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Everything posted by casapete
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[quote name='ThomBassmonkey' post='820307' date='Apr 27 2010, 09:41 AM']I've used schallers in the past but there's only so many times I could deal with my bass falling off the strap then needing a screwdriver or spanner to fix it properly. I just have those dunlop plastic things that you put over the pin then twist them to lock them. Never failed me yet, you can use them on as many basses as you want without it costing a penny and if they break/get lost they're cheap to replace. Only problem is they don't fit on my Warwick for some reason (first bass I've ever encountered the problem with) but I'm using a pretty short, stiff strap with that so it's in no danger of falling anyway.[/quote] I've used these for 20 years+ with no problems ever! Best thing is you don't have to mess around with strap buttons/different straps etc, and cheap too. Whats not to like?
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Stringbusters always good. Others to try include Strings Direct in the UK, and Strings and Beyond in the US - their prices even with postage are usually competitive. Cheers.
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[quote name='pbass67' post='817466' date='Apr 24 2010, 07:37 PM']Hi I have a Pignose Hog 30watt job. Great because its battery powered, but it sounds pretty pants with its 8" speaker. Anybody know what ohmage the speaker may be, I've had a look inside but it don't say on the speaker. I would hope it would sound better with a 10" speaker. I've also considered taking the idea and making it better ie: rebuild the cab bigger and lighter, neo speaker and more powerful amp that could still be powered by a 12v battery. Any thoughts would be welcomed. Gotta dash to a gig now but if I make any progress I'll keep you all informed. Cheers Paul[/quote] I've got the same Pignose amp and have thought about upgrading the speaker too. Let me know if you find any info? Cheers!
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Just bought a speaker cab off James. Exactly as described, good communications etc. Easy transaction, thanks !
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I have 2 GK amps - my regular gig amp is a 700RB-II which I've had for around 3 years with no probs whatsoever. Its loud,not heavy and has great eq for any cab I end up using. Only thing I'd consider swapping to would be a 1000RB just for the increased headroom when using one 8 ohm cab. Also got a 'vintage' RB800, which is my favourite amp (apart from my old long gone SVT). It's a keeper.
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[quote name='Bilbo' post='814777' date='Apr 22 2010, 11:00 AM']Some wise sage (Mick Goodrick, I think) once said 'the difficulty with finding your true path lies in the realisation that you are already on it'. I have said here before that I think many of us (myself included) can be distracted by the promise of a new piece of kit when the true improvements come from applied study, practice and discipline. I guess there is a kid in all of us who still thinks that that new piece of kit will be the making of us. Its a fools errand we have all been on. I guess we all need to find a balance.[/quote] Someone I know referred to this as 'reaching the age of enlightenment'. Has taken me a long time and a lot of gear but I'm (nearly) there!
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Just sold Julian a bass, ultra quick payment and great communications etc. Great bloke, would recommend to anyone.
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Have a look at the thomann website - quite a few on there I think. www.thomann.de
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Just sold a Dano Longhorn - short scale,hollow thin body-sounded ace!
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[quote name='warwickhunt' post='812166' date='Apr 20 2010, 06:57 AM'] Is there an output difference between 2 and 3 band? I'm not fussed about which one is better/worse but wouldn't have thought there'd have been a significant difference in output though![/quote] I've got a two MM 2 bands and a 3 band and they all have v.healthy outputs. However there are some people who believe the 2 band sounds louder than the 3, but I think its all down to the tone control settings. Pick up height is deffo something to check for though.
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[quote name='warwickhunt' post='812071' date='Apr 19 2010, 11:27 PM']All of the Rays that I've had experience of have all had pretty healthy outputs! Hmmm I wonder if this is down to the difference between 2/3 band EQs?[/quote] Oh oh, not that one again......................
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If you get that Peavey head, it will give its full 450 watts output into a 4 ohm load. So your options are- 1) Get a 4 ohm 4x10 cab - this will mean your amp will be giving it's optimum output all the time,but you cant add another cab later. 2) Get an 8 ohm 4x10 cab - your amp will not give its full 450 watts into this (although it may still be loud enough for the moment),but you will then have the option of adding another 8 ohm cab (1x15 etc) at a later date for bigger gigs/when funds allow. The use of 2 cabs will be probably the best sound your amp will deliver. Maybe best thing is to see if you can arrange to try the amp with a 4ohm cab and then an 8 ohm one too. The difference may not be that marked, and maybe the one 4 ohm cab option will be all you ever need. Good luck!
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Agree with you Bob. (Although your rig sounded fine to these ears on Saturday!) Nothing like a proper valve amp and an 8x10 - is that why they still crop up on major stages worldwide? Miss my Ampeg SVT rig, but my back doesn't. And am still not convinced about amps with just a preamp valve - for me its a combination of full valve preamp driving a valve power amp section that makes the sound.
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Will bought a cheapy bass off me- great communication and paid straight away! Easy swift transaction, cheers.
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Okay, up for sale is my Danelectro. It's a first reissue '58 Longhorn Pro , circa 1998-2001 I believe. Colour is 'blackburst' , a kind of subtle metalflake type finish which maybe doesn't look that special in the pics but is really striking in the flesh (have n't seen another one like this myself). The 'Pro' designation means it has the upgraded adjustable bridge and also upgraded tuners. Has two alnico 50's style lipstick pickups, coupled to two dual concentric vol/tone controls. Neck is maple with a rosewood fingerboard with no fret wear, and feels just right. The edge binding to the body is 100% too-quite rare this! The scale length is 30", and this combined with the lightweight hollow body gives a great resonant sound, perfect for rootsy styles etc. (Optimum sound is all contols up full!) Condition is absolutely mint-can't find a mark on it. This bass is so much better than the current 58 Dead on reissues I've tried - maybe not exactly 'vintage correct' but definitely a lot more playable/usable. I'm looking for [b]£180[/b] for this beauty, which includes a decent gig bag too. (Was £225) Would prefer cash on collection, (am a bit reluctant to post but appreciate that may be necessary?) I'm based west of Hull in East Yorkshire -right next to the north towers of the Humber Bridge. I could maybe drive to meet up somewhere for the cost of my diesel, and do travel a bit (am in Manchester end of the month) with my band. PM me if you want more pics. Cheers, Pete.
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[quote name='Simon.' post='800560' date='Apr 9 2010, 09:29 AM']Another wanting to add in a bit of love for the P-Lyte! I have one of the original Japan models (1986, if memory serves), in the cherry red with the gold hardware. It was my first 'proper' bass and I can remember every hour that I slugged away to pay for it! Sound wise - great for rock/pop/indie stuff, but didn't do too well in either jazz or americana settings. Sounds nothing like a P-bass, but it's a very light, very fun bass to play, and the neck is ridiculously thin and fast - even my CIJ 75 Jazz feels a bit chunky afterwards. Only downside I found (other than the aforementioned battery & jack issues) was the finish - it took to dents like a moth to a flame! Even with the best of care, the bottom edge of mine looks a tad chewed. Even in the worst of scenarios, I'll never sell it. Can't understand why there's never been a re-issue.[/quote] Mine was in Arctic (or was it Frost ?) white - used to dent just looking at it! Great little bass for the dosh.
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