WalMan
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Right chaps, a heads up for anyone who might be looking for a Wal, but please note [u][b][size=6]IT IS NOT MINE[/size][/b][/u]. I went into GAK and was gobsmacked to find a Pro 2E 4 string (no case) hanging on the wall with a price tag of £1,199. Going by the serial number it is from around 1983ish being about 100 younger than mine. Not sure of the woods, but it is a sort of green burst - that is green at the edges fading to natural wood at the centre. Similar to this, but a plainer bit of wood and green at the edges, not brown. AGAIN [b][u][size=6]IT IS NOT THIS BASS!![/size][/u][/b] which is mine. The tone controls are on the body, rather than a plate like mine above (which was added when Pete installed the custom electrics on mine in '96). Condition wise it has a few dings, the largest a bit smaller than a 10p piece, but just through the lacquer without denting the body. The rest are really just lacquer cracks, which is pretty understandable for a bass this age. As I recall they are on the back. I had a play on it and it plays really well and sounds nice, with the usual range of tone through the Wal controls - which for those who don't know are volume, pup pan pot and two sweepable tone pots one for each pup. The tone pots have pull switches that engage a narrower band width for the roll off, and the volume control has a pull switch the gives what Wal call "pick attack" (basically a treble boost) Based on Wals being rarer than rocking horse sh1t and the quick play I had it seems a good price and well worth a look if you have been looking for a Wal, but don't hang about, because I don't suppose it will stay there long. I would really have liked to go for this (so I could become a WalNut) but got a really frosty reception from Mrs W when I got home & mentioned it, and am plum out of cunning plans at the mo. Also what I really want is a Wal 5. I can give no more info, or guarantee about the bass. It is not mine, but up for sale in a shop, but the guys in the GAK bass section are a great deal better than your average shop wallah and I have no reason to doubt the bass authenticity. If you're interested give GAK a call. Don't PM me it's nowt to do with me, but I know members regularly come on here desperate to find Wal's so I thought I would give you the heads up now I have decided I really shouldn't - I [b][i]know[/i][/b] I shall regret it, but......... Mods, if you want to move this elsewhere as it is a shop, not a member sale feel free -
Welcome, and don't let the gear worry you. Everyone has to start somewhere, and when I think back to what I started out with that's a nice set-up you've got there. You don't need zillion £ gear to get get going, or even to continue further up the chain. You'll probably end up with the worst GAS on here - I know I have since I joined - but before that I had been quite happy with my set up for nearly twice as long as you've been on this earth. So if you find something you are happy with don't be in too big a hurry to trade on to the next big thing. A few years back I spent a day going round music shops looking at basses, and in the whole day the best sounding / most playable was a Squier Jazz
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Welcome indeed. It's only taken me 32 years so far & I'm still learning, so don't let that put you off
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Good one last night (Friday) and hopefully tonight will be as well. I'm hoping the sound guy will surreptitiously record it so I can have a go at mixing the current twin guitar line up. Friday at the Crown in LA was good. Only reopened fairly recently, but there was a good responsive crowd there all night. We started the first set and sound guy was looking confused as he was getting no signal from me, and I was sure I had run the cable. Turned out in the break that I had forgotten to plug it into the MB combo. DOH!! Didn't really matter though. It was on 9 o'clock input and same output with the tone pretty much flat, but I was barely tickling the bass and it was thundering out. That combo is so good. Light, loud, and a great tone that easily holds its own in a classic rock covers outfit. Fitted the PA feed in the break and turned the master down AGAIN, and SG was still muttering at the end that he had been mixing up to me A couple of alien abduction moments for each of us, in particular vocalist starting a second verse early over the verse intro (that's the same as the verse anyway - can't remember what now ). Guitarist, drummer & I just smiled at each other & dropped a line from the verse. I'm sure no one noticed at all A couple of encores and some nice compliments after - always help to bring the evening to a merry close, even if we do have to pack away & hump the gear out & home. Roll on The Fountain in Chichester South Street tonight (19 Jul)
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[quote name='Shaggy' post='239980' date='Jul 15 2008, 01:08 PM']Try; [url="http://www.harrowaudiohifi.co.uk/products.asp?Make=WAL"]http://www.harrowaudiohifi.co.uk/products.asp?Make=WAL[/url][/quote] You beat me to it. Also try the Wal Yahoo Group - Walbassesnaturally
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Hmmmm - I keep looking at this and thinking for 1 or 2 gigs a month it might be something else for me to do, particularly as it is quite close to me, but they're probably not after an old fart and all the time my current band is going that would have to take main priority in clashes, so probably best not.
