EBS_freak

It’s utter tosh!

Tsk all this talk about small fry prices... https://rover.ebay.com/rover/0/0/0?mpre=https%3A%2F%2Fwww.ebay.co.uk%2Fulk%2Fitm%2F132878594988 imagine what it would be worth if Fodera had a hand in choosing the wood.

If you are looking into haptic feedback devices, also check out the Woojer and Backbeat.

Not really no - the XR channel settings would be for your core tone... it would be a bit clunky otherwise.

Indeed. Although when I saw him on the Police reunion gigs he was into thoroughbred Ampeg. Also - Anthony Jackson - Meyer Mike Gordon - Meyer (although they may be powered) (think Phil Lesh also uses/used very similar rig)

Yet poses with Ashdown rigs...

IEM route may help you - especially if custom moulded - but you’ll need to think your setup and how you’ll route everything into your ears such that you can get a good mix of the band along side yourself. I may also recommend you getting a digital octave pitch shifter so that you get a copy of what you are playing with an octave up so your bass is audible in a more friendly frequency spectrum in your ears. Mix the octave up with your source signal in your ears only not out front. That will give you the intelligibility in your playing to hear what’s going on. Petes suggestion of ZS10s is a good one, also UE6s are a great custom IEM for us bass players. I do think isolation is key for you though - the more you can cut out and the lower volume you can play at, the less impact and pain associated with your tinnitus you will have. If you are looking over ear, EX29 is also a good choice - Paul Gilbert’s preferred headphone. Additionally, as you mention them, the bass response and crucially the headroom on The ACS dual drivers are pretty poor - they may be actually adding to the distortion - they run out of headroom quickly and distortion sets in. Additionally - are you sure that the balanced armatures aren’t damaged? Feel free to msg me or head over to the IEM thread if you need some pointers on how to make all this work.

Also if you went Midas MR18 you have a 10 year warranty if you have concerns about Behringer digital mixers.

Linda paid for Macca’s Wal.

Listen to me Frank 😉 you know it makes sense - stop thinking like a dinosaur!! 😛

Historically yes - but the XR and X32 have proven themselves to be as reliable as the competition. Remember that a lot of Behringers digital desk development has been done in tandem with Midas.

Not really - if I was going to suggest.a XR for IEM use, I’d say XR18 for the aux count. If you are looking to go that route, go for the XR18 straight off. If you want flexibility and want to run a stand-alone setup, then you can get away with the XR12. You can run your mainouts to the QSC and an aux to a FOH mixer, of an aux to your QSC and the main out to your foh mixer. The XR18 could do both jobs of the XR12 and foh mixer. You can either mute the channels (or turn the volumes down on the basses that are connected to the mixer) and have all your instruments plugged into the mixer. Or you could have one lead into a switch which would a b into two channels on the mixer. The reason I am a fan of digital mixers is because they tend to give a lot more flexibility than most pres - for example, you typicall get a 3 or 4 band eq, with adjustable freq point, q in addition to cut and boost. You get lpf and hpf. You get 31 band eqs so you can notch out troublesome frequencies... In addition to that, you then have highly tweakable compressors, even multiband compressors. Everything you state is possible... you have LR out for your main speakers, and then aux outs for backline, monitors or even IEMs. For an acoustic setup especially, I don’t know why you wouldn’t just go XR18. @stingrayPete1977 has just sacked off all his amps and external pres - I believe he puts his upright and elec bass into his xr16 and let that do everything.

@Frank Blank maybe consider something like a XR12 - you can dedicate a channel to each bass, each with individual gain and EQ and compression, overdrive etc... to build your core tone for each instrument... whatever you need. The amount of processing you get in that small box is just staggering, if you can’t make that work for you...

If Macca hadn't have used a Hofner, think what those groundbreaking Beatles recordings could have been. Come to think of it... wouldn't you be whizzed if you hired Macca to drop down some bass... and he turned up without a Hofner.

Yeah, it looks OK but talk about shoddy choice of wood. Clearly this thing was thrown together... could have done with the eye of Fodera to get some decent wood that isn't just driftwood.

I'll reserve judgement til I've heard them! Strong prices - but they could be ace.

No.

You've got two bands now... and a back line. Cmon, it's an easy decision. But then again, I am a complete gear slut.

I remember her trying to justify her "nudgy nudgy" park thing when she was parking her mini infront of Evan's new Ferrari. Found a pic of the damage she did here - https://www.aol.co.uk/2011/01/28/vanessa-feltz-chris-evans-ferrari/ Although the news reports goes against what Evans told on the radio... he was jaw dropped when Vanessa defended her actions when she recalled how she keeps reversing until she feels her car "touch" the car behind and then move forward slightly. It really depresses me how people like this get famous. Can't present, can't park... what next?

Look to be in decent condition and cased. 750 a piece. Not too shabby value for money.

No - some are better than others... whereas some don't even have the correct mics.

There's plenty of custom builders that do similar... It's a big reason why people commission basses... And for those builders that just build for stock, the wood they put out is hardly driftwood. I think Fodera is being given too much credit for choosing nice pieces of wood.

So if it's not a sound thing - but more a movement of air, you may want to look into a eich bass board, a kt platform, a woojer or a backbeat.

Is this true though? Or is it part of the Fodera hype that makes people think it's true?

OK - is that a feeling thing for you on stage - or out front? What are your FOH speakers?