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KingPrawn

⭐Supporting Member⭐
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Everything posted by KingPrawn

  1. For me, it's about what my income and expenditure allow. I don't have a huge amount of indulgent money. Like many i/I/we have to plan and save. I have spent a lot on a bass, as I've treated them like investments. I have 2 what I would class as expensive basses. My Fender Jazz custom shop cost a fair amount. However, I've gigged with it for years, and it's never given me a problem. It's consistent and reliable. I've probably earned a fair few grand from it each year I've had it. It has paid for itself several times over. So yes, expensive, but in my opinion, a good investment in a workhorse of an instrument.
  2. Thank you. Yes, i feel it's a good price for an instrument of this pedigree and versatility
  3. It is a stunning instrument, and the action is incredible.
  4. I have no doubt your right. As i said in the description before my time someone swapped the pickups.
  5. Ive had it confirmed by ZON that its a USA made bass
  6. Ive added the email reply i had from Zon to the images of the bass. Its a USA made Instrument
  7. Ive had a reply from ZON and this bass was made in California
  8. I have no idea. I might email ZON
  9. Of course. It's been a really miserable and rainy day here in Birmingham today. Think it reflects my poor picture
  10. Evening all. I'm selling this beautiful Zon Bass. This has the lowest action of any bass I have ever owned. It really is effortless to play. The neck is impeccable, as you would expect from such an incredible builder. The finish is so beautiful that the maple is stunning. Before my time, it was fitted with a drop tuner on the E and some new pickups. ( original tuner is in the gig bag). It sounds incredible. I was using it in a 70's/80's funk-pop band. It sounded great. I haven't used it for at least 6 months. I found some blurb The first bolt-on neck bass Zon ever made, this Legacy Standard features a two-piece hard maple body finished in natural. The electronics are the newly developed Polyfusion ZP2D active system, which features an active volume control, pickup blend, bass and treble boost/cut controls, and an internal midrange control. THIS IS A USA MADE MODEL £900 posted insured to UK address £865 collected Any questions, give me a shout
  11. My heart goes out to his 2 young lads. Their dad was an important player.
  12. A timely thread. I'm about where you are. Playing live for over 40 years. I find I'm pushing myself as I don't want to let others down. Two gigs this weekend, and if they were both cancelled, I'd be quite happy. Hadn't thought of a reset, but maybe finding something that suits me. I also think I should give the gig to someone else and not be selfish. I'm going to think about a reset for sure.
  13. What a stunning instrument. When I collect my Euro Millions winnings tonight, I'll be in touch. Might charter a private jet to collect!
  14. I'm lucky the bands I play in have the same process. 1. Agree on songs that are vocally and playing ability workable 2. Practice at home and nail your part 3. learn the form of each song ( agree which version and key) 4. Rehearse and see if it works if there's an element of doubt bin it
  15. Great vibe, is it 'Captain Scarlet' inspired?
  16. Good for you, man. As long as you're happy and enjoying your music on whatever instrument
  17. Evening all. I'm posting this question as I am genuinely interested in your experience of booking gigs and how you feel the current climate is. I am essentially a weekend warrior, so I'm not talking about you cats who have the cream gigs. I play in a few bands, locally in the Midlands and have noticed a huge change in venues' attitude towards booking live bands. It used to be that we could go out as a 4/ 5-piece or more, depending on the style of music and get plenty of gigs and maybe £100 a head. Over the last few years, I have experienced more and more venues that are booking solo artists with backing tracks for a sub £200 fee, above a full band. We played a festival in the summer, and all the acts before us were solo with backing tracks. I get why the promoter does it, as it's cheaper for the venue/festival. I felt it looked awful as an audience member. A lone individual with a music stand and an iPad on a stage the size of an articulated lorry. I just worry about the live band experience and what will happen to it. I'm not against backing tracks; they have their place. It just feels a bit poo
  18. I can't be around people with views that are hurtful or marginalise others. Happy to have differences and others present their opinion in an informed way. If you're uninformed and following the herd, I'm not interested. I also can't work with people who are so angry and bitter that their view of 'others' can't be shifted.
  19. That's an incredibly tough first gig, given the circumstances. I really admire and respect you for even attempting this. I think what will get you through is the fact that you're paying respect to your brother. Maybe think about how proud he would be of you to remember him in that way. What anyone else thinks is irrelevant. They are all there to celebrate your brother's life. Visualise you playing on point and just practise until it's second nature. I hope it goes well for you.
  20. Oh i'm in Anyone that works in a music shop and insists in engaging in a conversation with me. When all i want to do is try something i will never buy Basses with the headstock that matches the body. When did interior design take over the bass world Jeff Berlin because he has a signature Cort bass and i fell for it. They will only ever sound good on fire!! Amps with sh*t loads of buttons. Just fook off Rehersal studios Any bass over £500. Ive had them all and none were keepers. Not worth a tos* Hardcase gig bags. unless your on a plane. Your only driving up the road you muppet
  21. Bought a set of Flats from Simon. No issues, as described a hassle free transaction Take Care simon
  22. Hey Simon What is it that didnt work for you? What sort of vibe do they produce?
  23. It was brilliant. Played the Swan in Stourport on severn. A local gig with the best energy and crowd.
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