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Posted (edited)

To answer my own query…I found a German Takamine sight which gives more information:

 

The DB10 Pro Series bass is entirely handcrafted, leveraging the wealth of experience we've accumulated over five decades.
This unique hybrid bass guitar retains the familiar 34" scale length, but the neck radius corresponds to that of a double bass—you can even use a bow to play it. It includes a retractable endpin specifically for this alternative use. This fretless instrument (without frets) produces a rich and powerful bass sound with harmonics familiar from a double bass.
Its Palathetic™ pickup from Takamine is considered by experts to be one of the most accurate and natural electro-acoustic pickups available.

 

The TB10 Pro Series bass is entirely handcrafted, leveraging the wealth of experience we've accumulated over five decades.
This unique hybrid bass guitar retains the familiar 34" scale length, but the neck radius corresponds to that of a double bass – you can even use a bow to play it. It includes a retractable endpin specifically for this alternative use. This fretless instrument (without frets) produces a rich and powerful bass sound with harmonics familiar from a double bass.
Its Palathetic™ pickup from Takamine is considered by experts to be one of the most accurate and natural electro-acoustic pickups available. With the Cool Tube® preamp, the only tube preamp for acoustic guitar, you can leave nothing to chance when it comes to amplification.

 

So, both models are the same, but the discontinued TB110 has the addition of the Cool Tube preamp. 

 

I love the double-bass sound of these basses, much closer to an upright than anything else I’ve heard. The negative for me is that I did try one for 30 seconds 12 years ago, and found it required a really strong right-hand pluck. I’m not from that school at all, unfortunately. 

 

So my quest for a DB sound with a lighter technique continues. Perhaps the Godin Ultras might get me close. I’m not a fan of the Mwah! that it seems is coveted by most fretless players. 

 

Edited by Rob MacKillop

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