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casapete

⭐Supporting Member⭐
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Everything posted by casapete

  1. Starman Milestone (Acoustic duo) The Sun Inn, Beverley Ibanez acoustic bass into the PA
  2. I think your stance is entirely reasonable As soon as your agreed time playing with the band is over then you should be able to leave with all that’s yours, or the monetary equivalent anyway.
  3. But surely that’s part of their appeal for many people?
  4. When I first used them, certainly round here at least Grolsch wasn’t that popular! Fortunately I liked it enough to supply me and some pals with the washers.
  5. Absolutely this ^^^ Beats me why folk mess with strap locks - the expense, faff, etc. I’ve never had a Grolsch washer fail yet, in well over 30 years 😊
  6. I had one of these and stupidly sold it. Great basses, especially for the price. GLWTS.
  7. I agree, although I would say that it is acceptable if the description / photos in the listing weren't being completely honest. I can never see the point of being economical with the truth like this, as you'll always get found out. I've walked away a couple of times when the item being sold doesn't meet the condition stated. Good honest photos are always a big tick.
  8. Hope you enjoy the band Trevor. I departed a couple of months ago, but my replacement Tom is a fabulous player so they should be on top form. Played Hampton Pool with them a couple of times and always a good night, just hope the weather is kind! Cheers, Pete.
  9. As I said it’s been mainly theatres that we’ve experienced this with, and some ‘arenas’ too. You wouldn’t believe what theatres try and get away with charging now ( not just for merch but a myriad of other stuff) - it’s as if they’re trying to make up for losses incurred during Covid shutdown. I’m sure the more grass roots type of gigs are far more reasonable with bands wanting to sell merch, realising for some it’s a vital source of income. More than once we declined selling merch when crazy charges suddenly appeared with no previous mention in the terms agreed. Wouldn’t have been worth bothering with TBH.
  10. Also probably worth checking if the venues you are planning to sell your merch at want a cut of your takings. Theatres nearly always do this, as do arenas! The cut can range from 10 to 25% from my experience, so allow for this in your costings & check with venues before jumping in.
  11. We watched Paloma Faith last night. Mrs CP used to be a fan before Paloma went a bit off piste. Glad to report PF was back on form yesterday, still a great voice and what looked like the same band she’s had for years, including Andrea Goldsworthy rocking a nice looking blonde Precision with gold scratchplate. Also a plethora of backing vocalists made it all sound rather good & gospel-ly in places. Not everyone’s cup of tea I’m sure, but just nice to hear someone singing good songs really well. Ditto Jessie Ware. 🙂
  12. I’ve got tickets to see the ‘Northern Soul Orchestrated’ tour in November. Basically the same line up as seen on BBC4 Northern Soul Proms from the RAH. Also confirmed that the wonderful Steve Pearce will again be in the bass chair - can’t wait!
  13. Me neither. I’m quite surprised how her voice is in such a low register, and she seems to be struggling when things go up higher - the last tune ‘From this moment’ also seemed like it was being mimed too?
  14. I reckon it is, along with BV’s too. 😆
  15. Especially on this song where he’s nowhere near the keyboards.
  16. Foxy Lady by Jimi Hendrix. Band was The Alligators ( as a dep ) Played as an encore in The Tiger at Beeford - private event. 96 Fender Precision Lyte into a GK800RB /Loud 4x10 cab
  17. Saw Green Day on the IOW Festival coverage and was very impressed. Not usually my kind of thing but thought they were so good, really tight and polished whilst still sounding raw. US bands often seem to excel at this.
  18. Shame about Cyndi Lauper, and her band were so good too. Tried watching Idles, just not my kind of thing. - I can’t do stuff that’s so shouty / angry and with vocals like that, however impassioned. Not bothering with Coldplay, but Jessie Ware on now and very groovy. Olivia Dean was okay too, new to me and quite enjoyed her set.
  19. Interesting Ernie Ball Stingray with a ‘Made in China’ marking on the back of the headstock. 🤔
  20. So far watching on TV I’ve seen Dua Lipa ( really good), Paul Heaton ( great tunes but rather flakey vocals) and Sugarbabes ( excellent vocals and band). Few acts this year interesting me but going to catch as many as I can and hopefully some may impress.
  21. Selling my Fender Precision Lyte bass. I have two near identical sunburst models ( with close serial numbers ) and this one was my spare during my time with The ELO Experience. I say 'spare' but in reality it never left the house, which explains it being in immaculate condition. I bought this one in case my other one got nicked or met an unfortunate end on the road ( it didn't but that's the one I'm keeping, and after nearly 800 gigs it is a bit roadworn. ) So, it makes sense to sell this beauty. I've had it a long time, and it has really been a case queen as they say. There are one or two small marks but nothing like you will find on most basses from the mid 90's. Frets are not showing any wear, and amazingly all the tops are still intact on the control knobs (these usually get lost over the years). Only other thing worth mentioning are some marks on the headstock edge, but again nothing nasty. It dates from either 1996 or 1997, and is one of the later / last of the standard Precision Lytes. I prefer this era due to the finishes being more durable than the earlier models and also the chrome hardware, again better lasting than the gold stuff on the early ones. I've had a few P-Lytes over the years and this one is possibly the best. The neck is a very slim Jazz bass profile, 1.5" at the nut. Build quality and finish are up to the usual Japanese high standard. It plays superbly, with a medium/low action. Currently wearing a set of D'Addario EXL170s, 45-100 ( which have been on a while TBH). Scale is the standard Fender 34" and it balances well on the strap. Controls are master volume / pan / bass / treble, with the preamp using a standard 9v battery. Lots of tonal variety available, very versatile. It weighs a fantastic 6.8 lbs using my digital luggage scales, and is therefore a great choice for long gigs. Nothing has been altered from when it was new to my knowledge, and it really is a fabulous bass. I've recently retired from doing lots of touring, so time to sell some stuff that I won't be needing anymore. I will include a case - it's an old scruffy Gator ABS one but still does the job. I think £595 is a good price, especially considering it's condition - have recently seen similar (not so tidy) basses advertised for between £649 and £779. I would much prefer this to be a cash on collection sale or happy to deliver within say a 60 mile radius of Brough in East Yorkshire for the cost of my diesel. Also could meet up somewhere if you're further away, PM me to arrange. I will post it if necessary, but will need to source a box first. Any questions then shoot - have more pics too. Thanks for reading, cheers.
  22. I was lucky enough to see Ry Cooder in the 80’s at a gig with Flaco, who was absolutely brilliant. In the right situation accordions can be fabulous instruments.
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