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molan

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Everything posted by molan

  1. [quote name='such' timestamp='1368740295' post='2081086'] I know one (probably same person as one of the two you know). I've seen him with DB750 (or 751, I'm not sure) and two GS410's, and I've seen him with TH500 and one or two SL112's. And also, most recently, TH500 plus TH350 and three SL112's on a metal gig I do hear the difference, so does he, but he says it's just too much trouble to carry it all around for some gigs when he can just pack the little rig to his little car. I personally wouldn't swap. [/quote] That is indeed the same person, I know this because we loaned him a 350 & SL to see how it worked
  2. BassGear have a range of ATS cabs in stock now along with the 500w head. Very impressive gear
  3. I know two, very heavyweight, serious touring pros who both have DB750/751's for their big gigs and TH500's for club type venues. If it's good enough for them. . .
  4. Started unpacking a big old pallet of Bergs today Opened up a CN112 and a CN212 first - they look great as a stack! I have a feeling the Carvin BXR1500 (which happily goes down to 2 ohms) may be getting a run out tomorrow. . .
  5. In general terms I think the Berg cabs are in a different league from the other brands you've mentioned in terms of build quality, fit & finish etc. I haven't heard the CN212 yet but my local dealer will have them later this week so I'll be able to hear it first hand then
  6. [quote name='Dingus' timestamp='1368532816' post='2078042'] the tactile experience of playing the more expensive bass is definitely superior . [/quote] That's exactly what I was trying to say
  7. I've tried through body and bridge stringing and I genuinely can't hear any difference whatsoever in tone or the, somewhat mythical, added sustain that through body is supposed to bring. I had a long chat with a top man from La Bella recently and he said there was no discernible advantage to through body stringing and that he didn't like what it did to the break angle of a string over the bridge. This is particularly true for most quality flat wounds apparently. He told me it caused all sorts of string issues and regularly lead to certain strings sounding dead. He has over 30 years of string manufacture and sales behind him so I'm happy to believe him
  8. I've played the 2024 and 2025 back to back with the 1024 and 1025 and I have to say that I much preferred the '2' series. It's hard to encapsulate but the '2's just felt more 'together' as instruments and had a real quality feel to them. Easily up there with many high end basses I've tried/owned. I've found similar things with US Laklands compared to the various Far Eastern ones. There's just an extra level if quality and class about the fit and finish. Of course, this doesn't answer the question if whether they are 'worth' the extra investment because there is always going to be a law of diminishing returns. Personally I'd go for the Japanese models if I could afford them
  9. Are you sure you want a Jazz style nut width? The standard width on a Monarch is 1.625" whilst a Jazz is narrower at 1.5". If the Fodera is too skinny for you then a J will be even worse Obviously I'm only looking at nut width and not neck profile but thought I'd mention this just in case you haven't thought of it
  10. [quote name='Twigman' timestamp='1368447443' post='2077104'] It's the suppliers I feel sorry for in all this. [/quote] I deal with quite a few musical instrument & accessory suppliers - hardly any of them offer credit terms any more. The retailer has to pay upfront for everything significant.
  11. [quote name='chris_b' timestamp='1368396526' post='2076671'] Standard business practice. Fold company ABC, trading as XYZ, start a new company, HJK, Still keep trading as XYZ so the public sees continuity but loose all the debts of ABC. That scews all suppliers and existing customers! [/quote] The lovely Anthony Worral Thompson did that local to me. Ordered a stack of locally grown/reared produce and then declared three of his 'gastro-pubs' bankrupt. Somehow retained ownership of the fourth one under a different company and it's still going. Didn't make him very popular locally and a lot of people boycott the pub because of it.
