stingrayPete1977

[quote name='EBS_freak' timestamp='1380559997' post='2227099'] "ooh, imagine it in it's day..." [/quote] Gash

I was going to put a picture of a terrible Morgan style kit car on but I am on the works PC

[quote name='EBS_freak' timestamp='1380559426' post='2227087'] Are people not reading my comments properly? It's not about going elsewhere or chosing other vendors... I am guessing Shockwave's choices for going with those manufacturers are because they offer something that other vendors dont. Jon Lett's guitars are certainly unique looking and not something that is readily available off the shelf. SGD pickups certainly have a rep over on talkbass - and I don't know, but it wouldn't surprise me if Shockwave had ordered one of those Wal inspired pickups. Now you tell me where you can readily get hold of a set of those. I know another certain luthier was working on getting some manufactured, but I know he wouldn't see them outside of his basses, as they form part of the unique selling point of his basses. I would certainly suggest that people do their homework. Find you perfect luthier. Find your perfect pickup maker. Great. But if you want a XYZ product that is only available from Mr ABC, then you are in a put up or shut up situation (there's that phrase again for me to misquoted on again). There are many luthiers that have certain reputations... but the top and tale of it, you have to deal with them if you want their product that badly. Jeez. You want something like a Morgan car? You join the (long) queue... you don't know exactly when it will be made... you just sit and wait until your number comes up? Not good enough? Buy one second hand or put up and shut up? You aren't going to get a new Morgan any other way. Yes, you can buy something else and take your money elsewhere... but you won't have a new Morgan. It doesn't matter what stories good or bad you are told... if you want something, in a way, you have to play their game despite you being the customer (and of course, the customer is always right). Totally wrong I know... but that's how it is when the seller has something that you want that you can't just pluck off the shelf. Yes, you shouldn't have to play the BS games... just depends how much you want that final product. Do you get it now? [/quote] I'd just go somewhere else, probably cheaper too

I presume that is what the scroll is for?

[sup][size=5]What I always find funny is the anti anti Barefaced brigade that pipe up before anyone even makes a comment! [/size][/sup]

Steinberger time!

[quote name='EBS_freak' timestamp='1380547821' post='2226843'] Which status in particular? [/quote]The one about your bad neck, maybe you need a lighter bass!

[quote name='EBS_freak' timestamp='1380547235' post='2226821'] Missing the point - if you want something that only a certain manufacturer can offer and can't go elsewhere... than you either don't have it, or be subject to their way of work (whether you agree with it or not!). You aren't going to get a Wal from anybody but Wal. You aren't going to get a Kingbass from anybody but Status. If you absolutely must have item "xyz" and manufacturer "abc" is the only person in the world that makes it... your options are limited. (Again, I stress, rightly or wrongly... I still stand by the fact, in that case, as crude as the words are, "put up and shut up".) And lets face it, one person's experience with a company is different to anothers. For example, my experience with a certain luthier bucks the trend of their reputation... and even if I told the story, it is unlikely to put anybody else off. Sad as it may seem, it's a case of doing your own homework and buyer beware. [/quote] I was just looking at your Facebook status dude, made for an interesting read!

If I'm using pro gear and its been used for a few years it's already paid for itself imo, i wouldn't worry to much about future value of possible used prices as long as it's what you want at a price you are happy with.

If I'm using pro gear and is been used for a few years it's already paid for itself imo, i wouldn't worry to much about future value it possible used prices as long as it's what you want at a price you are happy with.

I'd keep going on the m6 and go to bass direct

[quote name='OliverBlackman' timestamp='1380189307' post='2221976'] My old teacher had a teal one and it was the same textured finish as the rest. I've never seen one with a proper finish. Maybe the one you saw was a prototype, or the body had been swapped/ refinished? I had a trans teal MM Stingray and it was the sexiest bass I've ever seen. Kinda regret selling it but it was expensive and wasn't the sound I like. The new ones really lack the low mid punch the old SUB's had. The new ones are god value for money but to me sound a little basic. Whereas the USA SUB's had bags of character. [/quote] A trans finish but textured?

[quote name='Lowender' timestamp='1380139060' post='2221500'] In the U.S. The finish is poly. Not sure if they ship overseas. They also run sales. [url="http://www.musiciansfriend.com/bass/sterling-by-music-man-s.u.b.-ray4-bass-guitar"]http://www.musicians...ay4-bass-guitar[/url] [/quote] Those are the new ones again though not the USA made ones.

[quote name='Hutton' timestamp='1380134608' post='2221398'] I thought all USA SUB basses had the textured finish. Are there some colours which aren't textured? [/quote] The teal ones are proper trans teal, I'm sure there are others?

[quote name='stoo' timestamp='1380010559' post='2219323'] Aren't there some variants of the USA SUB? Often seen mention of some being active 2 band preamp and some with just passive tone controls, and also some with the pickup wired parallel or some wired series? [/quote] Yep and they dont all have the artex finish either, as Stu g says above he had a teal one, I'd track down one with a regular finish, swap the pickguard, make sure its wired in parallel (or even fit a push pull for both) and put a John East preamp in it, flat the neck off with some 1200 wet and dry, job done

It must be your fault then

As they say on Dragons Den "I'm out"

If they lost all sound on stage why did they try swapping the ampeg anyway? surely that meant the loss of signal was further up the chain? I bet there was some choice words being used after the gig and he looks a big bugger dont he

I would love to know exactly what bit went sh*t shaped, I know he is a pro and all that but at what point do you just put a lead into the Ampeg or Mesa and put a Di out to the desk for FOH? I can be certain any bass would have sounded better than the no bass we had for Jesus Christ Pose and Rusty cage

Looks like using amps as monitors could be part of the problem then, what a crazy way of doing it, what are the Ampeg cabs for?

[quote name='Lozz196' timestamp='1379954136' post='2218691'] Agree with Chris, two of the same cab is twice as nice. [/quote] I actually think its three times as nice

I'd only ruin it by putting thumb rest on it

[quote name='bramleyapple' timestamp='1379885714' post='2217952'] I was at the gig I saw a Mesa rig next to the ampeg rig would they not of just used that? [/quote] [quote name='bramleyapple' timestamp='1379885714' post='2217952'] I was at the gig I saw a Mesa rig next to the ampeg rig would they not of just used that? [/quote] Very odd wasn't it? was it just stage dressing to create the wall for the bass tech to work behind I wonder?

[quote name='NancyJohnson' timestamp='1379879351' post='2217773'] He gave it to photographer Ross Halfin. It's on his blog. They gave him a case as well! P [/quote] Brilliant

I can't remember the last time I used an amp in the studio, bass pod about 12 years ago, various di's into a myriad of computer based emulators ever since. Every engineer that has been doing it a while has always loved a stingray into the desk with the eq on the bass set flat leaving them infinite final mixes to play with