la bam

I've previously always been locked in to one bass (plus cheap spare) per band. A usa sunburst precision in my first indie band, a red and white jazz in my function band, a yamaha red bb424x in a dance band, and whatever I needed to replicate in tribute bands. However, it became quite stifling, where I would have liked to try another bass, but couldnt or was that paranoid it wouldnt work I never did. However it's been really refreshing watching old youtube clips of The Bangles, of all bands, recently. Almost every video I've seen, even of the same song, the entire band just seems to be playing whatever they want (2 guitars and bass), and I kind of like that. The freedom to play what you want. Also, it has zero effect on the bands sound.

I've gone into the way of thinking of: Main basses - for tribute band (so cant change them). Completely different basses just for the love of it - different looks, sounds and style, and see what I like. In this part I only ever buy then sell, so it doesnt cost me anything.

Great videos. An honesty about them I like. Not a polished presenter, but that's a good thing. Also, some class lines ..... Including "to get the lyric ..... I had to go to the Bahamas...!"

I dont think you can have one bass if you're gigging. You need a spare. So you end up with 2. Then 3. Then 4. Then back to 3. Then 4. Then 5. .....

It says the cab is "ultra light" yet its 3kg heavier than my laney n410. The head looks nice though. For me, and I'm sure many others, if it can produce a weight to its sound, dare I say heft, is the deal breaker

I had this very same issue. I had a standard blk and the v4 icon precision (roadworn). Couldnt find out which one was which, or what the differences where. The vintage (not the brand) looking ones are supposed to be warmer and more, or, vintage. The standards, more modern. They also have different necks. The std having a highly lacquered neck and the vintage v4 icon I had a smooth satin one. Although that may change on some models?

Good point - I'll give that a try.

I gave up a while ago. Nothing lost.

Daft question, with there being no on off switch for the active circuit, is the circuit always on when a cable is plugged in? Also, if the battery is running out, or runs out, does just the eq boost and cut stop working, or the whole sound of the bass?

Heres some photos of the holoflash legend. Without light on it and with. Now re strung with exl170s.

I think they're stickers to show what notes are which. Still no reply from seller. A bit odd as its priced quite high, so I assume they must have some idea of value. But theyve no idea of what make it is ....

Does anyone know the main differences between the legend and euro series? I see some people upgrading the electronics?

Thanks. I never know with the short and long scale. I ha e pretty standard basses and the long scale exls seem to be very long (no surprise) and need cutting and wrapping a lot, but I havent ever tried the short scale in case they are too short.

With the EXLs is short scale or long scale set advised?

That's good to hear. I've exl170s on my other basses, so I'll get a set for this.

What strings is everyone using with their Spectors?

I cant get any info off the seller, ive asked for front and rear of the headstock as well, to be honest unless it's something amazing I'll give it a miss.

New Spector fan here! Not my usual choice of bass, but my word, they're fantastic! Originally (well, a day ago) I managed to get a legend 4 blue fade second hand. Played it and it was great! Different sound to any other bass I have, but in a good way. I'd previously looked at the various ranges and loved the holoflash finish, but they look discontinued (couldnt find any online) and a lot more expensive. Luckily though I found one second hand and received it today and it's a stunner! So well built and finished. Love it. The blue fade has to go to recoup some money, but I'd happily keep it if money was no option. Just on the holoflash, I think it may be slightly different from the blue fade. The blue fade had a volume for each pick up (p and j) and then a bass and treble knob for the active circuit. The holoflash seems different. Does anyone know what the knobs do or how they work? Also, what is the tone pump jr? And is it adjustable like the full tone pump?

Dont do it!! I didnt like Spectors for years. Then, like magic, BANG!! I ended up with two in 2 days! It's true what they say you know!

Already there! Bought a legend 4 in fade blue, then today managed to snag a mint legend in holoflash! The blue has to go now though I'm afraid, cant justify two.

Just browsing around and I'm liaising with the owner of this, but cant get much information. Can anyone identify this? It looks a very good colour finish, and matching headstock are rare in budget basses? Doesnt look to be any decal on the headstock though?

The newer (newer logo) vintage v4s are very good. All Wilkinson hardware, so you'll struggle without going over the top, to improve it without spending a fortune. They also record very well. Give it a chance first, see what you think.

It's a flat body with the curve. Its not the fancy fully curved body on the high end ones.

Morning all, Had a sudden rush of Spector lust the last few days (I blame Guys videos) and managed to find a decent second hand bargain close by, to try the brand out. It's a blue legend 4, but it's a Korean made one, with the older bridge and pj pick ups with covers on. I've looked and cant quite date it. The current ones are made in Indonesia and have been for a long time I think. Anywho, it's in fantastic condition. Almost untouched. It's the kind of darker blue green quilted finish which looks really nice close up, though I'd imagine more of a black from a distance. Plugging in and bareing in mind it's got old strings on, it plays really easy and has a nice sound. Every note is there in easy reach. There is a whole host of sounds available and the cut and boost of the active circuit are really effective. The first 2 pots seem to be volume for the p and the j pick up so each can be used individually. Balance wise it has the original owners cheap strap on, but still balances well although I will change that to my normal thick suede ones. The body is very comfortable, slim and almost unnoticeable when playing, yet just the right weight so it doesnt slip into feeling cheap. I've spent a good hour playing this morning and it has a really nice rich but solid sound to each individual note, so much so it makes you kind of automatically play quite funky lines instead of running rock style lines. The bass would be great in a funk, disco or pop scenario straight away. The lighter strings are very defined and really cut through in a nice way and are easily heard. I would definitely take this to any modern, funky or disco style bands over the precision. What it has made me eventually realise is it's a good idea to try different basses for different music where possible. I've always only ever had one bass and a back up, and played everything on that one bass no matter what it was at the time. Now I can see that some basses excel at certain styles and some dont. So I'm happy to finally see that. As for Spector - I'm very impressed. It's completely different from any other bass I have, but in a familiar way. If this is one of the cheaper models, the higher priced top level ones must be amazing!