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Deepbass

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Everything posted by Deepbass

  1. Yeah I thought you might buy another one... does it sound a lot different with the different neck...?
  2. I liked it - if I had the cash now I'd have it off you
  3. Is that the one I tried at your house dude?
  4. Thanks Marc, there is one on here (for more than yours) which has been refinished and which is ash apparently but I think that is less usual than whatever the other woods they used were...but I may be wrong...its hard to tell from looking at the neck pocket but that might be the only way to tell short of stripping the finish etc...
  5. Nice looking bass. Just wondering if you know what it is made of? In fact how does one tell if these are made of ash or alder or basswood etc...? Apparently they are not all made of the same wood?
  6. Hi apologies - don't want to distract the thread but I have a six string Thumb bass from 1990... Mod Edit - Please do not discuss instrument sales in another person's Topic.
  7. "Here's more reading re VC guitars and basses. This article was written in 1997.. Veillette-Citron guitars are very rare birds today. Veillette-Citron was a pioneer in neck-thru-body construction with highly-figured maple and exotic hardwoods, sophisticated electronics, and other trend setting features, especially in modern, high-end electric bass design. They also created the first-ever production baritone guitars. Today, their hand crafted instruments are highly sought after by collectors, but lack of know ledge about this small company (many people think they're French) makes it possible to occasionally find over looked V-C's languishing in stores and pawn shops for only a few hundred dollars. Grab `em. For star power, members of Orleans, Blondie, the Waitresses, and the B-52's played Veillette-Citron guitars and baritones, while Talking Heads' Tina Weymouth used a V-C bass, and Kasim Sultan (Utopia), Rutjer Gunnerson (ABBA), and Van Halen's Michael Anthony used their 8-string basses. Eddie Van Halen got a Shark baritone, and other V-C ban players include Jorma Kaukonen, Jeff "Skunk" Baxter, Devo's Robert Mothersbaugh, and James Taylor. Not a bad list of players, eh? Veillette-Citron was founded in 1976 by Harvey Citron and Joe Veillette (pronounced "Vay-ette"), who met in architecture school. Citron had been playing guitar and performing since age 12, while Veillette had studied acoustic guitar building with luthier Michael Gurian. Eventually, both Joe and Harvey gave up their architecture careers to collaborate on guitars. They displayed a guitar and a bass in the Vinci Strings booth at Summer NAMM `76, and stunned the guitar community with the beauty and elegance of their designs. With a distribution agreement and orders in hand, they bought equipment and opened their own shop in Brooklyn. The first V-C catalog, from 1977, shows 6- and 12-string guitars, and a long-scale bass, all made of incredibly flamed maple, with laminated maple and ebony necks, ebony fingerboards, lacquered solid-brass and gold-plated hardware, deluxe Schaller tuning machines, and two "high clarity" humbucking pickups with coil taps, phase switches, individual Volume and Tone controls, and a Master Volume. Their basses had 24 jumbo frets, and the guitars had... 25! From the start, most of their instruments were custom-built and came with a variety of configurations and options, like 2- and 3-stage pickups, stereo wiring, and various body woods, including koa, walnut, or East Indian rosewood. Their 8-string bass became one of their most popular instruments. V-C evolved in friendly convergence as an East Coast equivalent of Alembic, with similarities in design and approach. Where other companies moved to mass-production techniques to meet demand, Veillette-Citron emphasized craftsmanship, making each instrument a labor of love. In 1979, v-c moved upstate to Kingston, NY, on the Hudson River not far from the Catskill mountain town of Woodstock. By 1980, V-C was making three series of instruments, most with just 22 frets: The Standard (black or sunburst finishes, basic electronics, rosewood finger-boards, chrome hardware), Classic (figured maple, two-stage pickups, ebony boards, gold hardware), and Limited Edition (exotic woods, deluxe electronics with 3-stage pickups, special carving and detailing). They had also tapped into the Woodstock music community, and, in conjunction with John Sebastian, V-C developed the first "Shark" baritone guitar, with a body shape similar to the Guild Thunderbirds that Sebastian and Zal Yanowsky had played in the Lovin' Spoonful. Harvey developed a new single-coil pickup for the Shark, and in 1982, V-C introduced their new S Series guitars, baritones, and