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Ian Savage

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Everything posted by Ian Savage

  1. ...it's a Kinsman ABS type, used but not abused - although the back lid's got a couple of cracks in it, looks like it might have been trodden on or something at some stage. All works perfectly though, catches and stuff are fine - if anyone's got an 8U they don't need and fancies a 10U, or anyone just wants to buy the 10U off me so I can downsize do make me an offer! I'm in Walsall, West Midlands but I'll be in Warwickshire somewhere in the next week or two...
  2. May be interested if it's not already gone...
  3. [quote name='rob_89' post='910943' date='Jul 31 2010, 08:47 AM']its a crap song but listen to Maxwell Murder by Rancid for the bass[/quote] It's a great song, and I've already linked it
  4. I'm fairly sure they're identical to the Epiphone Valve Juniors - let us know how you get on with it Wayne, I never got on with my Epi as it was TOO loud and clean for home use (and didn't take pedals all that well) but not loud enough for live...they mod up well apparently, but I couldn't be arsed
  5. [url="http://www.youtube.com/watch?v=jjMi0R1ogi8"]http://www.youtube.com/watch?v=jjMi0R1ogi8[/url] About 0'54" in...love this guy's playing.
  6. I play bass, drums and guitar (and sing) to an equally mediocre standard, so I'd class myself as a mediocre musician.
  7. How is the bass drum mic mounted? If it's on a stand, it might be worth taking it off and putting it inside the bass drum on your drummer's damping (assuming he uses a pillow/blanket/whatever for bass drum micing); if it's not stand-mounted or it's on a solid-metal based mic stand, one with rubber feet might solve it.
  8. Good score! Looks like a Vintage to me, but could equally a Shine or whatever badge they're sticking on them in China now...
  9. That's bloody lovely, if someone would buy my recording rig I could possibly justify that...
  10. Zildjian Deep Ride, 1970s hollow-logo type; no issues whatsoever, sounds great but the bell's a bit too 'cutting' for me. Well-regarded as an all-round ride for blues, rock,metal or whatever - £80 if you can collect it (I'm in Walsall, West Midlands but often in Warwickshire and Staffs if that helps), it's quite heavy so I'll look at postage costs when I get chance to weigh it. A Gibraltar 6610 straight cymbal stand, heavy-duty without being too heavy-weight, £25...could do both for a ton but postage would be on top of that. And still got these, a selection of Remo O-rings for damping overly ringy drums for close-micing - the Remos are rock kit sizes (12", 13", 14" (which has a little cigarette burn hole in it, but still works perfectly), 16") and there's an Evans 15" too.
  11. [quote name='bassmanAzz' post='905801' date='Jul 26 2010, 01:41 PM']how much for the gator man?[/quote] If I go for Joe's Esquire the Gator'll go with the Presonus man; I'm still holding out to see if the cash deal I might have goes through as having now got a date for my house move I could do with the readies more than I could do with another guitar that'll initially just go straight into storage while I find somewhere to live! Garry, you've been PM'd...
  12. Still uming and ahing, waiting for a guy to get back to me on buying the whole thing but if I get the price I've asked for the ART here okayed I think the Esquire's growing on me...definitely needs a black 'plate though
  13. Nice to know that audiotardary spreads to the bass world as well! [quote name='Mark Percy' post='904338' date='Jul 24 2010, 09:34 PM']speakon connectors have greater surface area connectivity as opposed to phono jacks.[/quote] Actually, compared to PHONO jacks (i.e. RCA jacks, hi-fi type) they don't. Compared to TS jack plugs (the type we're all familiar with as instrument connectors and yes, sometimes speaker connectors), yes, they do. [quote name='Mark Percy' post='904338' date='Jul 24 2010, 09:34 PM']thicker cables, like 4.5 have less resistance than thin cables.[/quote] Well, bully for you, that's a C-grade in high school physics right there. [quote name='Mark Percy' post='904338' date='Jul 24 2010, 09:34 PM']replacing your skinny cables, and phono jacks, especially on big wattages, noticably improves the sound.[/quote] Any sources for this? NOTICABLY? Really? A few hundred Watts into what are usually hugely inefficient and inductive loads can be affected NOTICABLY by an extra mil of copper? Particularly in a live environment, where someone could move any of your EQ controls by a quarter of their travel or more and you probably wouldn't notice in the mix? Oh, and as I said before, what're often used as loudspeaker connectors for instruments are TS jacks, not phono. [quote name='Mark Percy' post='904338' date='Jul 24 2010, 09:34 PM']P.A. guys know this.