Dad3353

I'm pretty Shure that mics casings are not connected to the signal wires or capsule. If the cable shielding (ie : earth...) has been cut, the mic casing is essentially 'floating', connected to nothing.

I think that this is the best starting point, so as to test the idea in Real Time, without too much initial risk. There's quite a few folk here on this forum, willing, I'm sure, to support your first steps in the venture. As to a 'speciality' : may I suggest that we see a lot of folk disappointed that 'such and such' a model is not available in 'lefty' format. Maybe it could be an option to 'clone' a 'righty' bass into a lefty version, if a lefty player said what he/she would be interested in..? Just an idea. For my part, I like semi-acoustic instruments, but that's maybe a whole different ball-park (and Our Eldest would be my first port of call; he made his own guitars, and has made (from scratch...) a few for friends or folk that know us..). It can be done, but it's really a Labour of Love, rather than a revenue stream, to be honest. Another thought... How about offering especially light-weight 'fender-ish' basses, by chambering (drilling holes..?), lightening a bought-in body..? As long as it doesn't induce the dreaded neck-dive, it's a way of filling a gap in the Market, no..?

Yeah, yeah. Sure. ...

Ah, yes, that's when the invoices for the first instalments start coming. ...

You still have time to invest in a life-size cut-out of three humans and a cat. Prop this up in front of you, on stage; you'll not see the other folk there, just your familiar audience. ... No, seriously, all the tips above work a treat, so you'll be fine. Beware, of course. You may find that you enjoy it all so much you'll want to play 'live', in public, more and more. In that case, start a band.

I've never really understood why anyone should get paid for stuff they did years ago, and has already earned from concerts and disks sold, just because it has become popular or useful for somebody else. Not a popular view amongst musicians, I'll admit, but I can't somehow see its justification. Other people invent or create many things during their lifetime, but don't get a regular income from it. It's an odd system, to me.

(For @Papabull...) ...

Not all bassists use compressors. As with many other things, there are solutions to one's problems; it's only useful if you have a problem that it can resolve. Do you play at home, in studios, 'live' at gigs in pubs or theatres..? What amp set-up and other Fx (if any...) do you use..? Answers to these will help, maybe, get an idea of how to advise. Hope this helps.

A TV quiz programme.

I haven't listened (no Facebook, I'm afraid...), but... Does it matter..? There has been computer-generated music for decades, a whole cult of '12-bar' formula hits since before the Blues, and, of course, synthesisers replacing whole orchestras. It's music or not, no..?

Oldest (don't remember the date; that's our singer playing my drums at the time. It's an outdoor 'on the pavement' 'Fête de la Musique' event in our local town...) ... Latest..? [Shock-Horror] I'm 'playing' a recording for a past Composition Challenge. No, it didn't win, but was fun trying (until I tried to get up..! )... Embarrassed, me..? Nah..!

S'what I just posted, dumpling..! ...

If you have to ask, you wouldn't qualify. ... (Sorry, just a quip. Here's the answer...)

Are you General Clamour..? ...