I've got three bits of Ashdown gear - all MAG - a 1x15, a 4x10 and an old red-face 2x10 combo; the combo (which is a bit tatty) and the 1x15, have been part of every jam and gig I've done in the last ten+ years; the 1x15 (along with the new 4x10) continues to see use as part of my new(er) setup. In this time, Ashdown have provided a few odds and sods (knobs etc.) free of charge/postage paid. they've answered a few queries and have been courteous each time. Customer service is alive and well at Ashdown.
I just don't I don't understand why people knock their gear. I suppose because some of their range is [i]affordable[/i], and to some that to some this equates to it being rubbish. My preferred sound is, ummm, gritty; a bit Geddy/JJB and I don't see any of the toneless, wooliness or wump qualities which people put forward tend to be the main argument against Ashdown.
They're robust, portable (ooh, my back) and certainly capable enough for any application; I've also run guitar, vocals, drum machines and keyboards through the combo and used it for stage monitoring as well.
P