geoham

Can't wait until I get a chance to gig it - just a pity I'll need to wait until mid December when I have three gigs in six days!

So, I had planned on replacing my Ashdown Mag 210t cab with something a bit lighter. After much to and fro, I 'settled' on a TC Electronic BC212. Was about to order it, and the wife suggested checking Gumtree for any local bargains before parting with my cash. I'm now the proud owner of a BC500 head and two BC210 cabs! £400 including fitted Roqsolid covers. Nice modular setup, though think I'll probably gig both cabs - until the novelty wears off! Happy days indeed!

Yeah, thought he was awesome. One of my all time favourite bassist ever since I watched Pink Floyd Live in Venice. (In 1995, on a VHS - recorded off the telly by my old man!) Thought Paul Rogers' bassist was good too, and even though it's not my usual cup of tea I quite enjoyed the Fuse dude too - bassist had a lovely 5 string Jazz. On the whole, a great episode for bassists. (Particularly those of the Jazz Bass persuasion!) Would have been nice if David Gilmour did a wee number with Guy, but hey, can't have it all!

I'll sign that petition! I'm from Glasgow, but pay London a visit every year or so. The whole street is worth a look around, though in fairness some shops aren't great! Each time I have visited recently, I have spent some cash in Wunjo. Better service than the only place in Glasgow with a reasonable stock of basses, and a better stock of basses than places in Glasgow with good service! My guitar playing mate is of the same opinion.

Watched it this afternoon with my 13 year old lad this afternoon. Sam Smith on right after U2... His response:- "wow, I didn't think he'd come on this". I pointed out that U2 are one of the biggest bands in the world. "Did they sing Red Red Wine?"

Thanks for the feedback. I think I'm swaying towards a lightweight 2x12, like the TC Electronic BC212 now. I've unexpectadly been asked to join a new band, and think I'll need something which can shift a bit more air. To explain, my existing function band was just 1 guitar, a moderate drummer and vocals (plus me!), whereas the new originals band has 2 x guitars, keyboard and electric violin, plus a loud drummer. Really hoping that'll cut the mustard, because I really don't have the space (or strength!) for anything bigger! On the plus side, I'll always have PA support with the originals band.

I probably would have let him borrow mine, but it would have been dependant on his (and his band's) attitude throughout the evening. If they'd been arrogant 'too cool' types or in anyway disrespectful to the equipment then absolutely not! In saying that, my equipment isn't high-end - I'd have a different outlook if I was gigging a £3k bass. My inner tech says alway bring a backup...personally I rarely do, however it's unusual for electronics on a bass to just die. At the first hint of trouble I'm on it right away, and I always give my gear a quick once over before gigs.

If you liked playing that, try playing Roll Over Beethoven.....

Worth pointing out that Fender strings now have coloured ball ends too. Don't know how these align to the colours you've stated though! I believe that they are made by D'Addario though.

So, finally had the first rehearsal with the band, after struggling to get a rehearsal room at short notice last week. I got some compliments on the minor improvements I made to the basslines - which was mainly just basic runs to change between chords. However, for one of their songs, I tried something a bit more adventurous. There is a four bar section of descending chords where the previous bassist just played roots. I replaced this with a nice little melodic line which was described as 'f--ing lovely' mid-song by the vocalist. Had a chat during the rehearsal, and have been told I can do what I like, as long as it suits the songs. They were less than complimentary about their previous bassist too. All in, they were quite pleased with me. Result!

[size=4][quote name='kevvo66' timestamp='1412509992' post='2569418'][/size] Try second hand mate ,some real bargains to be had [/quote] Think I'll be doing just that, cheers. Looking at the stock in the main Glasgow shops, I reckon I'd be buying online and therefore buying blind anyway.

Some mixed reviews then! It looks to me like Ashdown have cornered the market for affordable micro-cabs. I can't find anything comparable for anywhere near the same price. I'd love to be proved wrong though!

