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Japhet

⭐Supporting Member⭐
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Everything posted by Japhet

  1. I reckon you've knocked it out of the park with your first post Telebass.
  2. Mix up the chromatic passing notes so that you play above or below the 'target' note. For example a turnaround using G E A and D could be played with passing notes as Ab G F E Bb A Eb D and then next time round G# G Eb E Bb A C#D and then you can swap the passing notes around however you want. You can also often use 2 steps instead of chromatic passes.
  3. Saw them in (probably) 78 supported by Graham Parker and The Rumour at Brunel University. Absolute monster of a gig with Robertson, Gorham and Downey. Made me want to play live music even more than I already did. I remember watching Phil Lynott doing his thing with his P bass and thinking 'I fancy some of THAT!'
  4. I've always tuned low to high on the assumption that the heavier strings have more pull on the neck and therefore are more likely to have an effect on the other strings, so get them done first. Makes sense to me but I'm ready to be shot down in flames.
  5. PM's answered. Pics added.
  6. There are artists who have passed me by for the simple reason that I wouldn't know where to start, Ry Cooder is a prime example. Others I've heard a bit and didn't like (e.g.Bob Dylan, Miles Davis). There are other artists who blow hot and cold for me but I do listen to the stuff that I like and filter out the rest, like Jeff Beck, who i think is a genius who often pushes the envelope a bit too far for me.
  7. Don't get me started on her. The only 'interviewer' I know (i use the term loosly) who asks a guest a question and then shrieks over their answer to express her own half baked opinion.
  8. My Mrs has radio 2 set on the alarm and whilst I can safely say that Evans blabbering on first thing in the morning was akin to torture for me, listening to Zoe Ball makes me want to throw myself out of the bedroom window. My God she spout some rubbish.
  9. Ed Sheeran seems to have done OK via the BBC without the 'grime' connection or troubled past (although I think he may have referenced nicking a bottle of his Mum's sherry in one of his songs).
  10. No idea why I bothered reading that since these 'best' lists are always utter botox.
  11. Broughton High Pass Filter now SOLD.
  12. I recently discovered that when an Ebay item's location is advertised as 'Middlesex', that is actually Middlesex - half way up the Yangtze river.
  13. Unused battery powered mini amp. Has delay and distortion and also line in for Mp3 etc and a headphone socket. Never used it for more than about 10 minutes. Postage (UK) included.
  14. All prices include UK postage. I have some boxes but not all. I can supply photos (if you insist) but pedals will be as described and all have been looked after. Most have Velcro underneath. Pedals will be well packaged and sent by Post Office. YouTube reviews aplenty for this lot. Aguilar Filter Twin. Has independent up and down sweeps which you can blend as desired. Great envelope pedal but I don't play anything where I need it these days. SOLD Broughton High Pass Filter. Cut out all of the inaudible low frequencies that suck the power out of your rig with no benefit. Mini sized pedal. Same as a Thumpinator really. SOLD One Control Mosquite. Blender with buffer. Add dry signal into your effects board at whatever level you like. Also can be used to buffer your signal chain. Works a treat. £75. G Lab Bass Wowee Wah. Foot operated wah for bass. Best I've ever heard. Has original box. Check Marlowe's review on YouTube. SOLD. Keeley Bassist. Fantastic compressor/limiter. Not sure about letting this one go. SOLD Chowny Fuzzster. Cracking fuzz pedal with a wide range of sounds and dry blend. Check out Scott Whitley's review on YouTube. SOLD. Mooer Hustle. OCD drive clone in mini housing. Great little pedal for peanuts. SOLD. Mooer Fog. Mini sized fuzz with a max sized sound. SOLD. One Spot Power supply. Power up a few pedals for next to nothing. SOLD ADIOS AMIGOS!
  15. The perfect example of 'Be careful what you wish for'.
  16. I used a Genz Neox 2x12 for some time with a Streamliner head when I swapped from a Trace SMX amp and cabs and it sounded really good and not dissimilar. There's one in the F/S section you could check out as well. Really good bit of kit.
  17. It definitely catches up on you as the years roll by. It never used to bother me one jot if we played a lot of gigs with late nights and long journeys but it isn't like that any more. I'm not much use the following day now and if it's a ball breaker of a gig it takes me a few days to get over it. No way I'm throwing in the towel though.
  18. Don't believe a word of it. I now gig regularly with a Harley Benton bass and a load of cheapo pedals and it all works and sounds just fine and dandy.
  19. Aaaaaaaaaaaaaargh! Now I can't unsee any of that.
  20. I use Diago Patchfactory. Not had a single problem with them. I bought a cheapo solderless kit off ebay which was complete garbage and went in the bin. If I can I use straight cable-less connectors from pedal to pedal.
  21. Some basses don't lend themselves to wall hangers. Obviously headless basses, but Telebasses aren't a good idea either with the thin headstock. The cut of the headstock can also make the bass want to hang to one side.
  22. Everybody has something that pulls their musical puke trigger. For me it's the pseudo operatic wailing of Bruce Dickinson and the like.
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