stewblack

Apologies if I misunderstood the question. But I think this can be done without extra switches. Footswitch 1 in the above illustration changes the function of the four bottom switches. When set to effect board they turn individual effects on and off within a patch. Press number 1 until bank/patch is lit and the left two of the bottom row of switches change the bank, the right two change patch.

BASSCHAT RELAY!

You're not helping

i love it! A dehumidifier and a new bass I also love! Not that5 I have anywhere to put either

I genuinely enjoy all the songs in our sets. No. Correction. I genuinely enjoy playing all the songs in the various sets. Even songs I would never, ever listen to, playing live, playing any music to an audience, is my thing. It's where I live. I think it's because I was out of playing for several years and couldn't get back in. Couldn't find a band, believed I was washed up, too old. So when I got a chance I grabbed it like a drowning man. And I still feel grateful to be out there today.

I have made a firm decision. Based on common sense rather than any moral ground. I live in an overcrowded, damp, cold room. I took a bass out the other day having not used it for a while. The pots crackled, there was rust on the pick ups, the strings were dead. I simply cannot in all conscience bring another instrument into this room. Apart from anything else I'm falling over the ones I already have!

@bnt it never ceases to surprise me how different the on stage sound is from the 'bedroom' sound. Or rather how better suited the sound can be live, when it seems underwhelming at home. I'm not surprised you enjoyed the HB at a gig though. They're just so much better than people expect them to be.

My old man made my first combo from an old lo-fi record player. My first 'effect pedal' was one of those old shoe box tape recorders into the mic socket out of the earphone (singular) socket, push up the little tab while pressing record and play, and off you go!

I think Josh is hilarious, knowledgeable, entertaining and promotes a hell of a lot of other people's equipment. It's not his fault if the market is so influenced by his videos. It's just silly people being silly and greedy people being greedy.

A weekend of Bandeoke for me. New venue Friday and an absolutely storming night. Paid to play another half an hour at the end so with tonight's wedding gig that's about 7 hours of playing . I could have done another couple of hours easily but then, strangely enough, had zero energy when it came to carrying the gear out to the car.

Like you @Lozz196I have to make concessions to my advanced state of physical decay. My preference is for 8x10 stacks and no thought at all to the weight of the bass. But lately I seem to gig with a medium scale, lightweight Maruszczyk bass and two teeny 10 inch Trace cabs which together weigh the same as a half eaten candy floss. Oh and my bass strap is about a foot wide . Every now and then I throw caution to a cliché and take out my HB jazz anchor, but it's a gamble.

DFTT

https://youtu.be/Ci6Xl5hyIfU

Trying something different this weekend. Swapped the Plethora for the Ampero so I can use the preamp and a, ahem, plethora of always on effects, plus 4 selectable and a tuner. Oh and another synth and couple more filters, because.

Just picked this up in a less than salubrious location in response to a FB advert. It produces a bunch of sounds not dissimilar to those I can already produce on various of my pedals. But that hardly seems important. Review: I like it.

Yes! 77 to 84 for me. A 7 year decade!

Just that horrible glitzy production and the demise of my favourite bands I guess

I agree with @Lozz196 for bass the early 80s was a great era. In terms of the prominence if the instrument in the mix. It was when I started on the bass so I'm probably biased. The decade itself is a real musical game of two halves. Amazing at the start dwindling by '84 and dominated by absolute garbage after '85.