one or two-pickup basses, with maple bodies and set-neck con struction, which retailed for under $1,000 (other V-Cs were priced from $1,250 to well over $2,000). Unfortunately, an expected infusion of capital for expanded production capability fell through, and increasing frustration with the business-end and daily grind led V-C to disband in 1983. They never had more than a half-dozen employees, and V-C's insistence on maintaining the integrity of their designs, quality, labor-intensive hardware and hand-wound pickups were not cost effective. Where other companies moved to mass-production techniques to meet demand, Veillette-Citron emphasized craftsmanship, making each instrument a labor of love. In all, Harvey and Joe built approximately 500 instruments in their seven-year run, about half of them basses, and including no more than 15 Shark baritones. Earlier V-C instruments are distinguished by hand- tooled brass knobs and strap buttons, engraved brass control cavity backplates, and intricate details of workmanship too numerous to mention here, while later ones used commercially available endpins, plastic knobs, and plastic backplates. They continued throughout to fashion their own brass tailpieces and fully adjustable bridges. They're scarce today, and are more common on the East Coast and in the Midwest than out West."
  8. I tend to agree with that re the pandemic...and I think they will sell you the same mics they have in the rooms for £20 or so...
  9. I think they prefer that you do and charge you for cleaning if you dont?
  10. I think they are cleaning the rooms between each rehearsal and disinfecting mics and stuff...
  11. Pirate are open now...anyone been since lockdown...?
  12. Great thanks and thanks to all for the further posts on this... ...all of that said once someone understands the M-2000 well enough should it be possible to get a reasonably wide range of funk and jazz and reggae type tones out of it - or is it predominantly a rock and metal bass players amp...?
  13. Apologies I forgot to quote the above when writing the previous post... "
  14. Thanks agedhorse that is a good way of summing it up I'd say... .... I wonder if I could also ask you then if you would say that if you know how to use it you should be able to get more or less any sound out of it that you might get from most other amps.... ....or alternatively would it be more accurate to say if you know how to use it you can get sounds that you might not get out of most other amps....? Of course neither of those scenarios might apply...to explain the reason for those questions....with the limited experience I have had with it I think that I am currently probably somewhere between those two scenarios but willing once / if it is repaired to put the time in to try to get to grips with all the options...but on that it would be useful to know what is reasonably possible once all the many tone-shaping options etc are understood...
  15. Thanks agedhorse that is very helpful...(yes I believe they were more expensive than the 400 / 400 + at the time?)... ...I've not had that much experience with the amp before it stopped working so I'm not totally au fait with what it can do and what it can't with regard to the way that I'd use it or how easy it is to get the sound one is after out of it... I've heard some You Tube clips though in which it sounds very powerful and dynamic...and quite a lot of people on the forums speak very highly of it ... I think you are right though an estimate (or even a quote) if I can get someone to do that is definitely the way forward... I wondered what amp in your opinion is it closest too (if any) sound wise to other amps Mesa have made over the years and does it have any similarities soundwise to the new TT...?
  16. Thanks agedhorse - that definitely helps...there is indeed a number of them in England...I have a MBass 2000 that isn't working ... I understand that there is a lot of stuff packed in there which can make it time consuming to repair...in light of the new TT which is also a hybrid amp would you say the 2000 is still worth it and/or cost effective to repair...?
  17. Who will be the authorised UK Mesa repair centre then and the source of spares and circuit diagrams etc if the distributor (who has been that source) is no longer involved...?
  18. Is the tuner still available and if so how much is it on its own...? Might be interested n the rack too if it has not sold...?
  19. Met Mick earlier this week and bought a bass and some other items from him. Everything that is said in the feedback for him is true. A top gent - I wouldn’t hesitate to buy anything from him again. Very generous with his time and very knowledgeable about all things bass...
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