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Hooch

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Everything posted by Hooch

  1. Thanks fellas, nice proposals too but my kidney's fine at the moment, and I'm not looking for a 6-string - btw gorgeous bass ! I was asked for some details. First I live in Paris, France. [s]My price includes a full-insured shipping to European countries[/s] (EDIT: bass is now on sale shipping fees excluded). I regularly ship basses, got everything to ensure a safe shipping. As for the B-string's height. There is no issue at all with the neck, which is perfectly straight. The B-string's height above the 12th fret is 2,5mm - other strings' height is 2mm and under. It's due to the fact that a B-string needs more height to ring. It's quite normal, especially on a 34 scale. She's strung with (new) 45-125 DR Hi-beams strings.
  2. Bloody beast. Got this one a few years ago, as I wanted to experience the « Wal thing ». The experience was quite impressive. I'm going back to 4-strings now. Tried to justify having this one under my bed for months, and did not succeed. She's a MK2 from october 1988. Worn-in but really good condition. Electronics is dead-silent, frets are good with very few signs of wear, and neck is damn straight with a nice low action (2mm above the 12[sup]th[/sup], except for the B-string). Trussrod is effective in both directions and has very little effort to do to keep the neck straight. Two things have to be noticed : 1/ there are only 2 screws on the preamp backplate, 2/ The G-tuning peg broke a few years ago and her previous owner replaced it with a non original one. There are some crazes due to this replacement. If you look at the pic, it's only the coat which was crazed. As for these 2 points, I just ordered new set of screws and a G-tuning peg to Wal. I'll gladly forward this to the future owner of this bass. Indian rosewood fingerboard, one-piece brazilian mahogany body and gorgeous shedua facings. 11 pounds, not a light one (anyway, is there any lighweight Wal fiver ?), but as you may know you can gain not far from one pound combining the MS4 tuning pegs with Ultra light Schaller ones. As for the sound... well, wal-ish obviously, many (many) tones, always thick and defined, with a huge amount of growl if needed. Pick attack, filters and trimpots work fine. B-string is the best I tried, even if it's a 34 scale. You can use it on the A, and have a pretty defined tone. She's really a great bass. Original case is included in the sale. [s]3150 GBP, fully-insured shipping to Europe included.[/s] [s]2950 [/s]2900 [b]2850[/b] pounds, shipping fees excluded. "[/URL] "] " "] "
  3. Paid, shipped and delivered. And appreciated too I guess Now sold.
  4. [url="http://www.hostingpics.net/viewer.php?id=674926P1010917.jpg"][/url] [url="http://www.hostingpics.net/viewer.php?id=126978P1010918.jpg"][/url] [url="http://www.hostingpics.net/viewer.php?id=273559P1010915.jpg"][/url] [url="http://www.hostingpics.net/viewer.php?id=903218P1010913.jpg"][/url] [url="http://www.hostingpics.net/viewer.php?id=156311P1010909.jpg"][/url] Sorry for my bad english, my text isn't clear enough. There is NO crack on the fingerboard, only a crack in the nut. Date stamp is difficult to read on the body, but it's January 1979.
  5. A special one ! For sale this 1979 Stingray, pre-eb era, in a hard-to-find condition. I had a few old SRs, and it's the first one in such a good shape. No refin there but seems nearly-like new, except a chip in the back of neck's coat, and a thin crack in the nut under the D string. The crack is on the side (not really under the string), both parts of the (original) nut seem solid and I didn't notice any difference in dynamics or sustain with other strings. So I didn't change anything, and prefer let the future owner decide what to do. Everything on this bass work's fine. Neck is damn straight with a nice low action, not fretbuzz. A joy to play. Original frets seem barely used too. Trussrod is really responsive in both ways, and is far from being full, which is important to notice. As for these early Stingrays (pre-1980), the maple was not thick between the fingerboard and the trussrod. It's their weakness, maple has to be strong to prevent fingerboard's crack, which is the case on this one. As for the weight : 4,6 kg / 10,2 lbs, average-not too heavy side. As for the sound, she has this early SRs typical thump, and a load of the Stingray's growl. Currently strung with 45-105 DR Hi-Beams. Great bass with a really responsive neck and a huge tonal range, from reggae-dub subby fat and defined tone, to a tight and growly one. She comes with a vintage hard case (non original). As for the price, 1550 GBP, insured shipping to Europe included (I live in France). " "] "] "] "] "] [url="http://www.hostingpics.net/viewer.php?id=213575P1010904.jpg"][/url]
  6. Deep sense of balance indeed, nice choice of lights too "Entre chien et loup" as we say in France, the time when night and daylight are nicely mixed. What an amazing piece of wood & craftmanship. GLWTS Arnaud !
  7. Awesome bass, neck is dead straight and has this nice chunky feel in the upper notes. GLWTS my friend !
  8. Hi, sweet bass i'm sure but i almost never play fretless, sorry ! @Mikki: replied to your PM
  9. Thanks mate ! These are top-notch instruments indeed. I had three Xotic fivers: a gorgeous Electrum metallic XP1, a cherry red RW/alder XJ1 i bought on BC, and this ash/maple XJ1. Every one of them was very (very) nicely built, great necks, useful sounds in band situations. This ash-maple is the one I kept, great jazz growl, and a fat neck pickup coming close to the XP1. Huge sounding series mode too. I don't need a fiver in my current band, it really is a shame for such a bass not being played as it should. Tone monster !
  10. 30-more-pounds-price-drop bump. 1520GBP with its M80 Mono gig-bag, fully insured shipping to Europe included.
