spencer.b

[url="https://www.youtube.com/watch?v=CLuNwrCe_G8"]https://www.youtube....h?v=CLuNwrCe_G8[/url] I love Ben Wolfe , one of my biggest inspirations in recent years,

Really nice playing mate

I've got gamut wrapped E and A , longevity seems very good, I've had mine on about 4 months and I do 4/5gigs a week on average I they haven't deteriorated at all, tuninf stability is a pain in the ass but they do settle eventually, mine took a a good couple of months, yeah they cost a lot but I'm pretty happy with mine and they have thump and weight to the tone I haven't been able to get from synthetic , they don't have the resonance and volume of spiros but for me guts are the sound of jazz

1/2 sizes are for kids to learn on , bluegrass players favour big 3/4 and 7/8 bass,

I've read a bit on talkbass about the gut D bein proplematic, on my bass an efrano was a bit dead but my gamut lyon is pretty good if a little bit quieter than the g. The gamut pistoy sounded crap on my bass , really dead. I've just put a full set of leznzers on my kay and the d seems pretty even with the other strings,

have you guys seen the lemur jupiter , mmmmm I want one of these too https://www.youtube.com/watch?v=feOd7utgJdI https://www.youtube.com/watch?v=feOd7utgJdI

I'd love a peacemaker, one of these days I'm gonna drive to frankfurt and get one. I definately think a ply bass can sound good for jazz, Ron Carters early recordings were on a relatively cheap plywood englehardt and I prefer his sound on those records

I didn't know lambert made guts, what's the name of that string? I was gonna get lenzners

I've been after an american ply bass for a while now as I've been getting more and more into bluegrass and blues, i've been thinking about importing an an american standard or kay but have been a bit daunted by the shipping/duty etc so when this came up on ebay I thought f*** it i'll have it, It's got cordes lamberts an underwood, a well fitted adjustable bridge and massive stupid hardcase. The bass is very battered , the edges are pretty bad and have had a few dodgy filler repairs but theres no soundpost cracks or anything to scary, it looks like the neck hasn't been broken although that seems unlikely and it does look like its been reset so maybe it has but it seems structually sound with no rattles or buzzes, so not a bargain and it's in worse nick than the pictures suggested but tbh it's worn look for me goes with a bass that is synonymous with the sound of rural america ( and urban too really, chicago blues and all) Anyway the sound, I wasn't sure if the sound I love on the old records was down to only strings, recording techniques etc but hallelujah it's got the sound, it's not detailed complex or refined but it's got that big warm woody thump I used on a jazz trio gig playing acoustic and it was fine , not as detailed or resonant as my lott bryant but it had a propulsive thump when walking, then on tue I played on a blues/new orleans gig and it was perfect even through the underwood and house ashdown, a set up I'd normally turn my nose up at. Can't wait to get some proper guts on it and experiment with mics, pickups and that whole never ending nightmare here's a recording of my friend playing a 30s kay C, what a sound and what a player [url="http://impossiblearkrecords.bandcamp.com/album/once-in-a-while"]http://impossibleark...once-in-a-while[/url] now if only i could slap mine like cousin jake [url="https://www.youtube.com/watch?v=qfeeLgHvROA"]https://www.youtube....h?v=qfeeLgHvROA[/url] anyone else on basschat got a kay[attachment=178323:20141211_133329.jpg]