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My 6p - Markbass, but then as mentioned they are very yellow and not the cheapest of amps. My CMD121H combo is small, light and loud (very, I often get told to turn down at r/h when I am only at 9 o'clock). Sounds good too. For small rock gigs it handles itself admirably. Larger gigs it has PA support.
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Thursday before for me and a damn fine night it was. Worked at home the following day (as I didn't get in 'til 2 am) and eventually got started around midday - though I did catch up over the weekend, promise!! Had a bit of a Spockfest all day Friday whilst working Shame such a good band has to struggle to pull in the punters. Europes a bit better I think, but from numbers I saw of for a couple of US gigs it looked like they were almost in bars to small numbers From the picture of the amp it looks to be set pretty much flat (if I am reading it right, don't really know Eden's)
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Another "slight" return this weekend before the desert of gigs in August & September when everyone else buggers off on holiday. The Crown - Littlehampton Friday 18/7 The Fountain - Chichester Saturday 19/7 Might try & get the soundguy to run the multi track both nights & see if we can get something out of the two. That'll probably put the kybosh on both then Almost certainly 2 guitars again this weekend, which works nicely with the newer material. I did see the keyboard player at Spock's Beard last week and it sounds as if he may manage one or two later in the year. Trouble is he has a LOT of new stuff to learn
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[quote name='baixo' post='238468' date='Jul 13 2008, 12:44 PM']PM sent ... Joao[/quote] PM replied Al -
Yup welcome back to the fold, and you will be AMAZED by the quality, volume and portability of some of the new breed of combos - I know I have been
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This is a good funky one that its probably best to leave out of your wedding set
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A little doink for the weekend
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All the above. I find I need to get comfortable with the song on the bass first and only then worry about b vox. Sing with confidence and make sure you keep within range. I've not done this myself (though I have considered using eMusic downloads for this in months when it is difficult to find other stuff I want) but you might want to get hold of some karaoke CD's and sing out loud in the car, or even just sing harmonies to your usual CD's
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[quote name='mr.sibs' post='234586' date='Jul 7 2008, 11:04 PM']i found both of those okay, as mentioned above, dont warm up in 1st position, thats a big no no, try 1234 starting 7th fret up[/quote] You beat me too it. I tend to start warmups around the 10 or 12 fret and work down, having read an article years ago suggesting this as you are starting with smaller stretches and working up to larger, by which time you should be better warmed up
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Nice when it works out for you. Until last summer I had had my Wal for 20+ years and TE combo for about 8 or 9. The TE got sidelined for a BOD Pro xt a couple of years back. And then last summer I joined BassChat and whoops the TE went (to be fair that had been on the cards as it wasn't getting used) to be replaced by the MB combo & at the same time I bought a SUB5 on here that lasted 6 months to be replaced by the G&L L2500. So a brief hiatus in a fairly static GAS free bass journey for me, but I could actually quite easily see the Wal, G&L L2500 & MB CMD121H seeing me out now. If you find a good'un why break something that doesn't need fixing. Then again I'm no pro
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Just back from tonight's (well last nights now) foray to Stubbington. Down to a four piece as our second guitarist couldn't make it and keys (who the drummer & I met up with at Spock's Beard on Thursday night) was again unavailable. Still Kev, Max & I have played together as a three piece (plus vocalist) for a good many years now so it was no great problem, just a bit more sonic space to fill without going too over the top. Steve got the crowd chivvied along and generally a good night was had by all. Looked like at least a couple of other bands in taking notes And once again I have to say that the L2500 was just massive Lovely rich rocky tone with just the right amount of treble. I love my Wal, but I really wish I had found out about G&L's sooner. I was a bit worried that my shoulder was going to give out during the evening as the (legal) drugs did not seem to have had any effect at the start of the night, so I had a bar stool tucked away on stage, which of course led to a huge amount of pee taking. Thankfully it was not required. Adrenaline is a marvellous thing!!