[/quote] Yes, yes we do. Because we commonly handle many hundreds if not thousands of Watts through a single cable and have spent hundreds of pounds on the amplifier providing these Watts, and we don't want the connector being pulled out halfway through the gig by someone putting a flightcase on the cable, shorting the amp and making a hell of a noise if not killing it. THAT'S the primary reason I use Speakons (and I basically use as thick a cable type as I can afford, and have NEVER noticed an audible difference between bog-standard twin-core mains cable and supposed high quality 'audio cable', some of which I was given for free ) [quote name='Mark Percy' post='904338' date='Jul 24 2010, 09:34 PM']so should bassplayers.[/quote] If your amp and your speaker cab have Speakon connectors, use 'em. If they don't, use half-way decent jack-to-jack speaker leads (ideally with a right-angled plug on the speaker end, the only bad experience I've had with jack connectors for bass has been someone shoving my cab right back to the wall and destroying the plug - which would also have happened with Speakons), unless you're putting out kiloWatts. To my mind, having a speaker cable that's thicker than your mains cable is a waste of copper. [quote name='Mark Percy' post='904338' date='Jul 24 2010, 09:34 PM']use decent electrical solder too.[/quote] Can't argue with that. [quote name='Mark Percy' post='904338' date='Jul 24 2010, 09:34 PM']the old leaded solder is great, and flows out nicely, like an argon-arc TIG weld.[/quote] As long as you deal with it sparingly, in a well-ventilated space, go for it. Although be aware that if you're also paying for gold-plated connectors at the same time, that lead-based solder CAN dissolve the gold plating. [quote name='Mark Percy' post='904338' date='Jul 24 2010, 09:34 PM']plus, you will have less hassles too. buy the four pin speakons, as the two pin ones are incompatable with four pin ones, and are not interchangable, and cause trouble.[/quote] Possibly 2% of bass players will have bi-amped rigs which would benefit from four pin Speakons, and of that 2% maybe 10% actually use that facility (purely speculative figures, by the way, I'm happy to be corrected). I know of very few bass heads outside of the true professional area which offer bi-amping via a four-pin Speakon. [quote name='Mark Percy' post='904338' date='Jul 24 2010, 09:34 PM']get an engineer to do your amps, with a preferred hole cutter that works by tightening a nut and bolt to punch the larger hole. that way there is no unwanted tank cutter filings and swarf kicking around, causing enturbulation, and generally enturbulating the area with turbulence.[/quote] 'Enturbulating with turbulance'? You're having a laugh now, surely?
  14. Cheers man, shall have a think on it - got a faked-up 'Esquire' I made from bits already (in natural) but kinda fancy a 'proper' one for no good reason...not sure whether I like the sunburst look or not though, have put a picture of one as my desktop wallpaper to let it 'live with me' for a bit
  15. [quote name='joegarcia' post='903925' date='Jul 24 2010, 12:23 PM']Fender Esquire 50's reissue?[/quote] Ohhh, eeeehhhh, aaahhh...really shouldn't, but that's tempting - what colour / fretboard wood? What kinda condition (doesn't really matter as I like 'em battered, but out of interest...)?
  16. ...I'm not really doing much band recording-wise at the minute, anything I'm doing for myself I can cover with my Yammy 01X so I'm moving on my mobile recording setup. Consists of a Presonus Firestudio Project Firewire interface (24 bit/96kHz, 8 mic/line inputs with insert points and additional high-impendance instrument inputs on the first two, plus stereo S/PDIF input - full specs here: [url="http://www.presonus.com/products/detail.aspx?productid=43"]http://www.presonus.com/products/detail.aspx?productid=43[/url]), an ART DPS ii stereo valve preamp (with S/PDIF output, hence bumping the number of simultaneous mic inputs available to ten, as well as providing some nice-sounding preamp alternatives and the option of compression for 'critical' mic recording - again, specs here: [url="http://www.artproaudio.com/products.asp?type=86&cat=9&id=97"]http://www.artproaudio.com/products.asp?ty...cat=9&id=97[/url]) and a 2U rack drawer with foam cutout for laptop power supply, external hard drive (not supplied) and cable, which will also house the laptop on top of it (I've been using a 15" MacBook Pro, which fits nicely). All fitted into a Gator 4U shallow rack case - just add a handful of mics and a laptop and you're good to go! The Presonus came with Cubase LE4, and a whole bunch of plugins including BFD Lite IIRC - the discs are around somewhere, but I'm a Logic man so never used them. They WILL be included, there's no way I've thrown them away; also have the original boxes for the Presonus and ART. I'll get a picture of the actual thing when the camera battery's got a bit of charge on it, but thought I'd get the rig up here before I bottle it and decide to keep it! The Firestudio seems to go for about £350 new, DPS a touch below £250, you'd pay over fifty quid for the Gator and about the same for the drawer, so to buy the whole thing new you're talking over £700 - I'm after £450 for the lot, make me an offer to separate but I'd rather shift it on wholesale as it's a great setup that works well together!
