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HeadlessBassist

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Everything posted by HeadlessBassist

  1. I guess I have to be relatively tidy, as I'm working in a very small space. (There's a Skoda Superb Estate outside with a full boot, too!)
  2. **THIS BASS IS NOW SOLD** For Sale: Burns Marquee Long Scale (34") Bass *Brand New Out Of The Box*!! This instrument is from the same old client of mine as the red MIM Jazz I sold last week. This one didn't even make it into a Gig Bag until I put it into one after taking it out of the original packing box. (Apologies for the Polystyrene dust!) The Marquee has a variety of available sounds via the three Burns "TriSonic" chromed pickups. Controls are Volume/Volume/Tone with a five-way Blade Switch, giving it a sort of 'mudbucker' sound, a Gibson EB3 sort of sound, a Precision-esque sound, a Jazz-ish sound, and a back pickup sound. There's also a 'Vintage' control via pulling the Tone Control upwards, much like a modern Rickenbacker has. The Bass is totally unmarked and as you'll see from the pictures, still has the labels hanging from the tuning pegs and the polythene cover is still on the Scatch Guard. The transparent red burst finish is very nice too. Price is £375. Trades considered, buyer to collect from DE7, or will happily meet half way, max distance 100 miles (up to 200 miles in total to you from DE7.)
  3. Beautiful finish @Silky999. That's going to be a really nice bass...
  4. See what you think to this. I really liked it. Surprising control over the repeated harmonics at the beginning, too.
  5. Looking good for 71, Daryl! 🙄 I would also say it's the audience. When you have an audience, large or small, who are all up and dancing all night, you know you've cracked it. Their enthusiasm bleeds onto the band, which makes us play better and punchier.
  6. *THIS BASS IS NOW SOLD* Thanks for your interest. For Sale / Trade 2019 Fender Flea Signature Road Worn Jazz in faded Shell Pink. You already know how good these are - they have the same Pure Vintage 64 Pickups as the American Vintage & the American Original series Jazzes. This one has a couple of additions from a previous owner - a Leo Quan BadAss II Bridge and a micro switch for Parallel/Series switching. Series mode gives it more of a P-alike shove. It's a great sounding bass and I'll throw in one of the new Fender triangular padded Gig Bags. Oh, and it has brand new genuine Fender Road Worn Strap Buttons. The previous metallic red locking ones really had to go! Obviously this is a Road Worn bass, so a bunch of Mexicans at the Ensenada plant have more than likely kicked the body around a shale carpark during their lunch break, but condition is exactly as you'd expect - rather like a nicely worn in '61 Jazz, which is what it's apparently trying to be. No flaky bits of faded Shell Pink have fallen off while it's been in my tenure, anyway. Potential buyers are welcome to come and try the bass whether they end up buying it or not. There's always Tea/Coffee and maybe biscuits. Price is £900. Interesting trades considered. Buyer to collect, or I will happily meet up half way at a distance of up to 100 miles (200 miles total distance!) from DE7. Thank you for your attention.
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  7. Welcome to God's clean Earth No, seriously I can see your thinking. I love the sound of flats for recording, but at the end of the day, 90% of my time is playing live and playing live with flats is like having all your sound sucked into a deep sonic chasm. It's really down to how you comfortably hear your sound. We did a little duo showreel at the weekend and I always think I play too bright, but out front it sounds perfect and audible. I often compare it to when I play in the live tribute show against a digital piano, two Epiphone Acoustics, a Fender Strat and a drum kit, complete with up to four of them singing! It doesn't matter how lovely my sound is. It's always going to get buried under that lot from my perspective, but it always sounds great out front, which is what matters at the end of the day.
  8. I moved in 2015 from Genz Benz to TC Electronic with an RH750 in a 2x10 enclosure and a pair of the oblong tubular 12" cabs. I have to say, it's never put a foot wrong and it's been toured all over Europe. It has an exceptionally clean sound and it continues to be my favorite amp ten years later. Nowadays I mainly use one of the MarkBass tilting 2x10 combos, due to the much lighter weight, but I have to admit the sound isn't a patch on the TC.
  9. I had one of the 'Midnight Wine' MIM fives in the late 2000s. It was a great bass. B string sounded great. Never had any worries over it, anyway. Might I ask, what kind of music are you playing?
