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  1. I've been wondering exactly the same thing. AFAIK most small pwered speakers are fanless, so noise not a problem. But no idea how they'd sound at very low volume.
  2. Just been working on I Heard It Through The Grapevine, and made a tab version from the SITSOM notation with suggested fingering if anyone wants one. I Heard It Through The Grapevine.pdf
  3. The QSC CP8 might work for a DB? https://www.qsc.com/live-sound/products/loudspeakers/powered-loudspeakers/cp-series/cp8/
  4. I'd be all over this if it could be shipped to Berlin. Sadly, I know...
  5. I had a HiWatt Custom 100 through a Trace Elliot 4x10 back in the day. Nothing at the time ever came remotely close to the sound.
  6. That's good to know. I think there's only subtle differences. RCF probably my pick in the low end. But also just seen a very affordable Harley Benton FRFR jobbie, optimised for guitar, but with a 12" speaker https://www.thomann.de/gb/harley_benton_frfr_112a_guitar_dsp_monitor.htm
  7. Anyone tried a lower-end 10" £250-ish active speaker, something like the Alto TS310 or RCF ART 310 A MK III with a bass? I'm not expecting miracles, or QSC K-type performance, just the FRFR equivalent of something like a Rumble 100 - good enough for home practising and moderate level rehearsals. But with a flatter and less boxy or coloured sound than most low-end combos.
  8. Interesting you find the PJB better than the Magellan as a headphone source. I wondered how much amp headphone outs vary in quality, and a Magellan would have been one of my choices to replace the Veyron. I've also dug out a Vox Amplug I'd completely forgotten I had - actually sounds much better than I remembered, and probably cleaner than my dead Veyron.
  9. The Acme is coloured of course, but to my ears, much less than most bass amps. I struggle to differentiate most DI boxes in a blind test, while most amps seem to have a sound more or less baked in. The Wayne Jones looks good, though probably a bit hard to get hold of - but definitely along the right lines. Also looking at a Quilter Interbass or Ashdown Ant, which might have the right feature set.
  10. Thanks - MarkBass amps do sound neutral, but almost none have a headphone out unfortunately. Also just seen the TC BAM200 has a 'speaker emulation' on the heapdhone out, so that's probably far from neutral.
  11. Having spent most of my life wanting a DI signal that sounds like an amp, I now think I want an amp that sounds like a DI – specifically, somehting like the sound of the Nash bass through the Acme DI box here: https://www.youtube.com/watch?v=EEyKeYgMCNE, though that sort of top-end valve DI box is completely outside my price range. I’m using a P-bass with La Bella flats and a fretless Jazz with TI flats, and listening primarily through headphones at the moment, so any new amp or preamp would be used for now pretty much as an oversized and over-specced headphone amp. This would be to replace a Veyron Bugera 1001T that sounded pretty good until the headphone out stopped working yesterday. So I’m thinking something like a TC BAM200 might be transparent and uncoloured enough, or maybe even a Focusrite Solo, for just a pure DI signal. Any suggestions?
  12. 1001T - the tube model. Just to confirm - the distortion was from the pickup height. The JV '57 s have a very hot and spiky output, particularly on the raised A.
  13. I've got a vague recollection of doing a gig with a 30w verison of those sometime in 1979...
  14. I'm getting a persistant distortion at the start of a hard-played open A string, even with gain and volume backed-off at 9 o'clock. The clipping light shows red on these notes even on the lowest possible gain settings. It actually sounds more noticeable with the pad -15db engaged, though the clip light doesn't then light up. This is with a Precision and La Bella flats. I'm only playing through a pair of quality cans at the moment, but it's not them distorting. Anyone else noticed the same thing with the 1001T, or is just me and mine? Edit: problem fixed. I've got a '57 JV Squier Precison, and had recently jacked up the pickups to regulation Fender height, while still allowing for the staggered A pole. Taking them all down a couple of mm, and problem disappears, with no distortion until the gain starts to kick in around 2-3 o'clock.
  15. Thanks - sounds great into headphones anyway. I think someone answered my question earlier in this thread - they were saying the 'Volume' knob acts to control the level of the 'Gain' before the eq. I'd just never seen this system of a pre-eq volume followed by an actual 'Master' volume post-eq. Though I see the GB Streamliner has the same system, uncoincidently.
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