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AinsleyWalker

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Everything posted by AinsleyWalker

  1. Oh blimey yeah that doesn't sound like a good look!... Ah apologies to be spreading my pickiness haha!! I think really I just prefer the silver simplicity on non-silk strings, but would settle for silk as long as they weren't red or green (as they'd just clash with my bass too much). More interested in quality of the strings, of course
  2. Not at all haha! 😂 @Reggaebass @jrixn1 What brands of flats do you guys go for? I can't even remember what brand my current set are.
  3. It's not a huge deal for me personally, my current set have blue silks which are pretty low-key, but usually they just look crap, especially bright colours. This comment I found on Talkbass is more extreme than how I feel, but sums it up nicely ha:
  4. Ah that's a shame. GREEN?! What colour bass are they supposed to go with exactly?! 😫
  5. I had a 4 year old set of flats on my Musicman but the G string broke today after I took them off, cleaned the fretboard and put them back on, so I suppose I'd better replace the lot. Any recommendations on flats without silks? I can't seem to see any online.
  6. Ah nice, it's a little bit lighter than what I'm aiming to go for to be quite honest (the pics I posted are a bit more 'golden'). My ray's body is Ash
  7. Sounds good. little bit of darkening wouldn't go amiss, the bass has a maple neck which, along with the headstock, have naturally darkened ever so slightly in the 10 years I've owned it, so I wouldn't want the body to look too fresh/sandy anyway
  8. This stuff? I'm looking for something that won't add any/too much colour to the natural colour of the wood. I'm guessing from the name (compared to their other oils) that this will be suitable?
  9. So my Stingray could do with a paint strip due to some unsightly knocks and dents taken over the years and I'm going to leave it natural. It's a sunburst body, so I can see the grain through the finish and it looks good. My friend has the tools/space to help me do it, but I'm looking for advice on what to coat/seal the wood with after the finish has been removed? I've included 2 pics below for the kind of colouring I'd like to go for. Any advice/brands/products would be greatly appreciated!
  10. Lesson I've learnt this week is never window shop if you can't buy. My head has been turned....

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  12. I have a Micro Tron IV and it's an amazing envelope filter, but the Up-Down switch is a really pointless feature. Both settings have totally different 'sweet spots' on the Gain parameter which are actually disappointingly narrow for getting the pedal to trigger properly. For 'Up' its from around 10-o-clock to 12-o-clock, for 'Down' it's all the way up (around 5-o-clock) to around 4-o-clock. Any other position either doesn't trigger the filter or leaves it open... So while the pedal sounds great while the Gain is in those sweet spots, you don't have much room to tweak at all. As you can tell from the positions I've given, the Up and Down sweet spots do not overlap even slightly, so when you hit the Up-Down switch, you have to adjust the Gain before you can even begin to use the pedal again... Which makes me wonder why they even bothered with the switch? It's not like you could hit it while playing live and carry on, you'd have to bend down and adjust the Gain.... So why not just make it a flick switch like the 3leaf Proton? Anyone else got one of these and experienced similar things? Genuinely baffling that this is even the case seeing as this is not the first incarnation of the Micro Tron...
  13. Appreciate the offer. What make/model gun is it? Might just be easier to get my own
  14. Thanks for the advice, might try this some time.. Would have to be careful with the heat gun, don't want to damage the wood underneath. What did you do after stripping and sanding? Did you apply any oils etc. to the wood?
  15. Hey! I've recently considered getting into understanding the insides of pedals (and circuits in general) and was wondering if anyone had any advice? Good places to start, sources of information, people to speak to etc. Something I might aim to take more seriously in the future, depending on work etc, but looking to get to grips with the fundamentals as a starting point. Thanks!
  16. Also, I ended up getting the Palmer I posted at the start. It's really good, lots of outputs and almost noiseless so would definitely recommend
  17. I have one of these, I used it for years and had no real issues at home or live. It's a little bit noisy compared to some higher quality power supplies so I replaced it a few months ago, but for the price it's decent.
  18. Haha yes, I do need to give the manual a proper read, I've been so busy lately (teacher training) and so I do appreciate the quick info. Hopefully one day soon I won't need to ask any more
  19. Looking for some advice. Programmed a synth sound to match the bass sound of the track below, and how it 'fades in' (ducks?), but the problem with the editor I find, is that I can't get the note to stay at its 'peak' for long enough. It'll fade/swell in, then after a certain time (the max isn't very long) it'll need to fade back down/suddenly go back down (parameter dependent). What I'm looking to make is a patch that will fade/swell in, but then stay at the 'peak'/open sound for as long as I hold it, but I'm not sure this is possible.. VCA/VCF section looks like this for the simple fade in effect.
  20. I gave it a read when I first bought the pedal about a year ago, but it was my first real take on programming, so I found a lot of it went over my head and I just messed around with the interface until I was able to make it do what I needed and was able to programme decent patches. I think now that I've got a better grasp of the pedal (and synths in general) it would probably be worth going back to it. I'll check out the pdf version, as my pedal was brought pre v3, so the manual that came with it might be outdated in sections now
  21. Thanks guys, I'm not sure how I missed this new feature. Appreciate the explanation on the individual reset sections as well.
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