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Posted

My preference has always been the Thomastik Jazz Flats of the 43-100 variety. I like the low tension, as you can actually bend them and play dynamically. They feel a quite similar tension to the Elixir 40-95 set I have on the American Performer Mustang.  I just put the Thomastik set on my Vintera II Mustang, as the previous owner had put the usual LaBella DTFs on, which just killed all of its character and sound - the LaBella E-string was previously sending the tone into a deep pit of durge and despair! 

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Posted

I haven’t read the replies, just the OP’s post so it’s likely already been said, but Ernie Ball Cobalt Flats are definitely the brightest flats I’ve played. Chromes can be pretty bright to start with, but they get pretty thumpy before long and they’re also quite stiff IMO, whereas the Cobalts are relatively low tension for flats 

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