Mrbigstuff

Have you seen the prices of US instruments now? Those vintera series are the same price an US Deluxe was 10-15 years ago. Then MM US special are nearly £3k. You could get those US SUB basses for £350 brand new before they were discontinued

You’re in but you’re wife can no longer take part. I’m sure she is devastated 🤣

A lot of assumptions here. They’re all basses; different basses have differences and even the same basses have differences. If there’s more availability on the market, more power to the consumer.

I disagree with this from my experience. My first basses were wanted purely because the musicians I liked played similar. I’d be surprised if I’m alone in wanting to look and sound like my favourite bands.

janek Gwizdala has given his take on having a signature bass in a recent podcast. He goes through potential benefits for a musician and benefits he experienced.

All old bands that likely have a similar age audience. Vulfpeck are hardly new but a few decades younger than those mentioned.

On all the basses he played the notes aren’t clear because his action is too low. More buzz than buzz light year

He’d get more from his tone if he raised the action a bit so he could dig in with choking the string.

What is bass mastery? Being able to recite Jaco’s portfolio or being able to improvise and write music in all styles? I don’t think anyone has achieved the latter, it’d need more than 10k hours

Funny how this pretty much confirmed my pre existing thoughts of my own preferences . I prefer the sound of rosewood to maple boards for finger style. I prefer passive sound over active. The Alleva was slightly richer sounding than the MM and had a much tighter sounding B string and is probably the one I’d have overall.

Look at Stuart Clayton’s books

Yep, all burners are jap made

It’s probably sounded great for nearly 60 years… Is shim GAS going to be the next basschat craze?

Try something like the Rotosound flats. It’s such a deep warm sound but like trying to move a boat

Saw this on the FB page. It’s a looker for sure!

The music theory section of basschat has more than enough to develop any level of player

The generosity on this forum is something else. I’ve stayed overnight in Canary Wharf where there was plenty of parking although not cheap. I enjoyed the show but the sound was pants where I was sitting and me and the wife both thought the setlist was a bit odd. Still, it was something I’d always wanted to experience since missing out on the stadium Arcadiam tour.

I have an idea….. So that you don’t have any regret, you can send it to me and I will keep it until you want it back. For free! Then you can collect it. Saves the faff of selling and sadness from sellers remorse. 😝

I’ve obviously not played the 35th, but the 30th is the only MM bass I would buy. The one I played at the bass Gallery was just a sublime instrument way beyond the others I’ve tried (including the 20th) or owned

I’m not surprised it’s stuck. Early 90’s stage II is not going to be easily beaten.

The LPB P bass they have of his is much more appealing

Probably got GAS and wife has said 1 in 1 out

Look to emphasise the solo rather than offer something different. Follow the direction it goes in and punctuate any key phrases or beats. Works for any style/ genre.

I don’t have either of these basses but it is good practice to loop the cable around the strap so you have some slack if the cable is pulled. Martin at the Gallery once advised that right angle plugs are much better for the Jack socket after having issues with a Warwick.

I’ve never really loved the music I have gigged and I think that’s one of the reasons I decided all the other sacrifices were too much. If I could play arenas once a week with a sh*t hot big band and a luxury tour bus picks me up and drops me off I reckon I’d be all for it.