crez5150

I had a bright box which was an 8ohm impedance. I just linked it like an extension cab. Obviously had a filter inside though.

Anyone?

Hi Guys Got a blown C/D in one of my DB112NT cabs.... I thought they might have a safety fuse/Bulb type affair on the crossover but it appears not. Anyone had to replace a Diaphragm here on one of these particular cabs, if so where did you buy the Diaphragm from and rough price? Thanks in advance J

Graphic fronted bass amps are fantastic though you have to learn how to use them correctly with what else you have in the signal path. I think thats why a lot of people don't like them as you do need to spend a bit of time setting them up, as opposed to just dialling in a sound. I use both Graphics and Parametric EQ's and for bass I think the Graphics sound excellent. I had a chat with a couple of Manufacturers at the MusikMesse and they all said that another reason they do not produce Graphic EQ's is that they are more expensive to produce

I dontthink that ring has anything to do with slapping the bass looks too far back on the thumb. I wear a silver thumb ring on my slapping hand that does not have anything to do with myslap technique either though people often have asked

I could tell you why but I'd have to have you silenced after....

[quote name='JTUK' post='802069' date='Apr 10 2010, 07:54 PM']hmm... live against studio..?? I wonder how many tracks on people's websites here are live... ? and if not, why not..???? You are selling live gigs mostly..no..????? We have a live edit...but had to run it through an editing suite to EQ the vocals better as we put a Zoom box at the side of the stage as an afterthought and that wasn't the best place for the vox...as it turned out so I wouldn't complain if there was some post production on a live album as long as they didn't fix the playing..[/quote] I couldn't agree more... I always try to post live tracks on the websites for my bands where I can. I think for cover acts this should be the law! Too many rubbish bands faking there way into gigs these days :0)

Absolutely one of the very best... Just learning 'Groove tonight' for my disco covers act... Not much going on with the bass but the groove is esential... Their material is very vocally challenging

I'm really blown away by GK. I've been an avid user for a long time. I'm currently using the MB2 head which is really impressive. I like the old RBH cabs and really like their sound. Cannot comment on the current Neo cabs but I'm sure they are great knowing GK.

Try DV247 that's where I got mine from

[b]LOUD NOISES[/b]

My function band have a few 'endorsements' or 'Sponsorships'.... It suits us particularly on the pro audio side as when we play abroad we know that we can be sure of the same equipment set up as we are used to. I have a deal with Gallien Krueger for the same reason. I'm not a named Artiste.... of course not.... but I do give them exposure in exchange for a reliable product, back-up support and can always get the amp I want on tour. I think it really depends on what you want from the deal and what they expect from the deal.

John henrys are your best bet

I have... As a few others here have also. Can be good if you have no ties so to speak. Couldn't do it now though

Yeah as Dood says evpx range...

Chris you should have made sure most what you just said went onto the press release

Good budget range from wharfedale are ok...