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Everything posted by HeadlessBassist
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Has anyone actually ordered a Fender Mod Shop instrument?
HeadlessBassist replied to HeadlessBassist's topic in Bass Guitars
Agreed, PinkMohawk. I'm sure there are extra options we'd all like to make our perfect Fender Bass. As for me, I'd want a selection of previous model pickups, such as the original V-Mod and Pure Vintage Custom Shop 64's. I'd also like the option of the small/tall Vintage Reverse Tuners. We're a picky lot, aren't we? -
And now for something completely different...
HeadlessBassist replied to jd56hawk's topic in Bass Guitars
That'll be £3000 please, Sir. -
These are fantastic playing and sounding basses, congratulations Nilorius. 😎👍
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Thanks Rich, I noticed you'd sold a similar through neck 5-string. I have to say, this bass plays incredibly well and sounds so good that I'm seriously thinking of keeping it on the fleet and selling off something else instead. Thanks for the brochure pdf - £699 bought you a lot of bass in the early 90's! Mine is actually the later 'curvier' bodied one from 1994 onwards. Typically, I prefer the older, more angular S-II body shape.
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What are you listening to right now?
HeadlessBassist replied to Sarah5string's topic in General Discussion
I seem to listen to this on a daily basis. Just good fun. -
Jaw droppingly good albums for bass players to hear
HeadlessBassist replied to Bilbo's topic in General Discussion
I've always looked to John 'Rhino' Edwards from Quo for excellent examples of how to build a bass line and vary your fills, all while keeping the fills very musical, so I'd go for "Ain't Complaining" by Status Quo and also maybe his latest solo album, "Just Sayin' ". I also find myself listening to simpler stuff these days - The Blues Alive album by Gary Moore has some great playing from Andy Pyle, who previously played for Blodwyn Pig, Alvin Lee, The Kinks, and Wishbone Ash. -
I've now changed to the 4-string model (sold my Space 5, found I missed its usefulness and bought a 4 instead.) The Space 4 really is a bargain which punches well above it's diminutive weight. The only problem I had was with the jack socket block being too close to the treble pot. Rotating it through 90 degrees seems to have solved the issue. Liking Delberthot's Skoda analogy - It does the job with minimal frills, sounds great and plays like a little demon. You still have to boost the bass frequency on the preamp to near full boost, otherwise it can sound a little on the thin side. Other than that, no complaints.
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And now for something completely different...
HeadlessBassist replied to jd56hawk's topic in Bass Guitars
Interesting choice of decor. Looks like wallpaper stripping in a neglected 1970s house. I did however expect you to continue the title line with, "... a man with three buttocks!" -
All the best, MusicBassMan. I, for one, hope you do go on playing here and there. As I mentioned in another thread, the Buddy Holly tribute in our multiple act tribute show is now 79 and showing no signs of giving up. I honestly don't know how he does it, but hats off to him. I've appreciated your posts in my short time back here, and wish you all the best for whatever you're going to do instead.
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I'm wondering whether anyone has ordered a Fender Mod Shop bass that they've created online? I got creative last night and went for an alder bodied Jazz with the 66 Vintage II pickups, finished in Antigua burst with tort scratch plate and a solid rosewood neck. The tall reverse vintage tuners would finish it off nicely, but they don't seem to be an option.
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Didn't most of the 90s/2000s Japanese Fenders use Bass Wood bodies? I know the Aerodynes were, anyway.
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You know what they say - A lot of the tone is in the fingers.
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I've been eyeing up that Mexican Roadworn Jazz on Marketplace, and also that lovely Japanese Hybrid II Jazz. Obviously I need another Jazz bass like I need a hole in the head - I've got two very good ones that earn me a large proportion of my living - that should be enough, but they're just the goto working bass for me. I'm drawn to them like a magnet!
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I've started transcribing some of John 'Rhino' Edwards' basslines on Sibelius, as I've always found him to be a great exponent of 'how to develop a baseline' and a great example of developing fills in between chords with subtle variation. The two numbers here are 'Ain't Complaining' from the 1988 Quo album of the same title, and his own number, 'Never Too Old To Rock and Roll" from his "Just Sayin'" solo album. It's all in notation with chord symbols, position markers (shows you where the first finger goes), and fingering. Enjoy! Ain't Complaining - Full Score.pdf Never Too Old To Rock and Roll - Full Score.pdf
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Marketplace Thumbnails keep disappearing.