  10. Congrats! Lovely looking Jazz. Your 'one of each' photo is great too! Can't have too many Jazzes
  11. Lovely looking bass. I was hanging my nose over the LPB one that was for sale on here for ages. Congrats
  12. I know what you mean. I have encountered a lot of players who play 18 billion notes, hoping that one might fit.
  13. Ah, thanks - I thought that was what it might be. I gave up watching broadcast TV in 2012, so popular culture generally passes me by!
  14. There you go All sorted. I periodically do the same. I have to make sure that the basses I have are all either earning money, or actually appreciating in value, otherwise they need to go out the door to be exchanged for pictures of the Queen. This plan usually works, although I recently got a '95 Stingray and having had some work done on it, it's rapidly become a firm favorite. My beautiful Am.Perf.Mustang is up for sale at the moment, too. It only did half a live tribute show, so it's a case of "Door"!
  15. I just listened to that track on headphones. The bass sound is actually very good and defined. The problem, as you say, is that it does get buried to an extent by that awful distorted rhythm guitar. This is why I like playing in trios. More space to play with.
  16. Yes, the TRBX basses are usually consistent. Much better than a Harley Benton, anyway.
  17. Sorry, I was reading this while listening to this week's Smith & Sniff Podcast - Is 'theatre work' a bit like 'track work', or 'motorway work'?
  18. Very nice. Always liked these. Congrats!
  19. This lovely condition 2023 Aubergine Fender American Performer Mustang is up for sale/trade. It's been with me for a few months and is set up beautifully with 40-95 Elixirs (Fender use 40-100 as standard on these.) This Mustang plays like a dream and is in excellent condition with no scratches or dings that I can see. It has only been used for one set on one gig in our live tribute show, so it's not earning its keep and therefore has to go. Comes complete with bill of sale from original owner and the original Fender Deluxe Gig Bag & case candy. The American Performer Mustang is also another instrument in the line (since the Highway 1 series Jazz/Precision) which utilises the 'Grease Bucket' tone control, which lowers tone without losing bass/volume. Using both P&J pickups with the tone control dimed, it sounds like a hyper-jazz bass. Switch to the split coil and turn the tone down to about 70% & you get a very good traditional Mustang/Precision sound. Solo the bridge single coil, halve the tone and you're in burpy Jaco land. It's a very adaptable bass. I would record you a demo, but I'll let 'Nick Campbell Destroys' do the honours below - he does a much better job than me! For sale at £825. (Recommended retail price on these is now nearly £1400 these days!) Interesting trade options considered. Buyer to collect, or can meet half way at a distance of up to 100 miles (total distance of up to 200 miles from DE7.)
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  20. Thanks! It’s a VERY nice Stingray - 1995 2eq velvet satin ash model with Aguilar OBP-2 preamp and Aguilar pickup. It has sustain for days and serious punch that new ones can only dream of. Sadly not for sale ☺️ I’ve got a nice MIM Jazz for sale, though…
  21. When I was teaching full time in Gloucestershire/Wiltshire (80 hours per week) I literally had no time to do any personal practice, but I was playing all the time in people's lessons. Useful for keeping your skills up! Now I'm semi retired, I'm off and at home for five days a week, so I have been literally been playing my Basses (and Cello, DB, Violin, etc) at every opportunity. These days, I usually manage about 1-2 hours a day, whether I'm working on something technical for a recording session, or gig, or just noodling and setting up instruments. I've really enjoyed learning new stuff for the Duo recently. Playing along to the backing tracks is great fun. I don't really look at the Live Multi-Tribute Show stuff, as it's all really easy and I've been playing it for seven years. Also, I learned "Dean Town" by Vulfpeck the other week - still have to read it, though. It's too random to commit fully to memory, unless you wrote it like Joe Dart & co. It reminds me of when I was playing at the peak of my ability at about 22 years old when I was principal DB in the Britten Pears Orchestra - we were all that good because we were playing for up to 15 hours a day! Practice doesn't make perfect - but it does make significantly better! 🤔
  22. "A Music Man Stingray 5's 3-way pickup selector switch offers three distinct tonal settings for the humbucking pickup: series, parallel, and a hum-canceling single-coil mode. Series mode provides the classic, punchy Stingray sound, while parallel offers a thinner, more scooped tone, and single-coil provides a hum-canceling, brighter alternative." So you should have three distinctively different sounds there. I'd take it to your local music shop/tech and get them to have a look at it. It sounds like a simple enough fix, maybe a new blade switch is in order.
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