Previously I had envisaged the body just connecting straight up between the two neck pockets. I wasn't comfortable with my new look cut out though. However having seen your pictures I see how it actually looks a lot better in real life than it does in 2d. It will stay. Cheers for that. If there was anything you could do again what would it be? I'm not really a fret watcher but I do look down now and again if I'm making a large jump between frets or I loose concentration. I'm considering making one neck maybe a cm deeper set than the other so I can see the lower one without obstruction. Daft idea?
  15. I can't imagine that Elixers are any less inclined to mark the board than other rounds. TI's are quite bright.
  16. [quote name='Musky' timestamp='1393616723' post='2382717'] I've got a Pangborn circuit in one of my basses. Push/Pull on one of the volume controls, phantom power. Seem to remember that there was a stacked pot in there and the circuit board was enclosed in something or other. I'm a bit busy this weekend but I'll see if I can have a poke around and let you know what I find. [/quote] Aw man that would be awesome thanks. No push/pull in this one though.... just scratchy barely functioning crap. [quote name='Musky' timestamp='1393616723' post='2382717'] Edit: There used to be a Pangborn group on Yahoo. Common comment was that the electronics could be a bit unreliable. [/quote] From what I have here I can well believe it. It sounds lovely plugged in ... you just can't change anything.
  17. [quote name='Dave Vader' timestamp='1393605906' post='2382540'] You will need extra arms. And to be as cool as this guy. [/quote] Hahah. A bass fit for a destroyer of worlds. Imagine his monthly bill for deodorant though.
  18. [quote name='gelfin' timestamp='1393603802' post='2382503'] Here's one I made earlier At the Cardiff Bass Bash. Not me playing it. [url="http://s970.photobucket.com/user/gelfin5959/media/DSCF0005_zps6bccc808.jpg.html"][/url] [/quote] Nice design mate. I like how you offset the necks so that they lined up vertically in the playing possition.
  19. [quote name='tommorichards' timestamp='1393590650' post='2382281'] Alright! Yes! Ace! Heres a page of ideas for you. Ive been wanting to build a twin neck myself, as so have been collecting images for inspiration. Heres a collection of them, though admittedly half are twin basses, but screw them! [url="http://trichards.co.uk/gallery.php?load=images/gallery/Doublenecks/"]http://trichards.co....ry/Doublenecks/[/url] Also, consider making them splittable, ala the genesis. Guy built a tribute, and the method he used to keep them together was good. Heres his build diary. [url="http://www.grubersaberhagen.co.uk/Grubersaberhagen/Genesis_Build/Entries/2009/6/27_Genesis_Build_Part_1.html"]http://www.grubersab...ild_Part_1.html[/url] Good luck with it. [/quote] Wow. Cheers for the link bud. It would appear that with the exception of one or two they all have to follow a certain similar formula. Mine I think will resemble the Hayman/Shergold job held by the happy dude.
  20. [quote name='Dom in Somerset' timestamp='1393586395' post='2382202'] I played a twin neck for a couple of years , I came to the conclusion that the only way to get the weight down was to go Steinberger! I did plan a second attempt but the cost was going to be astronomical (you are building two basses) [/quote] Hopefully with this being half bass and half guitar it won't be too bad. The guitar neck does feel very manageable compared to what I'm used to from basses.
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