I think it also depends on the band.
My band is a three piece plus singer rock band so I have to be heard as if not the guitarist sounds lost and empty during solos etc
Nothing wrong with the Ampeg Opto Compressor, in fact it’s great but ..
I like the idea of nothing between bass lead and amp for the purest signal hitting the amp.
Ive now ditched the Line 6 G30 wireless too
I’m seriously thinking if I really need to use an outboard compressor pedal and my Boss TU3
I am liking the fact it keeps my signal in check on my ABM600 but perhaps if I turn down the input slightly I can ignore the use of a compressor ( acting more as a limiter ) and as I tune up typically twice per session with the band ditch the tuner and use a clip on when not playing ( start of set )
I would still use my Line 6 G30 wireless which I really.
Just a thought do I really need the compressor at all ?
I never slap and play finger style for mostly rock
At least if you buy new ( Squire ) you have a warranty
I’m just upgrading the bridge on mine to the Fender Hi mass bridge which I have on my Player Series.
The bridge is fine on the Squire but I like the style of the HiMass
Could be but some of the older Mex basses were average and no better than Squire.
The advantage I guess is it has Fender on the headstock.
Make sure it’s genuine by checking serial number as there are many fakes around
Used it for band practice last night
Excellent bass
Sounds as good as my Player Series and was set up very well out of the box. I can recommend it for anyone looking
I nearly purchased the Kiloton as my backup bass but in the end chose the Classic Vibe 70’s PBass in black
Nicely set up and very decent PBass for £339
Arrived today after a saga of sending two Classic Vibe 60’s back.
The 70’s Vibe is a very nice bass indeed.
After a quick tune up I was amazed how well the setup was. Neck bow action and intonation all good.
Looks nice in black and the neck is very playable.
For my back up bass it’s very good indeed