Boodang

Just get a regular personal account in your name, get all the gig money put into it, then if you ever want to quit the band you can f off with all the cash!

I wholeheartedly agree but I think it should be taken a step further, Alex and Geddy should be banned from playing any Rush songs on their instruments both publicly and in their own home. An Alexa device should be installed where ever they are, and if it detects a Rush 'lick' it should deliver an electric shock to Alex & Geddy simultaneously... that'll teach them for having fun.

Anika is an incredible and unique drummer, I'm looking forward to hearing what the collaboration produces. My only concern is that Geddy's voice was shot at R30, so maybe a new vocalist to complete a new line up.

The style of playing Anika has will bring something interesting to Rush. It'll be interesting to hear, especially if they intend to bring other musicians on stage to expand their sound. Now, given that Geddy's voice was shot by the time they did R30 two decades ago, all they need now is a new vocalist.

I use a Zoom Q2n to record gigs (4k video and x/y mics). So, no need to say anything, just 'helpfully' record their next gig and present them with an SD card of their performance and they can make up their own minds.

These days I just use active pa cabs, but back in the day it was Trace Elliot and a 4 x 10. Once we were playing a gig in the car park of a pub on the edge of a park. We had arrange the gig because we were not invited to play at the small open air gig in the park (nothing petty about it of course!). About half way into the first set someone from the park came over and asked us to turn the bass down as it was cutting across their sound. Ah, those back breaking Trace Elliot days. I always found that the 4x10 was louder than two 2x10. Could've just been the setup though as that was SWR.

So that could vary from just a DI box to tone shaping and effects to all of that and I want in ear. However, none of that in essence is difficult. If you like the sound of your bass and need nothing else, buy a DI. If you want tone shaping you'll need a Zoom/Stomp/pedals then DI. If you want one of those and IEM then you'll need two outputs, DI and IEM, and it's more complicated and more money. Btw, a cheap and reliable way to do iem.. instead of using a wireless system (expensive, flakey, black magic), I use a wired system (cheap, reliable not voodoo). I run a physical cable to a headphone amp on my belt to my in ears.

A multi FX like a Zoom or a Stomp will easily do the job, if however like me you don't get on with them, I use just a couple of my fav pedals that'll do the job for the gig. Always a comp (that does my tone shaping), an FX or two, then a radial sb2 passive DI. The nearest I've got to multi FX is the TC Plethora X as it feels more like pedals. If I'm not doing FX, then I've started using my behringer xr18 stage box. It might be a digital mixer but it's got a huge amount of tone shaping plus classic outboard emulations and an XLR out for FoH. And they've come down in price so way cheaper than a stomp for instance (although it's doing a different job). Then when you're not using it for gigs it can your home studio interface. Small and light as well.

No belt loops.... as my tailor says, why would you need belt loops when the suit is made to fit you perfectly!

My savile row suits fit perfectly, no belt needed, I don't know what the issue is.

At the start of this post I said I'd just had a custom fretless made but as we'd just gone on a three year posting it didn't make the journey and spent it's time in the UK only getting played on the odd trip I made back. Well, now we've moved back to Europe and the bass is with me and in fact is the first time I've heard it plugged in. I've waited 3 years to hear those custom weather report pups! Of course it sounds as good as it plays. Just need to find a band to play it in now.

The OP drops a bone with the barest morsel of meat on it and basschatters make a banquet out of it.... but I guess it is a place to chat about basses... even so!

Either practicing the bass feels like filling out a tax form or basschatters have very boring jobs with too much time on their hands to be participating in this thread..... now where did I put that password for SBL.

Well, as you put it so eloquently, who could argue with you.

I always use a Radial Stagebug SB 2. It's passive so no worries with psu's and circuitry not working at gigs (I know you're recording but if you use it later) and the transformer in it has a nice sound and difficult to overload. The di output is about 6 dB down as it's passive. About £80.

I got replaced in a band by a beat buddy.... either says a lot about me or my drumming, or both!

I'm not a professional, so for me it's as much about the social side as the playing. Consequently it has to be a comfortable environment to relax in. And that's not just extreme views or prejudices, but also something more mainstream if it was too preachy. An interesting debate where there are differing views is one thing but if it was constant it would take the fun out of playing.

Actually, that's just given me an idea, next time I'm asked to play in the low B territory I'll just plug in to a fart pedal... nobody would notice the difference, might even be an improvement on my usual playing!

5 string low B is just an indistinct fart! So I should have been more specific and said I hate 5 string strung low B..... and yes I have lost work because I won't play low B but also I'm more of a 4 string fretless guy so I just stick to what I'm good at. As it happens I do play a 5 string but high C.... and yep, get up the dusty end of the C string all the time, but then I'm not playing death metal.

Hihat for groove, ride for swing. And one of the reasons I mostly use a dry ride is to give some space. Drummers just tw@ting everything as hard as possible all the time is one of my pet hates but I wouldn't call that irrational.

Fair point. In which case I hate 5 string bass!

A bit like 5 string bass players who haven't first learnt how to play like Pastorius. Outrageous.

The acoustic bass.... part of the electric bass family!

I've told this before ages ago but it's my fav band breakup story so here goes... We had a song where the lyrics before the solo was 'call out my name'. The drummer and I had developed the habit of calling out 'w@nker' at this point, the vocalist not being our fav person (the reason at end of story). Well, on this occasion it's gets to that point in the song, I shout out said word with more gusto than normal, the drummer decides for some reason not to join in and the band goes unexpectedly quiet at this point. Much to the amusement of the audience the vocalist lunges at me during the solo while I try to keep playing the bassline and fending off the attack with the pointy end of my bass whist running around the drum kit as far as my lead will allow. At the end of the gig the vocalist just walks straight out. Apparently he stormed off in a huff but as he always left straight after the gig and never helped pack up the gesture was lost. He never returned and I, unfairly in my opinion, got the entire blame for the episode. The band didn't survive after failing to find another vocalist.

Well you learn something every day. Interestingly, wiki says 'double bass, possibly part of the violin family' and under viol 'Gamba contrabass, not to be confused with the double bass'. Possibly a good discussion for another nerdy thread. However, wiki does say the electric bass is the lowest pitch member of the guitar family.... and we all know that wiki is the font of all knowledge! PS I'm going to say that hating people not knowing their history is irrational just to get keep this post in topic! PPS I would say that hating people who hate people who call the electric bass a guitar is irrational except that it's entirely rational to call it a bass guitar.