  17. Here we go - a Samson Resound 15" eight ohm job, 200-odd Watts power handling; did a sterling job at a jam night at the weekend but I'm thinking of picking up something in four-ohm flavour instead. Hundred squid if you can collect it? And these are unusual - two pairs of US-made Peavey ABS mini-monitors which clip together, 16 ohms each so each pair is running at eight ohms. 100W power handling each, nice and lightweight - again, did the job very nicely at the weekend but I'm going four ohms on everything to dedicate one speaker to each side of each amp. Perfect for acoustic stuff, rehearsals and smaller venues - would probably run out of steam for bigger gigs but as a lightweight simple solution for smaller stuff ideal! £60 each pair or the lot for a ton including cables, MIGHT be able to post these for twenty quid or so, I'll look into it. Some guitar books (80s guitar and Live one have sold): 90s chart TAB book - Place Your Hands, Alright, Basket Case, Bohemian Rhapsody (?!), I Think I'm Paranoid, Marblehead Johnson, Pumping On You Stereo, Save Tonight, Secret Smile, Stairway To Heaven (!?!?) - £3 delivered Bush - Just The Riffs (stuff from the first two albums) - £2.50 delivered Red Hot Chili Peppers - Sugar And Spice (biography) - £2.50 delivered R.E.M - Man On The Moon (full band transcription with three or four guitar parts, bass and drum notation/TAB) - £2.50 delivered Essential Rock 2k - All Star, Come On Come On, Then The Morning Comes (Smash Mounth), Ashes Would Fall (Melissa Etheridge), Bawitdaba, Cowboy, Only God Knows Why (Kid Rock), Enemy, The Real, Weapon And The Wound (Days of the New), Every Morning, Falls Apart, Someday (Sugar Ray), Maria Maria, Smooth (Santana) - £3.50 delivered SoundCheck - The Basics of Sound and Sound Systems (brilliant book for anyone trying to get to grips with PA systems and suchlike) - £5 delivered Technics SL-PG490 CD player, decent bit of kit with optical outputs and a few bells and whistles (no remote though) - £20 delivered NAD analogue AM/FM tuner - £15 delivered. One for the drummers - a set of 'Rem-O' damping rings, rock set (12", 13", 14" (with, um, cigarette hole in it - still works perfectly!), 16"), with an Evans 15" one as well (no idea where that came from). Perfect for taming overly 'ringy' kits, for getting a drier drum sound in the studio or for cutting excess projection in rehearsals/small gigs - I only own one drum in these sizes any more, so surplus to requirements! These things are surprisingly expensive new, so £20 delivered as they'll need a BIG envelope to keep 'em flat. And finally, a Behringer AMP800 multiple headphone amp - great bit of kit for 'live' studio recordings, specs here: [url="http://www.behringer.com/EN/Products/AMP800.aspx"]http://www.behringer.com/EN/Products/AMP800.aspx[/url] EDIT - this has only got a European power supply with it, which it works perfectly from - if you're the worrying type you could get an adaptor for a couple of quid, I've been running from the time-tested 'car key in the earth plug' method of plugging it in quite happily £25 delivered? I'm in the West Midlands but often up into Staffordshire and down into Warks if anyone's around there for me to drop bits off...
  18. [quote name='kingofthestuntmen' post='614770' date='Oct 2 2009, 01:29 PM']Fnaar, fnaar etc... Koch Amps website here - [url="http://www.koch-amps.com/"]http://www.koch-amps.com/[/url][/quote] I always thought they could have some of the best advertising ever, simply by singling out famous players who DIDN'T use their amps. "Dave Navarro...has no Koch." "Kirk Hammet...has no Koch." "Yngwie Malmsteen...has no Koch." And so on, and so on...forever
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  21. [quote name='BigRedX' post='897229' date='Jul 17 2010, 12:46 PM'][url="http://www.spectorbass.com/bass_perf_rex4_1.html"]this is probably what you're thinking of[/url].[/quote] That's the badger, cheers Red - at least now I know I'm not going insane on that front...
  22. [quote name='Wil' post='896710' date='Jul 16 2010, 05:28 PM']I was a bit bored this afternoon - forgive the sloppy MS paint job, but if I were to ever have a custom thunderbird made, it would be something like this. Essentially just a bit of body streamlining - something between a mockingbird and a thunderbird.[/quote] That top horn screams 'Schecter' at me, and I could swear that I've seen one of their basses that looked exactly like that - Google gives me nothing though, I might have dreamt it.
  23. Love the look of 'em, love the feel of 'em, love the sound of 'em - can't get on with the neck dive (Thunderbirds that have buckle rash on the back of them haven't been played at the right height IMO - they should be well below the belt buckle ), and irritated by the fact they they neither stand up on their own nor fit into any normal guitar stand. Still holding out for a MusicMan Stingray SUB as my rock bass, then
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