ossyrocks

When I look how far north you live Matt I get dizzy!

Interestingly, I did recently catch someone just in time, trying to connect the speaker outputs of a powered mixer (1000w) to the line inputs of a house PA system, which were active speakers. I did try to explain the potential results of their actions but they looked at me like I was making a fuss over nothing.

Connecting the speaker output of your Rumble to the input of an active speaker is definitely not recommended. You are likely to blow both the output stage of your combo and the preamp of the active speaker. You could run the "LINE OUT" of your Rumble to the active speaker though using an XLR cable, but your combo will still be running though it's own single speaker and seeing total load of 8 ohms. Rob

Sold! Not to me I might add.

It's a five hour drive each way for me, so I think I should just stop thinking about it !

The auction does offer shipping at a not unreasonable cost, but you'd have to hope they know how to pack a cab for shipping. They clearly didn't look after it during their ownership! It's the old model, with 200w drivers opposed to the more recent 250w drivers. The panel says 4 and 12 ohms, but I can't see how this would be achieved without the switch option of the later versions. Can anyone enlighten me? It would have to be bought for cheap if you were to factor in a factory recover/refinish and regrill. I would expect a nice condition modern Two10 with cover to be around £500-£550 secondhand. @Merton a custom finish couldn't include a coloured baffle and steel grill though, as the cloth front cabs can't be converted. I reckon my best offer couldn't be more than £250, and I doubt they would accept that. Rob

I'm keeping half an eye out for another Two10, and this one has popped up on ebay, but it's a horror story. I don't understand why anyone would do this to such a relatively modern high end cab. https://www.ebay.co.uk/itm/127172633345 Rob

That was a brave post Lee. I feel for you, and what you must be going through at the moment. I'm just out of hospital now, and I'm on the mend but still taking it easy. I know you have a gig tomorrow, so good luck with that, but I'll say that when I was your position a few years ago, I found solace in music and playing live, and found it really helped, especially playing live. You ain't got the blues until you've lived the blues man. We'll have that meet up in the next few days hopefully, it will be good to see you and talk. Until then, stay strong. Rob

I have the Boss WL-20 and the Nux. I bought the Nux because my wireless router is right next to my practice amp at home, and it interfered with the WL-20. The Nux works fine at home. For gigs, I always use the WL-20 as it’s just so simple and easy to use. I take the Nux as backup, but I’ve never had to use them. Only once has the WL-20 given me a surprise, the guitarist also has the same system, and I forgot to re pair mine before plugging in, and all of a sudden he had bass coming out of his guitar amp! Re paired and all was good. I haven’t done a any scientific testing, but I think battery life is better on the WL-20 than the Nux, but then the Nux can be recharged from the case if needs be. Rob

Nice one @AndyTravis, Lee and I have just been talking, this is a great thing you’ve done. Rob

Cheers. I was struggling all week to be fair, and I’d did the gig on max painkillers. 4am pain was off the scale, I was shaking with it. I cannot fault the care I’ve had today though, assessed quickly, admitted, CT scan, diagnosed and placed on a ward. The nurses are hot on my pain management, and have told me when they are going to administer stuff through the night. Hopefully it will just be a couple of nights.

My gig last night was great, and the main reason for it, was that we played a lot quieter. My band is a great bunch of chaps, and we all get along really well. However, the drummer is/can be, one of the loudest drummers I’ve ever played with. On the last gig in a theatre, I spent a long time meticulously refining the sound during sound check, it was superb, then in the first set, adrenaline and enthusiasm got the better of the drummer and he overwhelmed the mix we’d created and we all had to up the volume to hear ourselves. We had words at half time, and the second set was better. This week at rehearsal, the band leader instigated a discussion about stage volume, and the drummer took it well. So last night, he brought different cymbals (quieter ones) and played in a much more restrained manner. I used a BF One10 and a GK class D head. It really worked, and the audience absolutely loved it. We could all hear every nuance, and our dynamics improved. The drummer did admit that the gig was better for it. So from a great gig last night, I woke at 4am this morning in a lot of abdominal pain, tried 111, which was hopeless, walked into an Urgent Treatment Centre at 8am, was examined and referred to A&E. Suspected acute appendicitis, but after scans and bloods, it turns out to be diverticulitis. They’re keeping me in for a couple days on IV antibiotics and painkillers. Marvellous! Rob

You make a very good point here. It depends how many of your gigs are DI'd to front of house, or "backline only". Mine are probably about 75% backline only at the moment, but if the band keeps up at current momentum, that will change. I do run wireless, so I get the opportunity to walk out front and check what FOH sounds like, and it's been OK so far with the BF Three10. When I run the vintage GK RB's I use an Orchid DI in front of them and run that to FOH, and when I run the modern GK Legacy 800 I use the built in DI. The bass I use does help, vintage P with flats, so I hope it's never going to veer to far away from what I'm looking for.

and a Roadie....

Well I don't think he's mistaken.....🤣

Ah ha, I've been where you are! I've had quite a few BF cabs. I started with the 10s, and loved them. But in my naivety at the time, I though moving up to 12s would be the same but bigger and better. I was wrong, I don't like the 12s for the same reasons you're talking about. They reproduce everything that goes into them from the top to the bottom. They do sound massive though. The sound I have in my head is rounded, warm, fat and punchy, but has no top end, very old school. I went back to the BF 10s, a Three10 to be specific, and I could not be happier. With careful amp choice and eq I could get close to what I wanted with the 12s, the best I managed was with a Tecamp Puma 900 (same as an Eich T900) with the Taste control very much cranked over to the Rich side. Rob

I first met Rich in 1992 when I started working at NCC on Oxford Rd, only a few hundred yards from A1 Music where he worked. That year I bought a nice condition all original 1973 Olympic White Fender Strat in the original case from Rich in the shop, for the princely sum of £225. We've done countless deals since, and he introduced me to Joe Bonamassa in 2015 when we hung out at a studio in London for a day with him before the Royal Albert Hall show. Joe put me and my wife on the guest list for a show in Leeds subsequently.

I can confirm now that the saddles have been changed. I was looking at a straight swap on a guitar I have here, but I think I'm going to let this one go, not because it's not a nice bass, but mainly because the guitar I have here is worth quite a lot of money and I would want an all original bass if I were going to trade it. If anyone wants to message me, I do know the cash price for quick sale. Rob

Yes, that's him

I wouldn't mind some more input on the bridge if anyone has a moment. I'm back and forth with Rich about this bass as I type. Rob

Richard Henry has posted what appears to be a very nice clean looking '72 Precision tonight. I've known Richard for more than 30 years, and in my opinion, he is one of the good guys. I'm going to let one of you guys enquire on the price.... https://www.instagram.com/richardhenryguitars?utm_source=ig_web_button_share_sheet&igsh=NDd5bHgxbnZ3MzJu

Nothing can be "too vintage" for me, that why I like it! I do play a vintage P bass with LaBella flats on though. Rob

I think you'll love the Three10 Paul. The Elf is noticeably better through multiple speakers at 4ohms. I've not yet had to use it on a bigger gig, but I do have confidence that it would get me through a gig, any gig in fact. I have used it as the main amp in small rooms with a jazz band and a funk band, and in the huge cavernous space in Lancaster Priory. On the Priory gig it was DI'd, and the engineer was very happy with the DI it provided. Rob

I wonder what the price was on each of the previous occasions? It's now £6k, which is quite a wedge up here in the frozen north. Rob

A B width neck too. I like that one.