petebassist

Anyone had to replace these - one of the machine heads snapped on mine - I read on TalkBass that someone used Gotoh GB707s on a SR500 or Gotoh GB350 2L/2R B Bass Tuners. Any others that would fit, and be better than the stock die-cast ones? Thanks

I found a couple of used ones on eBay, but I think the new version is https://www.roland.com/us/products/gomixer_pro-x/. A bit more expensive but I'm thinking about new version - as well as the IG stuff, it would be great for creating live performance promo clips for a couple of bands that I'm involved in.

That's quite a story, and a great song. U2 seem to get a lot of stick these days, but in the 80s they were really revered by young people, at least in my experience.

Hi @mattpbass, that looks exactly like what I need, I'm gonna look into it. I'm pretty handy with Garage Band and I have an audio interface, but as you say the stitching is a faff. Many thanks

Anyone got tips about getting a decent sound when playing along to songs? I put my double bass & electric bass clips on my Instagram channel, but I record video on my iPhone with the song playing through a speaker and my bass playing through an amp, so I pick up extra fretboard and string noise (I know this is less than perfect technique causing extra noise). I've got an iMac and GarageBand, but I don't know how to get a clean digital sound through that to mix with the backing song and the video footage. Would I have to use iMovie to put the three things together? Thanks

I guess it depends on your studio costs and what your budget is. If you're good with technology you can do the publishing yourself for free.

I really rate CDBaby to easily & cheaply get music out onto multiple streaming sites, the website's great. I use this for promotion, not for an income stream - I'm not a commercial artist. Not tried Distrokid but I imagine these services are all pretty similar, and the more you pay the less you have to do yourself. Do you put a lot of music out?

Didn't see it all first time - started watching it in a pub in Ambleside in Cumbria, then hitched back to Co Durham and caught the end at home. Those were the days... Watched bits of the replay at the weekend. Musically, I enjoyed Simple Minds, Sting, and Dire Straits with Sting on BVs - brilliant. Queen obviously. Funny to see the mic-lead minders who had to crouch at the front of the stage to stop people tripping - at one stage a bloke ran on stage and had to loop one right over Adam Clayton's head, though I don't suppose anyone now wd've minded if Bono tripped - what a palaver over giving someone in the crowd a kiss. I might give that a try at my gigs this weekend 😉

Mojo to die for - stunner !!

I don't think you could go wrong with this bass, as long as you don't plan to jump up and down on it mid-song like Lee Rocker. These are fully carved I think, so if you want to use it for jazz & other non-slap styles as well as rockabilly, you'd have the tone you need with the right mic or pickup. I used to have a Stentor 1950, ply back n sides, which was small bodied and light, perfect for tight gigs.

That's useful to know - when I tried one it was on a tripod and yes when I used arm weight to stop the strings the bass did spring back a little bit. I've seen on the US talkbass site that some users play seated with the tripod set low so they can rest the top of the neck on their shoulder to stop the neck springing back, but I wouldn't like to sit all night. I don't think the end pin stand helps either.

I think you're right mate about not being intended to be replacements, but I'd probably only play one as a rehearsal replacement for my acoustic upright, or if I wanted a double bass sound but couldn't or wouldn't take a big bass to a gig. I hear that a lot of country/roots/bluegrass players in the US even get away with using NS Designs when they tour.

Agreed about the DB technique. For instruments so expensive, NS Design aren't much good at providing quality video content to show the different sounds and tones you can get. I did try an NXT a few years back at the London bass show, but the action was set way too low to dig in like on a DB.

This cropped up on my instagram stream. It's not often that you hear one of these played by someone who knows how to play an acoustic upright bass - to my ears this is a really usable tone if you wanted an amplified acoustic tone for a gig, and Marcus reckons there's no extra tone-shaping going on here. Maybe it's the amp. Whaddaya reckon?

Look what you've started mate! now listening to hours of Roxy Music and considering a new fretless.... Agree, the bass is sublime on this. Another thing about RM, they often had incredible intros, you just had to continue listening... Case in point, Avalon. Cheers,

It would be for this 80's sound definitely - I play mainly folk rock, and I switch between my upright bass and the Ibanez, so the woodier faster decay on the notes fits better with the higher action and keeps it in line with the upright tones.

Thanks for this recommendation - just listening to the album, amazing. I have an Ibanez SRH-500F fretless, which has slightly raised action to tame the mwah, and it's a bit woody, so might look at getting a pedal to get near this tone.

I think JG played on Love is the Drug, absolutely epic bass groove.

It's a beautiful looking instrument, I hope someone puts it back together, like the six-million dollar man. Best of luck...

Unless those were exactly what I was looking for and I couldn't get any other similar used strings, I'd probably avoid as well.

I use a K&K Sound Pure Preamp, which clips on my belt so I can tone shape & adjust the volume without having to go to the amp or rely on the sound person. I've heard about this impedance issue but I've no idea what it is 🙃

I learnt using simple walking bass lines for jazz and blues - even if I don't know the particular tune I can tell when I'm hitting the right notes as they harmonize. Also, Bach pieces for bass are brilliant for this.

Hi, you should be able to look up the silk colour at the end of the strings to figure out what strings you have, and some lookup sites also show the tension (e.g. the D'addario site) https://gollihurmusic.com/string-identification-chart/?srsltid=AfmBOooatO-fJJAUc10SynBPGqEaKyyOm6AepzTS_2RkOJRadf2nBDz2 There's not really a wrong type to put on, but some strings might need a tweak e.g. gut strings sometimes need wider nut grooves. And lower tension strings have more movement so you might need to raise the action slightly if the strings are hitting the neck.

Concur with this. I can get away with a Realist Lifeline in a live setting with a full band when I'm using my Roland keys amp. To record, I always use my AMT mic, which gives the 'air'/full acoustic bass sound. On previous threads about this people mentioned using stuff like a Tone Dexter II from audio sprockets to replicate that with piezo pickups - but I haven't used one.

If you happen to come across a Stentor 1950, they're light and slightly smaller bodied than many, much easier to lug around bars n pubs.