spencer.b

1/2 sizes are for kids to learn on , bluegrass players favour big 3/4 and 7/8 bass,

I've read a bit on talkbass about the gut D bein proplematic, on my bass an efrano was a bit dead but my gamut lyon is pretty good if a little bit quieter than the g. The gamut pistoy sounded crap on my bass , really dead. I've just put a full set of leznzers on my kay and the d seems pretty even with the other strings,

have you guys seen the lemur jupiter , mmmmm I want one of these too https://www.youtube.com/watch?v=feOd7utgJdI https://www.youtube.com/watch?v=feOd7utgJdI

I'd love a peacemaker, one of these days I'm gonna drive to frankfurt and get one. I definately think a ply bass can sound good for jazz, Ron Carters early recordings were on a relatively cheap plywood englehardt and I prefer his sound on those records

I didn't know lambert made guts, what's the name of that string? I was gonna get lenzners

I've been after an american ply bass for a while now as I've been getting more and more into bluegrass and blues, i've been thinking about importing an an american standard or kay but have been a bit daunted by the shipping/duty etc so when this came up on ebay I thought f*** it i'll have it, It's got cordes lamberts an underwood, a well fitted adjustable bridge and massive stupid hardcase. The bass is very battered , the edges are pretty bad and have had a few dodgy filler repairs but theres no soundpost cracks or anything to scary, it looks like the neck hasn't been broken although that seems unlikely and it does look like its been reset so maybe it has but it seems structually sound with no rattles or buzzes, so not a bargain and it's in worse nick than the pictures suggested but tbh it's worn look for me goes with a bass that is synonymous with the sound of rural america ( and urban too really, chicago blues and all) Anyway the sound, I wasn't sure if the sound I love on the old records was down to only strings, recording techniques etc but hallelujah it's got the sound, it's not detailed complex or refined but it's got that big warm woody thump I used on a jazz trio gig playing acoustic and it was fine , not as detailed or resonant as my lott bryant but it had a propulsive thump when walking, then on tue I played on a blues/new orleans gig and it was perfect even through the underwood and house ashdown, a set up I'd normally turn my nose up at. Can't wait to get some proper guts on it and experiment with mics, pickups and that whole never ending nightmare here's a recording of my friend playing a 30s kay C, what a sound and what a player [url="http://impossiblearkrecords.bandcamp.com/album/once-in-a-while"]http://impossibleark...once-in-a-while[/url] now if only i could slap mine like cousin jake [url="https://www.youtube.com/watch?v=qfeeLgHvROA"]https://www.youtube....h?v=qfeeLgHvROA[/url] anyone else on basschat got a kay[attachment=178323:20141211_133329.jpg]

wow, what a sound. Such a shame very few players use guts for jazz these days, they're a pain in the ass but it's worth it , go on try it ( i love my gamuts )

I really like acoustic image , like you say you're not gonna get that low end thump . Most of the time I use a PA cab even when I use a pickup , sounds odd but for some louder gigs I use a realist into a sansamp straight into the back of a mackie 450 , for me there's something a bit more even than a bass guitar cab. I like the qsc k10 with a pickup too and it has 2 channels so for a lot of gigs I use a tiny bit of pick up in 1 channel and mic on a stand on the other , the qsc has a mic/line switch so you don't need a pre which is handy. Do you only use pick up Rabbie?

Hiya I'm thinking of getting a different pick up , I use a mic most of the time but I sometimes need a pick up for louder stages, I use a realist but I don't like having it under the bridge foot, has any one used a rev solo or bass max ( do they have that nasal underwood thing?) ta spencer

wow that is a long string length, I've played a few longer scale basses recentley and it does seem to help the tone. I did a gig in denmark last month and the bass was owned by the wilson pickup guy and he apologised that it was 7/8 not 3/4 but it sounded great and I barely noticed on the left hand, a friend has a 7/8 ply with guts an that sounds great too.

Know what you mean, I've always felt it's a slightly flawed system as the bridge feet are fitted so exactly but I asked top luthier laurence dixon and he said don't worry about it , it shouldn't make a difference to the sound, bridges do move more when knocked though with a realist under them. Pups are a necessary evil of the loud modern stage I suppose but I still think they all sound rubbish!

Great story mate and a lovely looking bass, what's the string length?

I love the big band sound thanks for the heads up

Hi I use a QSC k10 powered speaker for amplifying my double bass and I'm pretty sure the tweeter's blown, anyone know anyone who could repair it in london thanks spencer

fixed it now

Hi I'm looking for a dep for a wedding gig july 12th, its 1 set of rat pack and 2 of pop its all charts , dots for the swing and lead sheets with dots for the pop. Its in essex £170 Send me pm or give us a ring spencer 07812 915 953

Nice one Marvin, be interested to hear how it goes on gigs.