Jack

Not that will do the OP much good now, but for the benefit of anyone who finds this thread later on: I really like my little Curbow. Mine was fretted though.

I kept meaning to pick up one of these but they were c. £150 before the pandemic and more like £250 now. What I'm saying basically is thank you for the suggestions in this thread.

Somebody offered me a Status Jonas Hellborg as a trade on my Stingray and I turned him down. I didn't want it then but golly do I want it now. If anyone knows where one is, ideally for the £750 it was offered in trade for...

Designacable. They have nice ones and a basics range, both are excellent.

Yup, I'm Northumberland born and bred. I guess it is kind of a US term. Not that I put much thought into it when I typed it, but what would you call a long line of shops and restaurants with a big car park (parking lot? ) outside of it. A retail park maybe? But it's a line and not really a park.

Good gig last night for my indie rock band. Weird donkey venue mind, it's a posh restaurant in a strip mall that turns into a rock bar at night. There's always a crowd of middle aged women in dresses who are unaware of this and are halfway through their quinoa when the band starts. Oh well. I'm also fairly sure that it's still reverberating in there, the whole venue is flat wood and glass, you've got to be whisper quiet or it turns into a stoner rock gig. However, crowd and management were extremely pleased and it was a return to form for our singer who was a bit ropey last week. Also, I love love love venues with a barrier around the stage where one doesn't have to tidy cables, although our singer did tape those ones that run across the stage down. Most importantly I got a bar maid's number. Unsolicited, but I've clearly still got it. 😁

Indeed, please don't play for free.

Two important points I think here. Firstly, if you'd line to borrow a hx stomp and try modelling for a gig or two you're welcome to, as you know I'm only down the road. I know you said it hadn't worked for you in the past but it's always there. Secondly, if you do decide to sell that cab then hit me up. 😁

A bit 'meh' to be honest. We played a 70th birthday which was weird off the bat, but aside from the birthday (ahem) girl herself everybody else there was under 50. 70 isn't like old old, so it's not as if all of her friends her own age were dead or anything. Anyway as it was mostly familes and small children we played really quietly and aside from 2 or 3 people on a few songs towards the end nobody danced or really cared all night long. Still, we got paid a princely sum and ate social club buffet so what can you do?

n

Ooooh. They're still not back on the website though.

Thank you. Yes have you noticed the difference between my side of the stage and the guitarists'? For the benefit of points: The bass gear is my boring but very capable digital fakery rig. Shure GLXD16 into HX Stomp. Last night with one of my QSC K12.2 wedges used as a bass amp rather than as a traditional monitor. We've played some large stages recently (where I use a wedge as a monitor) and the drummer has on occasion complained about a lack of bass guitar where he sits. He should fix that himself now that I think about it...

Down by the beach today, nice big bar with an easy load in. Using my wedge as backline as I can hear the other wedge just fine. On in 5...

Good day for us on Saturday, we played the middle day of the three-day Stone Valley North Festival in Ushaw Moor. Unfortunately just the second stage, which meant a tent that was largely indistinguishable from a million other tents we've played this summer, but still. I was asked if I wanted to use the Ampeg half stack that was provided as backline, to which I said that depended on how much they could give me through the wedges. The monitor engineer seemed to take that particular comment on board and it was like a blinkin' reggae gig where I was standing. Good times.

I was going to suggest a Sire 5 string v7 or even v10 but you've been playing a while and you know what you like so just get the yamaha. Buying a bass is line buying a guitar, look for sharp frets, dodgy controls, 60hz hum/grounding, the way it balances, all stuff you already know from guitar. You'll be fine.

I'm also curious. The shure had so many advantages and was clearly the best thought of wireless, can't believe it's gone, there has to be a replacement on the way. Proper pack rather than bugs Pedal and rack options In built tuner

A sports bar in Washington last night, one of my favourites with regards to load in and stage space. We play there maybe every 6 months and it's always a good gig with a good crowd. Our mission? To keep people in after the football. It didn't really work too well but it filled up again with a new crowd before we started. Rig was a Sansamp and I took a wedge because I usually stand too far away from the other monitors but we set up a little differently this time and I ended up with my head about a meter from the stage left pa main. Oh well, overkill is the correct amount of kill.

Growing up in a biking family (and the only one to not get the bug) I find that statue a little much, no way a Harley could get up a hill that steep.

You can count on roughly 20-25% if you get caught. It should be import duty, then VAT on top of both the item and the postage, but they don't always catch everything.

Happy with active eq or a Baxandall but please, god, no Fender tone stack.

..attempt...

I'm waiting for a Handbox at the moment, and I'm about half an hour from Stoneham. Happy to register interest and help out where I can.

Clearly it's a way to deliver clear, high quality sound consistently over longer distances, projecting uniform, high-quality sound from the front to the rear of the audience.