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Beedster

⭐Supporting Member⭐
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Everything posted by Beedster

  1. Hi Sumatra, Yes, epoxied. I’ll fully update the rest of the details with photos when I get the chance. Cheers. C
  2. Seems a bit daft to list this as trade only as there's quite a few nice old basses out there for sale at present, so I'll happily talk cash offers for this lovely old Jazz. Also happy to discuss PX with anything nice and old, 4-string basses (especially old Fender or Yamaha), 6-string guitars (especially Fender electric or Gibson acoustic). Cheers C
  3. Very '70s pub scene - Feelgoods, Nine Below Zero, Eddie & The Hot Rods. Nice one Clarky
  4. And the photographer of course
  5. Everything about that photo is right
  6. A great example of how playing one note only through an entire song is all about feel, so it's not as easy a song to play as the single note idea would suggest
  7. Lovely bass, but far too pristine for me mate
  8. Thanks mate, there's only one in Kent listed there and his link no longer works, so I'm keen to hear if anyone has a decent tech down here in Kent also, I know of a few but I've not had sufficiently good experience with them to list them as decent I'm afraid!
  9. Evening all I played this bass in a shop years ago (Chandlers I think), at which time I was still firmly in something of a Jaco phase. I loved it, and thought "I'll own that one day when I have a proper job"! It popped up for sale on Reverb earlier this year so I jumped at it. It's absolutely glorious, and pretty much sounds like it looks (and smells), open the case and plug it in and it oozes a 50+ year history of jazz/blues bars, sweat, nicotine and alcohol. It's obviously had a few changes over the years, but none detract from the fact that this is a fine example of a well played vintage musician's bass, and far closer I imagine to Jaco's than the FCS relic ever was (I've owned that also). But I sank almost £3k into a bass that I only play at home, which simply doesn't work with any of the bands I play in, and which I think I'd prefer to sell or trade for something more useful (I also have a Warmoth FL Jazz that works better for me having a 44mm). Photos below from the dealer's site, I can provide more detailed shots if needed. Cheers Chris
  10. Love that vid
  11. Mudbuckers are difficult beasts to tame, and whilst I’m happy to be proved wrong, I’m pretty sure not many reggae bassists use them. An active circuit might be a better bet?
  12. Absolutely, and some neck sound great on pretty much all bodies. I've got two Warmoth necks that have made every bass they've been on sound a whole lot better.
  13. And you can always try one of these, unbelievably light
  14. How my DB gets to gigs
  15. Harry, take a look at Alexander Technique and even yoga. Posture and pain is a big problem for bass players, human bodies weren't designed to stand pretty still for hours on end with a boat anchor around our necks. One or other - and sometimes simple weight training (squats and deadlifts) - have done the trick for a few musos I know. Good luck mate. C
  16. So it’s better to think too little than too much?
  17. Which has largely been my point all along. Plenty of guys are the full ticket, and still rip people off deliberately. He is not, and I doubt he does. So on this point I completely agree.
  18. I know, but there might be very good reasons why he's unable to take advice (check out my earlier post). There's been far worse examples of dodgy dealings in this space; luthiers who've taken huge amounts of money for instruments that never materialised or were entirely substandard (and I'm talking 4-figure sums), guys who've deliberately sold fakes, eBay and BC sellers who've done a runner with the money etc. OK, some of them got caught, some of them didn't, and forums like this helped the buyers. fair enough. So, if the genuine intention of this thread is to stop him doing what he does, I would agree. But given how many previous similar threads there have been, it's pretty clearly not going to work. And if that isn't the genuine intention, I just don't see the point, unless it's an expression of some of the less attractive aspects of human nature, hence my post about bullying. As a human being, he might be any of a number of things; a misguided oddity or a cynical exploiter of other people's naivety. I have my suspicions hence my posting to object to the thread. I might be wrong, but a false positive in this context does no harm really.
  19. I think an impartial look at this thread would suggest I have a point. I'm not defending his work, just his right to do what he does until a legitimate complaint to eBay or TS helps him see the error of his ways, prompts him to take a luthiery course, and become a leading if somewhat unexpected light of the UK guitar building industry. Until then, this thread feels like a feeding frenzy to me. If it was the first, I'd have commented and let it go, but there have been too many about this guy over the years, and I don't think it's the right way to do things on a community forum like this.
  20. Perhaps this thread should be directed at eBay then?
  21. One man's guardian of consumer rights is another man's bully
  22. There's been a lot of that in this thread, or put another way, folks starting to clutch at straws as they realise that yes, to all intents and despite their sense of injustice, this is just another example of internet bullying, albeit by a bunch of middle-aged blokes with not much else to do apparently (I'm assuming they're all middle-aged with nothing else to do using the same logic by which they assumed age and inexperience of the buyers). If they are that angry with this guy, why don't they they contact eBay, or trading standards, or the guy himself. Given they're all so knowledgable, they could perhaps offer him some friendly advice?
  23. Anything that's boring, borish, repetitive and predictable makes me yawn I'm afraid
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