Dad3353

And yet there are some here posting their pride of having a car with a popping, banging, burping exhaust note, or a motor-bike with an illegal, after-market, 'not for road use' exhaust 'silencer'. Superfluous noise, eh..? Sometimes, apparently, it's wanted, by some.

It's not something to be demonstrated in that 'audio' fashion, but if the speaker cone displacement was visible, it could make the point. Not all comparisons are audible; this is one of them.

Folk that confound 'there', 'their' and ... Nah, I'll not bother after all.

No, that was King Jamas.

Or Gideon..?

But that is how 'gif' is pronounced, isn't it..? How else would one say (or think...) it..? 'Giraffe', anyone..?

In 5/4..?

Something with a walking bass-line..?

John Entwistle's Ox, at Brunel University. We left after very few minutes, having been pummelled in the guts until we reached the exit doors, plus the sax screech. Loud..? Not arf..!

Ah, nostalgia..! There were also a few in Kingston (-Upon Thames...), Bell Music, Bell Road, Hounslow (pronounced 'Arnsler' by the natives...) and, for the brave, a 'front room of a terraced house-shop' in Hampton Hill; Mrs Nicholls opened the door. I don't think I ever saw the son whose 'shop' it was. Only s/h stuff, and pretty tatty, but it was all we could afford. Happy daze.

What is this 'Facebook' of which you speak..? ...

Duplicate posts. ...

Folk in denial that refuse to acknowledge that they would benefit from professional help ...

Topics about irrational prejudices.

How about zip-lock bags (as used for food to put in the freezer...)..? Keeps everything together and dust-free. Re-usable, too, if ever you put the pieces back on the bass.

Split the keyboard, with the bottom half panned hard left, the upper hard right (well, maybe not as hard as that, but more than 50% at least...). Pan the bass to the middle, obviously. Ideally, of course, this 'sharing' of the frequencies should be done when the song is composed and arranged, so as to have a better sonic field for each instrument, although there's no absolute rules for this, either. Some overlap can be musically valid, it depends on the song. Kudos for the drumming in the video; more interesting than many 'young' bands these daze. All in all, Good Stuff, worth getting right 'live'. Hope this helps.

Fixed. ...

Advertising..? Back-room staff..? Fines for poor fire procedures..? I may not have all the details right, I'm not their accountant.

Cost of financing equipment and property acquisitions and rentals..? Interest rates are cripplingly high.

Listening to equivalent music through those same 'cans' should give your ears/brain the references needed for your own stuff. Put some favourite reference tracks of similar genre into Garageband and compare with your mix. Adjust to get yours to sound as good as your reference tracks to your ears. This technique works whatever one is monitoring with, even if one's own hearing is less than top-notch.

On the other hand, it should be possible, and doubtless easier, to route an Aux Send/Return to an external delay unit that has the required on/off and tap-tempo features.

Here's the relevant (two...) pages from the User Manual (has to be from my Google Drive, as every bloomin' file seems to be too big these days for BC ..!)... X32 Compact Midi Implementation info ... Hope it helps.

"It doesn't matter..." I gave it two minutes. I didn't like the song, at all, nor the bass in it (well, you did ask...). Shades of Cap't Beefheart, but he and his cohorts did it better, in my view. Devoid of interest, for me, but... Do your 'thing'. Peace. Disclaimer : I'm a drummer, soooooo...

It should indeed, but the doc is a bit... err... 'sparce', lacking in detail and clarity. The link I posted explains a bit better how to approach the subject.

You might find the information in this 'blog' post useful. It would appear that FX is not a great problem; less sure about tap tempo. Worth a read through..? What Jessie Did Next blog page ... Hope this helps.