ezbass

I Am The Walrus - Fab 4

Here Comes The Heartache Again - Tony Bennett

‘Cos I Luv You (Slade)

Ain’t Talkin’ ‘Bout Love - VH

Pomp & Circumstance - Elgar

Down to the Waterline - Dire Straits

Wings of a Dove - Madness

He Knows You Know - Marillion

Monday Monday - Mamas & Papas

Listen Like Thieves - INXS

Lady Eleanor - Lindisfarne

Rolling in the Deep - Adele

Roll Me Over in the Clover - trad

Red Rain - Peter Gabriel

Red Red Wine - UB40, amongst others.

Why is it that the courier industry is populated by companies that couldn’t find their own backsides with a map and a flashlight? Honestly, how hard can it be? 😡 Rant Over.

Blue Is The Colour (London hoofball team)

240w from a Cub sized cab - interesting 🤔.

Nightboat to Cairo (Madness)

Maggie May (Rod Stewart)

Easter (Marillion)

Those Hazy Lazy Crazy Days Of Summer (Nat King Cole)

Rhythm Is Gonna Get You (Gloria Estefan)

Why so many SS basses at the moment? They’ve lost that ‘beginner’s bass’ monkey, been shown to have really good, fundamental tone for recording and (with my cynic’s hat on) is another avenue for manufacturers to make us buy another bass, so they’re highlighting them (possibly a bit of the emperor’s new clothes, but they’ve got to keep us buying). I have proper short scale GAS at the moment, but mine came from hearing a tone I really liked in a video and then searching for details on said bass (it was a Serek, but they’re too many £s for my wallet) and then going out and trying some shorties (Epiphone, Gretsch and a Fender JMJ Mustang) before lockdown. Played a Fender Vintera Mustang today and a Wilcock Mullarkey. The latter was fantastic, but the Fender was not bad at all and, at a third of the cost, is a bit of a no brainer.

Tony Levin on one side, Pino on the other watching Bobby Vega.