Musicman20

I'm pretty sure that when I used a cheap Sue Ryder P Bass for fun at a run of Spring gigs, the compliments on the band and the drum/bass work was more than I expected. Tone is fun, and its great to mess around with new sounds. Technique is a massive part of who makes you though. I was always a bassist fighting for limelight over the guitarists, so it has reflected in my playing.

Hope you recover soon Pete.

Have a break and don't touch them for a bit. Then find an amazing band.

The worst thing is when someone reviews a bass/amp/cab and says 'it reveals all of your bad technique'. I can't stand that, to be honest. One person may class bad technique as character; we aren't all precise jazz players. I can hear if I'm playing rubbish with any bass/amp/cab....usually because I haven't practiced or my hands are cold.

To be honest, I think the only thing that makes a bass less 'forgiving' is when there is less treble/hi mids, (eg with flats) or when you have grit to blend the tone. I have only just realised how much Flea uses a hair of grit on the recordings...and not only does it make it blend well with clean or distorted guitars, it tends to make the playing of it that little bit easier. I am all for clean bass, don't get me wrong, but I love some grit on it.

[quote name='BigRedX' timestamp='1359292271' post='1952514'] From what I've seen on Talkbass it appears to be very disappointing so far this year. In previous years the NAMM thread has been full of stunning photos of droll-worthy new gear. This year we've got some product shots from the manufacturers' web sites and a handful of mostly out of focus photos from the show itself. The only vaguely interesting looking stand was the Ritter one and I've already seen all his new instruments as I'm on the mailing list. :-( [/quote] Sign of the times me thinks. By looking at some of the latest high prices by virtually all manufacturers, I think sales must be taking a tumble.

Depending on availability, and how many are out there, Classic Vibe basses? Doubted though...as there are so many out there.

I reckon £2k.

[quote name='BassTractor' timestamp='1359067876' post='1949554'] Yeah, they're unreal! Good to see ya back, G! b, b [/quote] I'm just taking it easy...less posting and more reading cheers dude. Probably resume back to normal service in a month or so.

Want.

Tech 21 VT Bass DI

I still prefer the Aguilar DB12 tone over any other cabinet. They also look beautiful. What is not to like? For sheer size/ease of movement/price/tone/weight, I have yet to find a 2x10 that beats my TC Electronic RS210.

I've barely posted recently, and a lot of the new NAMM gear hasn't perked my interest. This pedal, however, does. Even though I have the VT Bass v2 and Sansamp BDDI, I will pick one of these up: [url="http://www.sweetwater.com/store/detail/SACVTBass2DI"]http://www.sweetwater.com/store/detail/SACVTBass2DI[/url]

I've used Real Electronics, just for some new RH knobs, and Cat is brilliant to deal with. Very professional company and super friendly.

Hi all The Bongo I received is now completed sorted out. As expected, it sounds, looks and feels great. I don't think we need to go back into the exact details, just the conclusion. Everyone knows I absolutely love EBMM basses. If you knew my collection of basses, you would understand why I go back to them time and time again. Anyway, I wish to apologise for any inconvenience caused, any problems, and any arguments that may have sprouted from it. Thanks to the Mods for keeping an eye on things. I am taking a break from forums at the moment. I have been given permission to name the store/dealer/manufacturer. 1) I wish to withdraw any validity to the comments I have made on this or any other forum over this issue and fully exonerate the companies that I have inferred or made reference to. 2) On reflection, I have received excellent service, to the highest level humanly possible, from all parties involved. Music Man rank as one of, if not the best, manufacturer of bass guitars on this planet, Strings & Things have acted in an extremely professional and more than accommodating manner to my most particular of demands. The retailer involved, Sounds Live, also ranks as one of the best, if not the best store that I have ever had the pleasure of dealing with in the UK and has more than catered to every single one of my most particular needs and demands. 3) I apologise for the trouble caused by me on Bass Chat. Thanks all x

Yep, if its Matt at Fender UK, he is very helpful, as is Genz as a whole.

Quite cool!

You can use either wattage amp and keep the gain volume down, gain wherever you like....then use the master to taste.

Sign of the times me thinks. Not a lot of room in the UK for another specialist.

They have sold out!

I'll make sure I check the plans for this day. It would be great to meet some fellow NE bassists.

[quote name='Green Alsatian' timestamp='1357848878' post='1929569'] This is more like it: [url="http://www.fender.com/en-GB/basses/precision-bass/1951-relic-precision-bass-melon-candy/"]http://www.fender.co...ss-melon-candy/[/url] Also available in aged Lake Placid Blue and Candy Tangerine [/quote] NOW THATS A GOOD UN! But you could probably just get a Squier CV and be done?

[quote name='wateroftyne' timestamp='1357828619' post='1929116'] Fender never try anything new, do they? They just stick to the same tried-and-tested designs over and over again, yadda yadda yadda. Damned if they do, damned if they don't. By the way, I think it's truly wretched. It makes me want to sick up a little bit. [/quote] I agree they should try and stick with what they know...but make it more consistent. Every American Standard needs to be damn right briliiant and they aren't. This is a truly awful design.

if its £2K and he wants a boutique active Jazz, then Sadowsky. Or, find an amazing Fender American Standard Jazz (they are out there) and buy a top notch pre amp and save a LOT of money and get basically the same thing. Sadowsky sell their pre in pedal or load in format.

I want one.