Wolverinebass

That sounds like he should be upping his OnlyFans game. Pathetic and no commitment to the social media game.

Alembic invented it.

Most of my prejudices are perfectly rational to me, but maybe people think otherwise. Hans Peter Wilfer - A man who would claim he invented anything and everything regardless how obvious it was he didn't. However, nu-metal is over and nobody really plays Warwicks anymore. Unlucky. People who do the Darkglass/Dingwall combination just so they "can have everything just like Nolly!!" It sounds awful. Mark King fan boys. Moving from every era of bass he plays as he does, just so they can play Mr Pink with whatever bass and amp he's chosen to endorse for 3 months. People who do that weird slight bendy note thing whilst looking like they're having a hernia. Janek Gwizdala and Phil Mann are hilarious for this. Ashdown thinking they're amazing. All their main endorsees are either dead, retired or not far from either. Don't pretend you're forward looking when everyone who has an endorsed product is over 60. Manufacturers making sub 42mm nuts the norm. Just pack it in. Hofner basses. You know they're crap, we know they're crap. People who use tablets on stage for the music. Either practice more or prepare to be bottled. People who say the word "pocket" as regards playing. Seriously, just no. Influencer/Youtubers. Get in the bin. All of you. Scott Devine - Happy, plastic, Americanised optimism at it's finest. He should be a sales assistant at an Apple store. Obviously, my therapist says I'm "doing much better" with my misanthropy these days.

Please feel free to and I'll send some settings over. No problem my dear boy. If I were going off the shelf I'd be getting a Schecter Dug. They're really good and I did almost get one myself. I eventually realised, having a Hamer, why should I get another one?!! As regards the wait times. I remember Waghorn was reasonably long when I asked them too. It wasn't 3 years though. Maybe 18 months to 2 years. It was a while ago. As regards Grainger, my Hades took 3 years to get. However, most of that encompassed covid and it's aftermath where both Darren and Gavin were ill for some time consecutively as were members of their respective families, so there was a great deal of time where nothing happened for the obvious illness and social distancing reasons. It's worth saying I specifically measured neck profiles and asked for circuit wiring they'd never done before and they did it flawlessly. Its also worth noting, they're the only people who have ever managed to set up a bass almost to where I have it which is so stupidly low action a lot of people struggle to play them. Any one of Brookes, Waghorn, Shuker or Grainger will do you an amazing instrument. It's just down to what you want.

@Sean I've done plenty of parallel amp path patches on the stomp. Some for 4, some for 8 and some for 12 string. Some are stereo for Alembics and my Grainger Hades though they do still work in mono as well. Happy to share if you wish.

Of course, had your brother in law been using a slightly bigger suitcase, he could have subsidised his trip by bringing another XB driver back from Texas for an X-Men sideburned bass player who would happily pay for his time and physiotherapy after carrying back a heavier suitcase. Ha!

The DI is mixed on the XB driver. Not that I'd get one at £600 when you can do that and a lot more with an HX Stomp. Or just get a Dug pedal which is much cheaper.

Brooks would be a good choice. I'd also recommend Grainger as Darren and Gavin are excellent, plus have an engineering background so making bespoke parts won't be a big deal. I'd also suggest looking at Waghorn. I got a quote for a 12 string from them just before I actually got a Hamer 12 string. You could also try Koenig in Australia. He makes some really good 12s and I've conversed with him via messenger. Off the shelf, I'd get the Dug Pinnick Schecter. Avoid Gretsch as not only is it stupidly expensive it uses a 4 saddle bridge. Good luck with intonation.

Thanks squire. Due to trains, I should be there about 1045, but that is mainly due to not having a car and getting trains from South East London.

Just for the records, what time does the festivities/executions start? 10am? Until about 4pm? Give or take.

Which is kind of what I did as ironically I was playing through a trace amp. Everyone knows 200w is much more, don't they? The only difference was I suggested he "go forth and multiply" as well as a liberal use of the "c" word. Alas, calling him a communist didn't go down well and neither did all the other insulting "c" words like cholesterol or caravan.

That's all quite true of course. It just seems to be the case that the experiences I've had live are sadly not of the conspiracy theory ilk. In fact, one time a couple of years ago I was filling in on bass for a mate's band. The bloke actually said the exact words "pre eq DI only." He then refused to take the xlr of my sansamp. Then he soundchecked the whole band except me as I refused to give him a dry signal and didn't put it through the PA. My mates complained quite vociferously at that and it really wasn't great. The promoter then came out with the nugget of wisdom that "he knows what he's doing." Yeah, right. In an ideal world things would work as you suggest. Alas, it just hasn't been my experience.

The problem is when they insist on pre eq DI only. So, just dry. So, obviously any effects or distortion aren't worth including then. Or, at least in their viewpoint it seems. It always fills me with dread when I see some crap, no name DI box lying on the stage with a sticker with "bass" written on it with a sharpie. You know exactly the conversation you're going to be having.

My experience is exactly that of Entwistle's. Ironic that it took place 30-50 years later and nothing has changed. One of the last gigs I did we had it recorded from the desk. When I got the stems I could see what the guy had done. Everything over 1.8kHz had been cut. Loads of 800Hz to 1kHz had gone too. How did I know? I used the exact same setup with the same settings when I recorded myself for my band. They're midi patch settings and don't change. It's a constant thing. One day, it might change, but I doubt it.

This is why I hate live sound guys. That would be a provocation I wouldn't be taking at all. I mean, what is it with them? What part of it do they not realise that people want different things? Obviously, I'm not playing an Alembic because I want to sound like a reggae bass player you melt. Oh, you're just cutting off everything above 800Hz when I specifically told you not to? Thanks for that. In more than 20 years of playing in London I've only had maybe 10 decent live engineers. All the rest have been megabells who have ruined my sound by tearing out all the top end and mids. The pinnacle of this idiocy was playing my 12 string Hamer through a Tech 21 Dug pedal which as some of you might know has a balanced xlr output with a cab sim. I was told "pre eq DI only." I refused point blank to do that explaining why. The bloke refused to take the feed from the pedal and took the DI output of the amp I had plugged into. He then tore all the top end off in the PA. I had to be restrained by my bandmates after that gig.