  12. Just realised there's another thread covering this - apologies for the duplication http://basschat.co.uk/topic/205423-anyone-know-why-dv-seem-to-have-stopped-stocking-fender/page__st__40__gopid__2076537#entry2076537
  13. I just read this article http://theeccentricblog.blogspot.co.uk/2013/05/digital-village.html?m=1 If it's true then they won't be getting any custom from me in the future
  14. If this is true - and it certainly has the ring of truth about it - then I'm certainly never buying anything from them again! http://theeccentricblog.blogspot.co.uk/2013/05/digital-village.html?m=1
  15. [quote name='JTUK' timestamp='1368370164' post='2076169'] Excellent news that Phil is stocking these. I feel another visit is due :lol Did you get my PM, Barrie? [/quote] Better be quick - lots of interest already & they haven't even arrived yet Yes did get mail - sounds like a good option
  16. My local store has their first stock of these arriving this week They've got the CN 1x12's and 2x12's and HD 1x12's too - plus, with any luck, their new amp and cab demo room will be ready in a week or two as well
  17. [quote name='busccini' timestamp='1368191957' post='2074306'] hi i would both a lakland , take out the bartolinis or hanson what ever and put some nordstrand on , one u go nordstrand never come back to other pickups cheers [/quote] I did They sounded horrible in my old Roscoe, robbed it of all it's life and depth of tone and were very anaemic compared to the stock, custom wound, Barts it had fitted. The Barts are back in it now and it's so much nicer I have a few super Jazz 4's, Celinder J update and a pair of, very different Alleva Coppolos. All three sound quite distinct so it's difficult to recommend one over another. Depends exactly on what sort of tone you're after. A lot of people tend to define a super-jazz as bright and modern but that's not to everyone's taste
  18. [quote name='chris_b' timestamp='1368196879' post='2074375'] I'd suggest an Aguilar TH350 and a 112, then if a gig comes in you can just add another 112 or 210 and you're ready to go. [/quote] I have to agree with this. It's a great sounding small rig that works well at low volumes. The Aggie head is ultra reliable as well and I'd happily trust it for gigging.
  19. [quote name='tayste_2000' timestamp='1367770124' post='2069236'] Not really but how much are you asking for it btw? I assume it's for sale? [/quote] It's not for sale I'm afraid. It's being used by someone for a recording and it's just stored there in between sessions.
  20. [quote name='crez5150' timestamp='1368211560' post='2074601'] Have you played one for any length of Time Marcus? Only suits the chosen few ;0) .... [/quote] I have to agree with this - unfortunately I wasn't chosen. I had a Kingbass for about 5 minutes and really couldn't get on with it. It was the fastest sale of an instrument I've ever I've ever made I do know people that love these though - a real marmite bass if ever there was one.
  21. Excellent gig Amazing audience, virtually all male, all over 40 and all knowing every word to every song No pressure there then for the band to hit every single thing absolutely note perfect! The band were really hot and sounded bang on to me. The only slight issue was that the drums were mixed right down and sounded a bit muffled, on some of the 'newer' numbers where Collins was really going for it on the originals you couldn't really feel the dynamics properly. On the plus side this really allowed the other instruments to shine through the mix. So often these days you find sound men looking for the perfect vocal & drums mix and things like the bass can often get lost. Pomeroy's playing was uniformly excellent and that Shergold double neck (actually it's a custom build by Chris Richards - great article here [url="http://www.3rguitars.co.uk/twin%20neck.htm"]http://www.3rguitars...twin%20neck.htm[/url] ) sounded really nice. Had more depth than the clanky Ricky. All round a really good night!
  22. You know what they say. . . Never go back Especially to a Kingbass
  23. I really like the Diamond Bass Comp. sounds a bit more 'musical' than some others to me. Phil is out of stock but has more on order. He also has the Aggie TLC and the Compressore so you could demo those three against each other soon
  24. If he wants a Ray tell him to go for a decent used one. Plain black tends to sell for the least amount and they pop up at £600 -£650. Not much over budget and won't lose value
  25. [quote name='walbassist' timestamp='1368015188' post='2072020'] I'll be wanting a set Barrie. [/quote] There's 1 set of 4's & 3 sets of 5's in stock. I really like them I must admit. Zap me a message either here or via the shop mail address & I'll confirm the discount deal There will be a wider special offer coming soon to all BC'ers on all strings but need to get the next big shipment in first!
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