If you mean me, I just mean “paying for the name”, “it’s us-made”, “it’s vintage” etc kind of vanity where as @Lozz196 (I think) suggested in the past, the giveback for the premium price is tapered at best
Literally any bass that I buy is going to be more capable of sounding good than I am of making it sound so. I have a sire v7/5 and it is light years ahead of me, therefore c. £500 is where I draw the line between “good” and “vanity”
Not at all- you could learn from each other and keep the fires (made out of old Les Pauls obviously) burning brightly
I’ll give you a pass on the drummer as they have uses but wouldn’t the guitarist look much better, and more distinctive fronting bands with a bass?
theres still time to save him from mediocrity - move quickly ! If you’re in time no neighbours with pitchforks and buckets of tar and feathers will besmirch your front lawn
I think that’s a unique case.
on the facts …
they’re kids and cannot afford to tread the righteous path of bass on their own.
@bassbiscuits isn’t playing the bass himself, I assume, other than to educate
at least they won’t become guitards
So….
I would say this is a situation to be merciful given the greater picture of “more people playing bass”
I only have two , a 4 and a 5. Both quite cheap / the four was cheap but a present from partner.
the 5 is a sire so not super-expensive
cheating isn’t really a thing for me
It depends how you do it. Just ignore the low B and thumb-root on E until you need to go lower, or if using the B would avoid open E.
If someone asks you to change key down/up by 1 st you can then do it easily whereas if you’re playing with open strings you can’t. Just use it when it makes things easier