dudewheresmybass

Eyes of a stranger- queensryche

Down to earth - Peter Gabriel

Dirty women - the sabbs

Love in the third degree - banananananarama

Wherever you will go- the calling

Song for whoever - beautiful south

I want to make tea- queen

The preacher - testament

Charlie big potato - skunk anasie

The bodied version was called the jack bass

I quite enjoyed the previous reissue that I tried. wasn’t the earlier version short scale? are these full sized?

Silent scream - slayer

Empty words - death

Screwdriver - prince

Stained glass horizon - cathedral

Hit me with your best shot - pat benatar

The only time I use a preamp live is when I’m on an amp less / iem set up. The pre ( mxr m80) basically becomes my amp and Di. when recording I use a pre dependant on the sound I’m looking for ( mxr, Eden, Hartke, behringer bddi) into the interface. for studio recording and main live work, it’s the Di from the amp head.

Love shack - b52s

Planet caravan. Black sabbath

Witch tripper - down

I found the octave down to be too ‘nice’ I preferred the tone of the mxr bod with the growl switch engaged. the ebs is kept for situations where I want something not quite as aggressive.

As already mentioned the tone of the octave is the key thing here. all of the pedals named will do the octave down, but I found that the oc2 was very synthy, and didn’t fit the context, the ebs octabass was too polite, and the mxr bod was ‘just right’ for Goldilocks lol With all of these, I’ve had no issues until getting down to a low f on the e string. my favourite single octave down is the older dod octoplus- great pedal, but it’s size is the handicap. If only there was a clone of it

Gimme gimme gimme - abba

Hey stoopid - Alice Cooper

Break like the wind - spinal tap