  11. Thanks John and Greg, much appreciated Lovely bass indeed ! Craftmanship is on par with any boutique jazzes out there, gorgeous instrument and a real joy to play and hear. If you're looking for this 70s jazz bite and presence, you can't go wrong with this one. Hope I'm not breaking the 36-hour bump rule, but price is now reduced to a nice 1550 GBP, Mono gig bag and insured shipping to GB included.
  12. Tone monster. For sale this beautiful sale Xotic XJ-1T5, built two years ago in Japan. I won't detail all the specs, you can find here many details: [url="http://xotic.us/guitars/xj1_5st/xj1_5st.html"]http://xotic.us/guit...st/xj1_5st.html[/url] It's an instrument in almost new condition: no dings, no pocs, only micro scratches on the pickguard. The bass is not too heavy (swamp ash body, 4.4-4.5 kg), nice balance, super comfy too. The neck is nicely built, with its fender-ish C profile extended to five strings. The oiled back of the neck feels very close to an old nitro lacquer one. Medium frets, low action (under 2mm above the 12[sup]th[/sup] fret), and a real great B string, which exactly rings like the other strings, with a not-so-common dynamics. You can easily play an A on this B-string, it's still usable and clear. Pickups are Xotics ones, like the preamp, which consists of an onboard Trilogic II pedal. Various configurations are possible from the manufacturer, including the HRI system roughly consisting of a ghost coil located under the pickguard so that there's no hum when PUs are used alone. This bass does not have this system, and frankly speaking that's fine: first the Xotic pickups have very little hum, plus you get a feature you wouldn't with the HRI: a FAT parallel/series mode. Controls: neck pickup volume (pull: active preamp on), bridge pickup volume (pull: series mode on), passive tone, then bass mid and treble boost-cut. Toggle switches select medium and treble center frequencies. In passive mode, this bass has a load of this 70s jazz growl, snappy highs, and lows full of depth and definition. The passive tone is great, super progressive. Real fat neck pickup. When the active electronics is switched on, you get ... almost the same bass if you want. The preamp is clear, and you can adjust its output with a trimpot directly tweakable from the back plate of the body. Active controls are really effective and useable in any positions. In short, though it's difficult being short with such a tool, it's a tone monster. Awesome bass. My price is a fair [s]1600 GBP[/s], reduced to a nice 1520 GBP, including this high-end Mono gig-bag in as new condition (215 euros) [url="http://www.thomann.de/"]http://www.thomann.de/[/url] en / mono_cases_m80_veb_gry.htm, instead of the Contego-like Xotic gig bag (half the price), and [u]insured shipping[/u] to GB (or any place in Europe with the same fees). [url="http://www.hostingpics.net/viewer.php?id=383243Xotic1.jpg"][/url] [url="http://www.hostingpics.net/viewer.php?id=399508P1010820.jpg"][/url] As for me : I live in France, made a few deals here with BMBR, RW1965, loudandclear and lapolpora.
  13. Sorry, I doubled the topic.
  14. You're right, these old Yammies are amazing ! '77 is a nice year or japanese stuff indeed: besides BBs, there are some Fernandes Burny Olds, Greco TBs and Navigator Espionage... with fine craftmanship and real nice pieces of wood.
  15. [quote name='ambient' timestamp='1416235941' post='2608142'] Bear in mind that there's a low Db in there, in the original riff, so even in E you'd want to tune down to get that. [/quote] This. A fiver is very useful for this track. Plus playing this in E is pratical for guitar & bass players, I'm not sure the lead singer will agree though
  16. '75 SB60 from Carvin. Hard to find but looks and sounds fine with loads of bottom end.
  17. A friend of mine recently bought a 31-band eq and uses it in his bass rig. He explained me that allows him to boost/cut close Q frequencies and this makes his basses very versatile. I didn't check this personally, but why not ? As for tone sculpting, I'd better go for a real 2-band parametric EQ or a top grade band EQ such as ATI ones, but it's a lot of money first and it cannot reproduce this "close boost-cut freq".
  18. Year of birth I guess - but I'm French, and we may talk about something completely different
  19. My guess is 1983 isn't the worst era for a fender-ish YOB bass. With Fullerton AVs and first Japanese Squiers, you got there fine basses and various price range. YOB bass isn't necessarily a keeper I agree - though your birthday gift is, that's were it becomes tricky. Short story: I was born in 1977 and sought after a YOB bass. I finally found a '77 Stingray, a nice one with the date on the neck stamp 2 days earlier from my real birthday. Nice catch, but the fact was I preferred my '79 Stingray, which I kept - and sold the preeeecious YOB '77 Stingray. But it wasn't my birthday gift. If it had been, I'd have kept my '77 Stingray for sure. And probably would have sold my '79, which is a better bass for me though.
  20. There were surely nice MIJ basses built in 1975, but my guess is there were fewer than a few years later. If I was looking for a 1975 YOB bass, I'd probably go for an old Carvin, great Hofner necks, great pups too, not so easy to find, but prices remain affordable in spite of Deftones hype.
  21. Are you sure your hands will feel comfy on a jazz neck ? Short story. My girlfriend plays the bass time to time, but she's a beginner and it's not easy for her to find a proper shape comfy for her small hands. I made her having a try on every basses I got and the result was quite surprising. She can't stand neither jazzes neck nor B shape, but the C shape and especially the fat neck (46 mm at the nut) of my (now hers) Bob Glaub sig Lakland is ok with her. Hands are something really personal, I'm afraid their efficiency on this or that type of neck is completely unpredictible.
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