[quote name='Monkey Steve' timestamp='1497953878' post='3321527']......however, I was thinking about bass drum volume the other day (triggered by the Download thread mentioning bass drums being too loud in the mix) and specifically my experience of drummers who will insist on having their bass drums mic'd up. I wonder if it's the drummers version of the "amp pointing at the knee" thing, that it's the one drum they can't hear because it's not pointing at them so they assume that nobody can hear it. I've never understood why the ones that insist on it do so when everybody else is constantly telling them that everybody in the studio/pub can hear the bass drum just fine...
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This ^^ makes no sense to me. assuming you're meaning 'at live gigs', and not rehearsal (there's really no need to mic up a kit for rehearsals..!), then surely it's a call for the sound engi to make as to whether to have the drums miced, and how, and maybe (just maybe..?) feed some back to the drummer's foldback if he/she needs it..? I can't imagine how or why a drummer would want to dictate what the FOH gets; even less the monitors for the others..! Maybe I'm unusual, but when I've been playing my drums, in any formation over a long career, it's never once occurred to me to amplify what I can already hear very well indeed (and I'm now rather deaf, due to ageing..!). Very rarely, usually on open-air 'festival' type stages, I've wanted a touch of BD in my foldback, but even then only a tad. Is this common amongst drummers, then..? What have I been missing all these decades..?