Muzz

A roadie with a good back? Great selection of gear, tho... 🙂

I co-host a weekly jam night which is attended by some very talented regulars, and there's a couple of hotel/cruise veterans (well, they're late 20s/early30s, so hardly veteran) and some pro musicians, and their ability to either know/remember or just bluff an enormous number of songs is astounding. I enjoy it because it's a constant stretch, playing stuff I've never played (or in some cases even heard) before, after a quick 30-second chat about chords or just watching the guitarist's left hand like a hawk...I also have a 'backup' iPad set up to look songs up, but I've only had to use it a couple of times (there's usually not enough time to search and scroll, plus I normally forget me glasses... 🙁). Oh, and the vets/pros can all sing, play guitar, bass and even drum to a ridiculously high level, too...then again, if I didn't have a demanding day job, and could just play all day, I'd be a whole lot better than I am...

I've just changed cars, and to buy what I did five years ago (4ish year old, 50k on the clock Skoda estate) for £10k, I would've had to spend £18k...

Oh my days...at this point I'm drawn back to that thread about improvising where the chap asserts that 'there are no wrong notes' and 'you're only ever a semitone from a note in the key' Not on a fretless played like that, you're not: you're off piste in the long grass without a map, a clue, or a hope in hell... It's actually quite an achievement to manage to play for two minutes while avoiding anything in key or tune, even by accident...

I thought Mr Clayton was particularly restrained - only two basses used in 15 minutes? 🙂 I should add, like some other posters, that I have no problem with Mr.C...other than that he's a bigger gear tart than I am...but then I'm not on his money...

I wish they'd do two versions (like the 2024), one without the shot-off pickguard, as that's the thing that puts me off them...

I'd be interested to know how the Box Pro performs; most of my tone comes from my Helix these days, and I'm looking for a single FRFR for gigs, but there's nothing I can find out there for anyone using one for bass...

I'm pretty sure both comments were funny somewhere around the middle of this pic... 🙂

I watched the whole video. Humour failure somewhere. I've played in a band where I brought a 12-string bass to a rehearsal and no-one noticed...

Paused it at 1:30, right after he said 'You don't have to play the right notes...' I'm gonna cut and paste that bit onto my phone for my next gig. Should come in handy: 'Victor Wooten says it's up to me which is the right note, and you're just a chuffing guitarist, so you can do one...' 🙂

It's a fine line, punters in pubs aren't generally going in there wanting to be challenged (when I'm considering songs for the set I always have in the back of my mind the quiet groan from an audience at a big band gig when the singer says 'This is something new from our last album'...) It ain't right, musically, but it's a fact that people want to hear what they know, so a few of the Usual Suspects need to be done. A walk down familiar but less well-trodden paths can be interesting for the band - I heard Brimful Of Asha done recently, for example (just guitar, bass and drums), and the crowd loved it. I think it's important for the band to make a song theirs and make it sound good, no matter how everyday popular it might be - as another example, an acoustic-ish version of Not Nineteen Forever (slower acoustic start before livening up after the first verse) goes down as well as the full-on version, and there's the Irony card (as long as the crowd's with you*): wedding crowds always loved I Hate Everything About You later in the evening... * And sometimes even if it isn't: we always have the start of Eye Of The Tiger in the bag for if it kicks off - that always diffuses the tension in the room... 🙂

I gig these days with a Rumble 100 (with a better 'proper' Eminence speaker in it) and PA support...verrrrrry light and loud. My tone comes from the Helix, but the Rumble makes it louder very well. Having said that, the bass is dialled back to nowt on the combo, so it's really just for stage monitoring... My bigger rig is a very old-school-sounding amp (a Walkabout, very valvey and warm) through a thoroughly modern BF Super Twin, and the cab does the same thing: makes the sound of the amp loud...I'd always say that moving to a less coloured cab only means some re-EQ-ing of the sound...

That's a statement of intent, right there... 🙂 The only thing I'd be tempted to do would be to bang some ebony woodstain on the fretboard for the None More Black completeness of it all...

You jest, but.... 😃

Need/want/relative worth...

I pop in there maybe once a week on my way past to our works' data centres, mostly because my pal works there, and also if I've got anything I need Geetar Tech Steve to work on for me, but as previously noted, in the last few months all the noteworthy basses (and amps) have gone; there used to me MMs, Rickenbackers, Sandbergs and quite a few more...now there's just a few Squiers and lower end Fenders, plus the under-£300 usual suspects. They've stopped stocking QSC PA stuff, too (I was thinking of taking my Stomp down and giving a 12.2 a run out...).

If my drummer's anywhere near ready (and he always is, as I set up last), it's Fool In The Rain, just to get him to join in with that fantastic shuffle...we don't play the song, much as I'd like to...

Both good calls, tho at the moment I am mid-faff with the Hondo Alien that Pete Y supplied, there has been some neck work, and now a ballsier pickup and a Kigon loom, erm, looms... I shall report progress... 🙂

Can be the first person to jump in with the bassist's equivalent of Godwin's Law and mention a certain skinny-necked Jazz player called, now, what was it again? Jacob Pastorian, or something?...

I love a very slim neck; in fact, the last three basses I've had built (by Jon Shuker) have all had neck profiles modelled on an earlier bass of his that is very, very slim indeed; even my incoming JJB Sig P-Bass has one of these. One of the reasons I've never got on with a 5 (or more) is the relative neck size. And I have very large hands, and pretty good technique. It's simply personal preference; I don't like front fret markers (or rosewood boards), either, so only one of my basses (my workaday £150 Yamaha) has those - I don't expect anyone else to like it, but I do. And it's my money.

This is one of the best versions of the song I've ever seen (and one of the best live songs, too) - OK, it's the last song and it's in Manchester, but there's an energy and a real vibe to it... Two basses, too...😁 And miles, miles better than the mimsy New Order version the other two are doing these days...

Ohhhh, I love playing The Flyer...always a lairy (in a good way) night there...and yeah, the PA's always in danger by about midnight... 🙁🙂

Just a slight mod for you there... 🙂

Sounds like you avoided a rubbish drummer to me...

The awkward ones, though, are the songs with iconic bass lines, which have to be right to get any idea of the song (I'm thinking stuff like A Town Called Malice); they're a bugger to get just right and then find they never get played again...I've learnt a few of those...