HeadlessBassist replied to HeadlessBassist's question in Site Issues and Questions
Thanks Hellzero. So it's basically a fault in the platform. -
Marketplace Thumbnails keep disappearing.
HeadlessBassist posted a question in Site Issues and Questions
Hi Mods I've got a Status-Graphite Series 1 up for sale on marketplace. I changed the order of pictures last night, and now every time I try to change the thumbnail it goes blank on the listing page. Any suggestions? Thanks in advance! -
On a slight side note... Star Trek vs The Simpsons. It's okay, I know where the door is!
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One motivator for me is obviously the money, as I do this for a living, but I do have to say that as I've gotten older, it does get harder. The pro live tribute shows are one thing, but I still get a real buzz out of live trio jobs where I can play what I want and really stretch my stuff. Most of all, whatever the situation, I get the biggest kick out of entertaining people. The people that come and thank you at the end and tell you it's the best show they've seen in years make it all worth it.
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The Buddy Holly Tribute in our touring multi-tribute show is now 79 years old. Still out there and gigging. I also work here and there with a drummer who's now 76. As Rhino says, "You're Never Too Old To Rock & Roll".
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Thanks for all your interest - This bass is now **SOLD** FS/FT Status-Graphite Series 1 rare through-neck model with exotic book-matched top. Yes, it's definitely a Series 1 with the through-neck option. (The Eclipse of the same mid nineties period had a single piece curved top and the Energy only had three volume/tone/style sweeper controls.) As you'll probably know, most of the wooden necked [with internal graphite rods] Status basses were cheaper bolt on instruments with the small composite square at the bottom of the neck. This one is a very rare through neck model (which was an option in 1994). You can see how the wood through-neck build was identically constructed to the graphite through-necks on the Empathy during the same period, with a rock maple stepped design neck set into the walnut tone block, and the mahogany wings added to the sides, with a book-matched exotic wood top cap. The bass has obviously lived a life since the mid-1990s and there is some stable lacquer peel to the back, but no deep buckle rash. There's also a very small area where a players thumb-tip has worn through the top veneer when they've repeatedly perched their thumb on the top of the neck pickup. It's not perfect, but it's obviously been loved and played hard & often. The original pickup covers would have been the red branded "Hyperactive" ones, so the other "Status" branded pickup may be a replacement unit or just a replacement cover. Either way, both work just fine. Sound: This bass does the Status snap and howl very well indeed. It's very punchy and the tone is warmed by the walnut tone block. It's only a 9V preamp, but it has massive punch. Controls are Volume, Blend, and two-band treble & bass. There is also a 'bright switch' circuit controlled by a micro-switch. The 24-fret neck is utterly lovely. Fret work is excellent as you'd expect and the gloss finish has gently gone slightly satin over time. It's a joy to play. The bass has had a thorough clean and service since being picked up, and the truss rod has been tightened by a small amount to reduce the relief. Action is low and very fast as you'd expect from a Status and it's been strung with a new set of Elixir 40-95's. The preamp battery has also been changed and brand new Dunlop Strap Buttons have been added. This bass is ready to blast! Comes complete with a generic non-Status hard case. Payment via Direct Bank Transfer or cash only. Buyer to collect from DE7 in Derbyshire, or will meet halfway up to a reasonable distance.
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I quite like it how it is - it looks well played, but if you want to refinish it, great Bear in mind that you may lose a little of the body resonance with a new coat of paint and poly gloss lacquer.
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Apologies up front for not having read all 15 previous pages, but which far eastern workshop/maker produces the Metro Express for Sadowsky?
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Despite being sired in the 50’s, they’re still considered the industry standard for some reason. I think it’s mainly because engineers find them easy to place in a mix, compared to something which cuts through and refuses to be buried sound-wise. I’ve got a couple of nice American Original and FSR Standard Jazzes, and principally play them for my professional engagements with a 50’s/60’s Tribute Show. Otherwise, I use much more modern instruments. Interestingly, I’ve also got a Player series Mexican Jazz which is one of those ‘one in a batch of twenty’ ones that seriously punches above it’s weight. I don’t have a Precision at the moment - instead I have two Mustangs (one on rounds, one on flats) which do the job just as well, according to the engineer/producer at the last couple of sessions I did.