geilerbass

Bump...

SOLD For sale is my David Eden D210T 2 x 10 speaker cabinet. Anyone familiar with David Eden will know that these are high quality, US-made speakers, with a trademark punchy sound and great handling across all frequencies. [attachment=139215:20130527_154752.jpg][attachment=139216:20130527_154559.jpg][attachment=139217:20130527_154701.jpg][attachment=139218:20130527_154629.jpg] I bought this new from The Gallery in London, at the end of 2001 and it's served me well ever since. The model is discontinued, but I believe it was the first 2 x 10 cabinet that David Eden produced. Power handling is 250W @ 4 ohms - while it might not sound like much, I can assure you it is a very efficient cab and can create a lot of sound, particularly for a 2 x 10. It has a single front port, at the bottom of the enclosure and a horn for higher frequencies, which can be adjusted via a knob on the socket panel on the back. As it is an older speaker, it doesn't have a speakon connection, only regular 9mm jack connections. It's in pretty decent condition, considering I've had it over 10 years and while it's been gigged a bit, I've managed to take good care of it. There are a few scuffs and marks on the corner protectors and carpeting, but beyond that it's looking good for its age. Functionally, it is in full working order. I'm looking for a straight up sale - collection from North London, though I can look into delivery options if required.

If it were 2005, i would have expected F05, but again i'd be surprised if it were later than 2004. The format of Ibanez serial numbers has been fairly standard since the late 90s, I think: a letter to denote the factory of production (F for the Japanese one), followed by two numbers giving the year of production. I think the remaining numbers show the sequence of production.

Paulhauser is right - I'm fairly sure they stopped making these in 2003, maybe 2004. You can tell for sure by looking at the serial number on the headstock - the first two numbers (following the 'F'), are the year. Regardless, this is a fantastic instrument and it's a crying shame they did stop making them when they did.

This will comfortably drive a couple of cabs and has in the past - though they would need to both be 8ohm cabs to ensure the load was right.

Bump for a totally awesome bass! No exaggeration, these are amazing!

Bump! Anyone fancy making me an offer?

[quote name='Sharkfinger' timestamp='1372774627' post='2129770'] In fact, I bought Ziggy's AH350SMX (1996, I think). It's a truly amazing amp: fantastic and versatile tone and seemingly endless amounts of power. I challenge you to buy a modern amp this good for under £600. [/quote] Biased as I may be, this is true. You really can get a huge range of tones from this and the 350W is a deceptive power rating - it's got a lot of punch. Were I not trying to free up a bit of space in my modest flat and scale down a bit, I'd certainly be hanging on to this.

Thanks mate! I'd be inclined to agree. Saturday evening bump...

Bump.

This has now been sold. Up for sale is my Trace Elliot AH350SMX 350W head. [attachment=137624:20130527_153526.jpg][attachment=137463:traceFront.jpg][attachment=137464:traceBack.jpg] The amp was made in 1995 and I bought it second-hand from the Gallery in London at the end of 2001. It's served me well for the last 11+ years and I have only had one problem with it (a faulty resistor) about 10 years ago, which was fixed by the old Trace Elliot workshop in Essex. It has been reliable ever since, though I did have it serviced a couple of years ago, when it was given a clean bill of health. In fact, the UV light on the front of the console even still works! Aesthetically, it is in very good condition - there are naturally some marks on the vinyl covering, and metal feet/corner protectors, though nothing significant. This is a very versatile and powerful, solid-state amp, creating that signature Trace Elliot sound with a load of features that enable a massive range of different tones. There is a valve pre-amp stage, controlled by a blend knob that can put more or less warmth and growl into the sound, followed by a pre-shape switch (for a scooped sound) and then a full 12-band graphic eq. Best of all, is the inclusion of the famous Trace dual-band compressor (that can also be found stand-alone in a pedal), that can help you create a really tight and precise tone. As with many old amps, it doesn't have a speakon output, but does have an XLR and 9mm jack for regular speaker cables. It also has balanced DI outs (with ground lift), two effects loops, tuner out etc. The amp is pretty loud (far more so than the 350W rating might indicate) and run into 4 ohms, as I generally do, I'm always surprised at how much the sound penetrates through the mix when on stage.