Woodinblack

Well, I am sure we have all seen this, but just so we know where things end up, it turned up here! A Shuker 6, with a neck like a major runway. A series 2 I believe. I am not a 6 player and I am not fond of a spacing greater than 17mm, this goes past both of those, its neck is so wide it doesn't fit in any of my hangers or stands, so it will have to sit on the floor! I figured that although it might be difficult to use, if I never manage to get on with it I should be able to not lose on it like I normally do Although a the moment that isn't an issue as I am getting on with it fine at the moment. Plyed it a bit last night but then it started hissing and sound went down, which struck me as a battery problem, sure enough it was, replaced the batteries, all seems good now. Anyway, here are the pictures

Fair enough, I guess that is the point. I suppose they are not really in the market of having to make it look good.

I am not a fan of the asthetic of foderas (I have no idea what they are like to play, I assume they are good), but that one is not actually too bad, as it doesn't have any knobs to be scattered randomly all over the place. But why does that XLR have to be just dumped there like they threw it at a dartboard? I love how ritter put their sockets on the back, it makes so much sense

Yes, that is how the voice live is, I have a multi-gang vocal patch that i use in 'brick in the wall', and a couple of other things, and on its own it can sound a bit metalic, but in a mix it blends nicely.

I did look at that one, their demo is a bit poor on that so I couldn't really tell how good it would be

Both me and the singer use a voicelive play, which is a cheap enough thing. My wife (who technically owns my voicelive play) has a mic mechanic too, she prefered the simplicity of that.

I was watching a video the other day of Bombtrack, and he certainly uses two there, not alternately, but still two. Even though the song isn't actually hard, I have a real problem with the start of the song with two fingers as it seems in the coming back thing you end up with your fingers wanting to do something else, so I have been playing it a bit in practices, even though it is not a song I am doing, to try to get past that. This one in fact

I use those three fingers as well although I am not necessarily using them all at the same time, but they all get an equal look-in. The only time they get used in a sequence would be some sort of galloping line, so if it was playing something like Iron Maiden, all the runs would be three finger runs, so that would be ring, middle, index continuously. I can't do it the other way round

Like my Wrongo?

All you can do is what you did, report him as a non selling seller. I had the same with something I bought, except they flatly admitted they weren't selling it 'well, you can hardly expect me to sell it at that price'.

All of your rics seem to have the pickup at the same angle - maybe it is intentional. Mind you, you can't expect too much them being a budget instrument made by americans

I use the iM1 for sounds in my main band at the moment, but for chords in the back of stuff such as brick in the wall etc. I am using the reface for more dynamic stuff now like linkin park, but with the new band I will have room for a full sized keyboard. As a midlife crises it seems pretty harmless!

Like all these things, its a question of practice. When I was a kid they used to leave me in the local department store where they sold organs and I would just play them and get quite an audience of people - the store seemed to like it and my parents could just dump me and go shopping (you know, it was the 70s, they didn't have problems with that sort of thing back then). And I did my exams and stuff, and got really pretty good, then kind of 15/16 came along and all of a sudden bach didn't seem anywhere near as cool and I wanted a guitar. Since then I didn't really play much until a few years ago, and i am fairly useless now. I often though that if I joined the band as a keyboard player after a while I would get good, but then there is the whole not being good bit to get through, which would hardly be fair on the band. But sounds are important to songs, that is what the keys are for. One thing I like on modern keys, like my DS, is you can pick a sound really quickly. Like the previous keyboard player, we would play, say, stevie wonder, and he would just have the organ sound. Is it not obvious you would just select keys, then start with a basic clavinet sound? Same as things with horn backgrounds - just select the horns and look through there, then adjust when you find something good, but no, always the cheesy organ. I think if you can do it, then do it, being in a band is just as much about learning than something else, so do it and enjoy it. After a while, you are going to get better, because that is what makes you practice, having to do something

Its a great all rounder. One of the problems we had with the last keyboard player, he could play fine but he had no concept of 'the sound for the song'. Whatever he did it sounded like a cheap organ. I was genuinely blown away when I heard how good the Nord Stage was when I heard it played by a demonstrator as all I had heard was cheap organ sounds! In my current new band I will play keys for a few things, but its a bit restrictive when you also have to play bass,.

I don't have one but spent quite a time playing one. If I was playing keyboards in a group full time I would have one, but I have the roland DS at home and that is fine for there.

ahh, guess it is then, that just looked like the normal one. Just that pickup then, haven't seen that before

That is quite different though, that is the normal squier PJ jaguar, not active and not with the MM like the first one. I can honestly say I never saw the active jaguar with that pickup.

To be fair, coat hangers are solid wire so should produce a much better quality signal.

So it is a fender squier classic vibe vintage modified series? I must admit I never saw one with an MM pickup

I thought everyone knew?

As my wife said, when she knew him in LA, if she hugged him she could put her arms round and touch her fingers at the back. In the latter years, her arms didn't get to the sides. Almost certainly the same with me but not quite so tall to make up for it!

I do have a Fender Aerodyne in black, but not matte. But it looks like every other aerodyne black jazz, so no need for a picture!

I suspect it would look like this but with black where the red is!

As close as possible, as I play 5 strings. On a 4 string, anything from a jazz to a bit tighter will do, anything beyond that not so good

Its an Arielle signature model by bmg https://www.guitarworld.com/news/brian-may-guitars-branches-out-from-the-red-special-with-the-arielle-signature-model