Sibob

Ah-ha, missed that one mate Si

I'm just listening to their set at Maida Vale, complete with Strings, Brass & new songs [url="http://www.bbc.co.uk/iplayer/episode/b00n6tkj/Zane_Lowe_Biffy_Clyro_Special/"]http://www.bbc.co.uk/iplayer/episode/b00n6..._Clyro_Special/[/url] (starts about 1 hour in I think) Sounding fantastic IMO, James' tone is pretty meaty and doesn't get in the way! They manage to straddle the line of polished band and raw energy almost perfectly! Si

[quote name='51m0n' post='624564' date='Oct 12 2009, 11:18 PM']More piccies! Another view of the Barefaced cabs:- [/quote] Ah-ha, the only picture that proves I was there lol Si

Only gonna bump this once. Anyone available? Si

Oh I'm RUBBISH with dates, so I'll just do a run down. I think I've been playing about 9 years maybe!? Started with a tiny practice amp, I forget the brand, came with my Encore P-bass Perhaps a year down the line I moved up to a Hartke B90. 90Watt (100 maybe!?) 15 inch speaker, did a few gigs farting that out lol. Couple of years past that I went for my first Rig, an Ampeg B2R, Ampeg SVT 210HE & 115H. Had perhaps year of use out of these bad boys....huge rig for what it was lol. At the same time I had an Eden CXM-112 cab for 'practice', but did a few gigs with that as well, sounded great, but still pretty hefty for the apparent 'home' use I needed it for . Sold all of that when I got m Ashdown setup. ABM EVO II 500 head with ABM Mini48 & Mini15 cabs. This has been my rig for the past 5 years, sounds great, only needed one service this January. Perfec Si

Ooo, so this is the first time I've posted in this section haha. With the scaling back of activity with FSOF, I'm looking to get out and about with another originals project. I am going to be working full time hopefully, but still want to write and perform I'm doing a lot of covers work as well, so always in gig mode. Band wise I'd be looking along the lines of Biffy Clyro / Twin Atlantic type vibe, but also very interested in singer/songwriters in a similar vein to Wallis Bird....something emotive and fun I'm a bassist with a pro-attitude, pro-gear, my own transport, experience of touring (including tour management if that interests you), am working on my singing (harmonies etc). Close and very easy access to London Cheers Si

[quote name='TG Flatline' post='624940' date='Oct 13 2009, 01:27 PM']The custom bass, YOUR custom bass, is definitely worth waiting for and go for the side LED's!!! [/quote] Don't let Bilbo hear you Si

Don't get me wrong, I agree with you in principle...I play pretty much stock basses, with only one of my Jazzes having a custom neck. At the time I couldn't find a neck with the spec I wanted for the the project, and so the couple of small tweaks I wanted were coupled with an aesthetic that I wouldn't have gotten from similar priced off the peg options. I think a lot of it is aesthetics over 'tone', which is fine. If looks didn't matter, we'd all still be playing 60's inspired Jazz basses with varying pimped out electronics for our individual needs. I'd actually be very interested to know, and obviously I don't want this to happen, if your Wal suddenly became unavailable forever, what you would end up playing? . If you couldn't find another Wal, you wouldn't have a bass made to the same spec?! Si

My intellectual beef is still that you play a hand-built, (comparatively) fancy wood fretless, and you're asking why people bother with custom basses!? . You ordered a Wal surely for one of these reasons: 1) You couldn't find a bass that had the fit/feel from a production-line instrument 2) The Wal offered parts/features and a sound that wasn't available anywhere else. Surely both of these reasons are why other people choose to go 'custom'?! And I'm still asking you what you believe to be 'Custom', because seeing as Wal and Alembic aren't, I'm assuming it also rules out Sei, ACG etc etc because they offer standard models!? Si

Hey mate Loads of people are saying the Squier Classic Vibe's are great basses, 60's style Jazzes. Also don't rule out Japanese models if you're after a reissue, I think American Standards are great, but the American RI's are a little overpriced. I've got a Squier Deluxe 5, and it's fantastic for the price, the American Deluxes are marmite I think (didn't like the one I had), the Mexican Deluxes have same electronics as the US models but normal size body and lesser hardware etc. Never tried MIM RI's though. Si

I actually think that Squiers have a better 'brand value' than Mexican Fenders now. They might as well just scrap MIM's and have the Squiers and Americans. Si

[quote name='gnasher1993' post='625541' date='Oct 13 2009, 10:14 PM']£420 apparently...[/quote] Ooof With better Squier quality comes MIM prices! Si

[quote name='BassBod' post='625507' date='Oct 13 2009, 09:43 PM']Well, he got everyone talking...again.... Nothing wrong with healthy debate[/quote] Oh of course! But it is interesting when someone's definition of 'custom' ISN'T 'handbuilt' lol. Si

Nice looking guitars! Big Biffy fan! Si

I think the only issue that Bilbo has bought up here, is where is the line between a hand-built bass, and a custom built bass. Si

[quote name='ped' post='624468' date='Oct 12 2009, 10:00 PM']Yeah we discussed that possibility and I guess it's the only option. Nice to see you on Sat :0) ped[/quote] Good to see you too man, I like your squelchy noises! Sorted this yet? It does seem that the distant selling literature is on your side! Si

I used one on a tour...Sennheiser I think. Was fine for two shows, then it started playing up, dropping out etc on the 3rd show. One failure means back to cables in my book, can't afford to have unnecessary issues like that. Si

But every custom builder has Standard models that you add 'options' to. The way Bilbo's thread reads, he's lumping Alleva's & Wals into the same category as Fenders & Gibsons because they use standard parts and construction!?. Which begs the question...what is a custom?.....apparently it's a builder who doesn't offer any standard models!? Si

[quote name='bilbo230763' post='625139' date='Oct 13 2009, 04:03 PM']Says who? [/quote] Well who says that a hand-built Wal is worth £2000? or £3200 now lol. For some it's aesthetics, for some it's a status thing (brand etc), for some it's to solve a technical problem (Macdaddy's Shuker), for some it's literally being involved from start to finish with something that is very personal and an item they spend a lot of time with. Why did you order a Wal? Si

[quote name='bilbo230763' post='625113' date='Oct 13 2009, 03:41 PM']My actual belief is that many people who go for custom instruments do so, at least subconsiously, for vanity reasons, for some sense that, by having a custom instrument they are, in some way, superior. Or is it because they believe that the gold plated widget with their name on will make them play better? I am not sure but I don't hear many 'pre' and 'post-custom' changes in sound. Steve Swallow always sounds like Steve Swallow. Jeff Berlin always sounds like Jeff Berlin, whatever custom instrument they play. Its all a bit odd if you ask me (whcih you didn't so, please, forgive me).[/quote] So why don't you play a Squier Custom Vibe?? Apparently they're quite good! Si

Yeah I hear what you're saying. Although I'm not really one for changing EQ for specific songs, I tend to just move my hands around the bass to get different tones, and my passive Fenders have never left me wanting. This is more about wanting a new jazz bass, and not discounting Actives for the sake of it! . But even so, I still like simplicity, you're not going to catch me playing a J-retro anytime soon haha Si

Haha, thanks guys! Yeah I really liked the Metro I tried in the shop, but we all know that gigs are different kettles of fish A lot of people say that Sads really come alive in the mix, but I'm also a bit of an anti-active bass guy haha, so wanna see if I get get friendly with the preamp live as well. Si

Well I suppose explain that to Dawsons!? Or have TNT pick it up from work? Apologies if all this has been considered lol Si