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Rick's Fine '52

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Everything posted by Rick's Fine '52

  1. OK, the '58 relic didn't sell, so that's on the 'Bay. Time to try another. This is a '55 Precision Relic Project bass, that I assembled, to replicate my real one, but space is needed, and a few have to go. Started life as two reissue basses, a Sting reissue, for the 2-tone contour body, and a '51 reissue, for the correct neck, without that ghastly Sting inlay at the 12th fret. The necks were swapped, and the Sting neck on a solid 2-tone body was swiftly sold. The body was then routed to receive the period correct large string ferrules on the rear of the body (These are very hard to source). The bass then received a full relic treatment, including the neck fully stripped, amber nitro tint, fingerboard edges rolled, new correct decal applied on top of the lacquer. The body was aged with weather checking throughout, and some very good, sympathetic ageing (No belt sander jobs here!). The metal parts were also aged. All parts are period correct; reverse kluson tuners, 2-saddle bridge, single ply white aged guard, chrome covers, a replica maple thumbrest was made using my original as a template, and then painted black, and aged. Fender Custom Shop tweed case completes the look. All genuine Fender parts, hours and hours of time and love have gone into this, and a genuine CS tweed case thrown in. Cash on collection, or meet please. £850. Half the price of a CS relic, half the price of a Bravewood (And it has the correct ferrules!), and available today. Really looks the part, and plays and sounds fab. How much mojo do you need in a bass??
  2. [quote name='The Legoheads' timestamp='1341582293' post='1721316'] [indent=1]Don't mistake shear persitance and luck to be a sign of skill I am an engineer by trade so some element of OCD and technical knowledge have ceratinly helped. Plus, when someone tells me I can't do something, that I don't have the skills or knowledge, it only makes me wanna give a two-fingered salute and prove them wrong... even when that someone is me.[/indent] [indent=1]I have seen your guitar before and taken inspiration from it... hardly lame. Like you, influenced by the Stone Roses, it was almost certainly Mani that introduced me to the 4005 and I've fought with the idea of a Jackson Pollack style JS finish. I knew I'd never get away with a bare wood finish as there are many small flaws, both natural and man-made.[/indent] [indent=1]I just hope now that The Roses are resurrected that they make it to the US. A big bunch of my old mates and bandies were at Heaton Park the other weekend... jammy w*****s...!!![/indent] [/quote] The reason for me making it was clearly being a huge Mani fan, and also the pollock'ing hid the multitude of finishing 'issues' that existed on it, which is why i didnt take as much care as i probbaly should have. I was at Heaton Park last weekend, and they were just fantastic. They've done a few gigs in europe too, with more gigs planned, and a new album deal, so hopefully, as in '95, they'll make it to your shores in the near future.....unless they fall out again of course, but hopefully as they are much older, the ego's will have subsided a little to prevent that happening!
  3. Its certainly better made than my own version, although I love it to death, it doesnt have the attention to detail that yours has, for the simple reason I don't have the skills to match my ideal methods of creating it, wheras you clearly have. Hats off to you, on a very fine effort indeed, looking forward to seeing the rest of the progress. Top class work, I'm extremely impressed.........and jealous!!. Here's my relatively lame attempt, no guesses as to the inspiration! I also managed to get an original tailpiece that i modded. Also has original pickups, bridge, wiring harness, pots, knobs, jackplate etc; [url="javascript:void(0);"][/url]
  4. [quote name='Voodoosnake' timestamp='1341434807' post='1719120'] I'll do you a nice deal for you Rick ;-) Thanks for the advice [/quote] If I had a 70's P, I'd take it off you in a second. Stick it on The Bay, with a reserve, or BIN with best offers and see what happens?
  5. [quote name='Voodoosnake' timestamp='1341433977' post='1719091'] How much should I ask then? [/quote] The original dark burgundy ones are slightly transluscent when held to the light, they are quite rare, made for about 14 months, and not exclusively during that period, black ones were pressed too. I've seen them sell for £70, and also £20. You have to be kinda lucky that at least 2 people want it at the time you sell it, as with anything scarce.
  6. [quote name='Nibody' timestamp='1341338528' post='1717368'] When I see something like this on ebay I always wonder WHY they dont put it in a specialist Auction if it's genuine. [/quote] Coverage, simple as that. This seller sells most of his gear by other means, but uses eBay to generate the interest. New Kings Road, and Music Ground do the same thing here in the UK. eBay fee's are low on these high end stuff anyway. Specialist auction houses charge 25% +VAT. eBay charges a maximum £40. This instrument looks right to me, stunning in fact. Having said that, this seller does have a rather chequered history, or was it CAR?
  7. [quote name='Voodoosnake' timestamp='1341431849' post='1719035'] Ive got one of these in my bits box. Way things are it seems it's valuable. The only provenance I have is pics of me playing the bass. It's not the usual black colour but a very dark burgundy. Worth selling?? What would you folks do?? Cheers Col [/quote] If you're never gonna use it, then sell it, and use the money for something you will, also, you'll be doing a fellow bassist a favour who maybe needs one. Everyones a winner.
  8. Nice, have a bump on me. If they're still around in a few weeks, I may be having a go.
  9. [quote name='HazBeen' timestamp='1341227411' post='1715307'] I never got that must be old to be good thing. [/quote] I don't think anyone is suggesting that. It's about it being period correct. Its never gonna be better, just because it's old, it's a piece of plastic!
  10. one-more-sleep-'til-the-stone-roses-at-heaton-park type bump
  11. OK, somethings come up that is too good to refuse, so this is back up. £875, all inclusive of whats in the pics, CS case, catalogs, tags etc.
  12. Nice, if I didnt already have my eye on something, I would take this. Had a '63 a few years ago, and always regret selling it, would love another, and this is a fine one. Good luck with the sale fella, lovely, lovely bass, at a very reasonable price.
  13. As Molan says, if this is what you need to complete your original vintage bass, then you'll pay what its worth to you? If you have an all original '62 jazz missing the thumbrest, I can assure you that it would more than recover its $150+price, if you added one of these, and then had an all original '63. I think the main issue with some of these sellers, is that they strip out perfectly good guitars, because they can make more by parting them out. It should be a crime. If a guitar is broken, then fair enough, recycle the parts, but just to break one up for more bucks is a real shame. Hey ho, thats life. He probably makes bucket loads out of it?
  14. [quote name='discreet' timestamp='1340320109' post='1702965'] PM sent. [/quote] Very nice, trade agreed!
  15. [quote name='discreet' timestamp='1340296764' post='1702522'] Ohhh... Rick, would you take a ten-year-old boy and a forty eight-year-old woman with quite reasonable boobs as payment? [/quote] How could I possibly refuse, look forward to the pics!!
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