A typical P will be louder than a typical J. The P pickups are wired in series, making it louder. Also, don't confuse loudness for a good tone. My stock Mexican P pickups were loud, but sounded harsh. The P was the loudest of my 4 basses by a long way. My CS 60's J pickups (same as used in American Standard) are considerably quieter, but sound awesome. I replaced the P pickup, and the result is a quieter, but far nicer souning bass. My advice - if you like the tone, keep the pickups and turn up the volume on your amp. A clean-boost pedal will help you get an even level between basses, and a pre-amp will do the same, but will probably colour your tone somewhat - not necessarily a bad thing! Hope this helps,

Added Oliver's Army. Suspect there's more to come!

Let me know how you get on! My 210 is 8 ohm, so could combine that with the MiBass if required, but would prefer that to be the exception rather than the rule. Perhaps two MiBass cabs would do the trick, and just sell the 210 would be the best option. Or a lighter cab altogether..... Decisions decisions......

First zero response thread?

Hi, My current rig is am Ashdown Mag 300 paired with a matching 210 cab. I store my gear in my converted attic, and carrying the heavy 210 cab up and down two flights of stairs is slowly killing me! I'm considering the MiBass 10 cab, with the intention of using this mostly, but having the option of using both together when needed. My main concern..... Will the single 10 inch speaker cut it? The main alternative is a lighter 210 or 212 cabinet, something like the Tc Electronics BH series. Any advice?

Cheers guys. I've never had to replace someone in an originals band, so was just a bit unsure. I think what I'll do tomorrow is stay pretty close to the existing bass lines, but add in some runs to transition between the chords. They just jump straight from one to another on the recordings. Should be enough to get their attention without fundamentally changing what the last guy did. Then I'll have a chat afterwards.

I've been asked to join an originals band by a former bandmate. They are already slightly established - signed to a small independent label, have a manager, album and a couple of EPs recorded. They even have a local fanbase! I've been learning their material, and the bass is 99% root notes. I'd personally have played at least some of it differently. First rehearsal is tomorrow. What's the etiquette here? Do I play the 'original album version' exactly? Or, do I play my version of it? The band leader is the type to keep his cards close to his chest, so not sure if the simplistic bass is perhaps why they now have a new bassist.

[size=3] Sold Paul some pickups a couple of months back, apologies for the late feedback![/size] [size=3] Good communications, fast payment, no fuss.[/size]

I sold Anthony an effects pedal. Good communications, fast payment - flawless. [size=4] [/size]

Considering getting one too - let me know how you get on! Any reason not to get the 212 version? Looks exactly the same size and only a touch heavier than the 210. I may go even smaller with an Ashdown MiBass cab!

[quote name='chris_b' timestamp='1411386223' post='2558919'] Scales are about knowing where the notes are in the chord and on the fretboard. Scales are about fluency and playing without having to plan where the next note is. Scales help muscle memory to make sure the right finger arrives at the right note without having to think about it. [/quote] ^This is exactly what I get from scales. I play in two cover-bands, and have 100+ songs in my head, I don't play every single song verbatim! But knowing the chords of the song, along with the underlying scale - I can play something that sounds close enough - but most importantly sounds in tune. Have a listen to 'Crazy Little Thing Called Love' by Queen. You'll hear a descending major scale twice in it. Knowing the scale made learning this much easier! The best thing scales on the bass, is that you can learn a scale once and move it to any key you like. Start by learning a couple of variations on the major scale and play it in as many difference places on the next as you can. Stick with it, it is dull, but once it's embedded in your brain, it [b]will[/b] make you a better player!

Like Cameron, I've used this combination at a studio in Glasgow. They have an Ampeg 8x10 in every room with a variety of heads - mostly Ashdown though. I think it sounds fine, not hugely different to my own Ashdown cab. It is a bit 'vintage' sounding I suppose, a bit wooly.. Just how I like it!