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Following on from the Drumcore Group Buy I mentioned [url="http://basschat.co.uk/index.php?showtopic=20212&hl=drumcore"]HERE[/url] I now have for sale the bits I didn't need as I already had them - the deal was too good to miss for the extra drummer packs included. [list] [*]Drumcore software - info & demos as to what's included [url="http://www.submersiblemusic.com/TemplateMain.aspx?contentId=51"]HERE[/url] [*]ZORO drummerpack add on - info & demos as to what's included [url="http://www.submersiblemusic.com/TemplateMain.aspx?contentId=43"]HERE[/url] [/list] To buy (assuming a $:£ rate of 2:1) they would cost you about £130 but I will let them go to a good home with a BC'er for what the cost me in the Group Buy, so £60 plus postage. They are brand new unused and boxed - though I had to break the plastic covering on the box as the extra loops that I was after were all inside. Otherwise it is a new sealed & unregistered version. They come in a box that is A4 size and about 2 inch thick, but in the box are two DVD's, the registration papers and a big lump of polystyrene, so if you wanted to cut down the postage and just have the contents but not the box it's up to you. This is a great bit of software for pulling together all you drum loops (though there is no reason why you should not add others) and will integrate with your recording software or can be used as a stand alone loop player - so you could use it as a rehearsal tool to play along to. The basic software comes with a good selection of loops both audio and midi plus drumkits and the ZORO pack adds a load more. With the midi loops you can change the drum kit that plays it back, so could take a funky midi loop from the ZORO pack and have it played back using Matt Sorum, or Alan White's kit for a different sound. You can also edit the kits, so use Matt Sorum's snare in the Alan White kit. I love this software & the loops as a quick & easy way of adding real sounding drums to recordings, which is why I joined the Group Buy to get even more loops to use even though I had the basic software & one of the packs. Still enough of my rambling, its there should anyone be interested.
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South East Bass Bash, Saturday 27th September: NEW INFO!
WalMan replied to silverfoxnik's topic in Events
Dear god, Nik do they know what they have let themselves in for!!! Anyway That'll be me & my [list] [*]Wal Pro1/Custom conversion [*]G&L L2500 (4+1 style) [*]Markbass CMD121H combo [*]Possibly the BOD xT Pro & FSB [*]Possibly a vintage Marshall Superbass 100 head, but I have no cab (#2 son uses it as one of his [sub]guitar[/sub] amps ATM) [/list] -
I caved & joined this GB a couple of days ago. eSoundz is becoming an expensive hobby for me, but the deals (especially with the dollar as it is) end up being so good. Got Drumcore from the last GB and as I have it shall be offering the bits I don't need to BC members for the packs cst to me
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Good one tonight. Two guitars - well actually 3 as the landlady's son who is ?10? brought his guitars down while we were setting up and had a little play through Mike Boogie combo and then spent the whole of the evening on "stage" with us playing along (not plugged in I hasten to add. He got the biggest cheer of the night when Steve introduced the band Chucked in a couple of new ones including one that Max & Mike had worked out harmonies for in the week and firmed up on quietly before the gig. Nice noisy crowd, whose collective jaws dropped when the guitarists went into a harmony tapping thing in the newest number. Funniest moment of the night. Max & Mike working through a new G'n'R song beforehand with small boy watching & he pipes up "you're playing that in the wrong key" Now then lets just hope I don't wake up crippled tomorrow!!
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[quote name='OldGit' post='227360' date='Jun 26 2008, 02:03 PM']Do I hear "musical Differences" creeping up here? Some people really love rehearsing and don't like playing in front of a real live audience ...[/quote] Sounds more like a puckered ring
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If I remember rightly there was quite a good article in the last BGM. I have a biog, and a CD of mixed live songs (ie multitracks not a boom box set up in front of you at a gig) If you can get a good result with the boom box - and I know we have in years gone by - then go for it, but nowadays you will be up against much better produced stuff with modern recording equipment available. I tend to ring the pub and chat to whoever does the bookings. If they are looking for bands / have spaces available and are willing to pay what we are asking then we move on to whether we can put something in the book on rep, or they want a CD. If you send a CD find out the best night to call and say you will post one and give the booker a call in a week. As the good Doc said don't fall for the "free try out". We refuse those as a point of principle.
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[quote name='Sarah5string' post='227236' date='Jun 26 2008, 11:49 AM']Latest in the saga... the venue have now offered us either fri the 29th or sat the 30th, support or headlining (Holy crap.. headlining??? We've not done one gig yet... but I digress..). Now to me this seems like a prime opportunity especially as it's a fri or saturday night at a well know city, 200 capacity, rock/music pub... we've got 8 practices at least (we normally do one a week) in which to get a 1/2 hr set tight. Have texted the guitarist who flat out refused as the other is at glastonbury... will keep you updated.[/quote] Tell him not to be such an @rse. Like you say you have 8 rehearsals to get together a really tight set. Whats the problem!?
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[quote name='waynepunkdude' post='227074' date='Jun 26 2008, 07:14 AM']Just go a little leftfield, if you have a really decent computer sitting round doing nothing why not sell it and buy a really good multi track recorder?[/quote] Unless you want to take it out to record r/h & gigs as well then a DAW is [i]probably [/i]easier to use - well that's what I find. We record gigs on an ADAT but I drop the multitracks into Tracktion to mix as it is so much easier to do non destructive edits like chopping out non vocal bits on vocals mics.
