Rich

Enjoy. This is awesome.

Simple notes, intertwining... but you won't get to hear them actually intertwine unless you've got a spare 30 years or so.

And I want the neck wood back... Hold on, that won't work will it..?

Agreed 100%. Things like this will lead to a crackdown and then we will all be back at square bloody one.

Our school music department was hopeless really, massively underfunded. Our first music teacher was a knob who looked down his nose at anything more modern than Bach, and who tried to tell us that electric guitars were made of plastic. He left very suddenly and there were rumours that it was because he had tried to grope a pupil. His replacement was a much more amiable chap, who helped us out when my mates and I formed our dreadful 6th form band -- he let us use the music room after-hours and gave us the key to the kit room and (more importantly) the coffee cupboard. He also wrote all the music for the school play one year, which was a musical based around the great plague & fire of London. It was a lot more lighthearted than it sounds and was a great success.

I spoke to soon. Following discussions on messenger, it seems that sax and rhythm gtr are unwilling to start playing in public just yet, even with distancing in place. Fair enough. BoIIocks.

Brexit irrelevances removed. No more please, folks.

If I had to start again, I'd get a really top-class rig and a good mid-range bass rather than the other way round. Obviously, in an ideal world I'd be able to afford a really top-class rig AND a really top-class bass

Likewise. I've always assumed my stuff was mahogany but i'd love to know for sure.

Suddenly, from outta nowhere, it looks like we might have a paying gig next Sunday. 2 sets in the afternoon, outdoors at a pub just outside Chippenham. Our frontlady has done a visit/risk assessment and they're taking safety very seriously indeed. She knows what our individual concerns are and she's happy with their arrangements, which means I'm happy too. Yay

Any excuse for a brew

Yay! Welcome back matey oh how I remember your awesome pedalboard. Amazing otherworldly sounds from your (Roscoe IIRC?) bass. You're still on youtube too!

My pick choice is Herco's heavy thumb-pick. I find that I start getting cramp in my fingers if I have to grip a regular pick for too long, and the thumb-pick means this doesn't happen as I barely have to grip it at all. The other neat thing is that because it stays stuck to my thumb, I can switch between fingerstyle and pick on the fly -- between notes, even.

Oh HELL yes. Thank you v.v.muchly

I have only 2 regrets with my 2007 Shuker build. 1, I wish I'd originally specified the Delano pups I've since had fitted, rather than the EMGs I asked for. and 2, I wish I'd done it years before. Custom build wise, I'd love another one some day but it's probably out of reach. Maybe a Limelight '65 Jazz at some point, but I will be very strict on the amount of relic I want done (i.e. not a lot). And I've been talking with @Andyjr1515 about some renovation work on an old Overwater short-scale that will be extensive enough to pretty much class as a custom build

The lack of 'feel' would be the thing I'd miss. I like the idea of the vibrating platform things, but it nails you down to one small area of the stage and I wouldn't like that. Is there some sort of wearable vibration kit that could recreate the feel of a backline thumping away behind you, without having a backline thumping away behind you?

Oh definitely nothing wrong with it at all, quite the opposite. I've been planning a OO industrial/quayside layout of my own. One of these days... We should start a model railways thread

That's weird. I'm looking at the world via my office server at the moment, which is usually on an absolute hair-trigger when it comes to malware and adware and anything-else-ware, and yet it's perfectly happy with the Blackstar site.

In fairness, I think most of us here wouldn't have the first idea how to play a Stick either

Roderick's greatest talent by far these days seems to be in the construction of 1:87 scale model buildings.

I think I saw that film too, Jack. Poor fella seemed to have something wrong with his knees.

Hold the front page. Hooky in 'not entirely happy about something' shock.

That commercial was filmed at the Tan Hill Inn, the highest (as in, most altitudious) boozer in England. They had that very feather framed on the wall, until somebody stole said feather. They are incredibly cross about it -- one might say, spitting feathers -- and are, I believe, offering a reward for its return. Edward Walker Moult, known for his jolly demeanour, feathery adverts, and genuinely tragic demise