I bought an Ibanez srx 5 and it was so wide that it was painful to play. I gave up on 5s
then I bought a sire v7/5 which is very tightly spaced and it is almost capable of playing itself.
my philosophy for 5 is this:
1. don’t try and use the b
2. if something can be played more easily using the B above fret 4 then do it. There are no prizes for making your life harder, suffering is not a virtue
3. avoid open strings by using the B - no open E, play across from
B, fret 5
you have to know what you want from your 5 in order to be able to get its best value
Thanks @Rosie C gutted as I did really well for a change and the lady hostess told me I “smashed it”. Pub is quiet Jan and feb so first one is March. It’s the only really local one around me
I sense a competition … how about the 2026 Gear non-abstinence competition?
the winner is the most frantic buyer of shiny things, with bonus points for “buyers remorse” swift offloading ? Equal bonus for donating it to charity when the dopamine hit wears off
If you mean me, I just mean “paying for the name”, “it’s us-made”, “it’s vintage” etc kind of vanity where as @Lozz196 (I think) suggested in the past, the giveback for the premium price is tapered at best
Literally any bass that I buy is going to be more capable of sounding good than I am of making it sound so. I have a sire v7/5 and it is light years ahead of me, therefore c. £500 is where I draw the line between “good” and “vanity”
Not at all- you could learn from each other and keep the fires (made out of old Les Pauls obviously) burning brightly
I’ll give you a pass on the drummer as they have uses but wouldn’t the guitarist look much better, and more distinctive fronting bands with a bass?
theres still time to save him from mediocrity - move quickly ! If you’re in time no neighbours with pitchforks and buckets of tar and feathers will besmirch your front lawn