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krispn

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  1. This might be useful. Many differing price points etc…
  2. Bumping this after bumping my for sale ad and the Janek di/pre amp shoot out post. Reading back again… Great Work Luke!
  3. Just been messing about on this again as I was asked some questions via dm and thought it might be useful to those who were looking… All eq info at the bottom of this post. Hope folks find this useful! First the treble sounds class. 2kHz at its lowest and in about the 2-4kHz range adds nice top without clack for us bassists. It can add air as the freq goes up but honestly for the bass in about 0700-1000 is where it’s at for me. Lo/Hi gain. The pedal can be clean or varying levels of low gain and break up right to the famed ‘Revolution’ guitar sound - that classic console type break up. If you have a lower output bass the hi switch can really add some oomph and width to the sound in conjunction with the Step control. I’ve a HB jazz with I think ‘original jazz’ Bart’s and this elevates that bass - it sounds great but the added sonic weight is undeniable! It competes with my Flea jazz and going back and forth I can simply flick the lo gain mode for the flea (it’s hotter output) and go high gain on the HB and it balances them nicely- all analogue and can be dialled in in seconds. Into the efx return/power amp. I used this into the fx return on my Fender rumble and it slays. Into a cab ir to FOH and you have those transformers and a magical sounding eq to have a very over-achieving eq/di. I still bring it as a back up but my main pre/di has been bombproof hence the sale. The HPF This starts at 160hz. Some initial thoughts and documentation said 60Hz but it’s 160. Don’t panic though as you can use the Pultec trick of engaging the Hpf at its lowest range (160hz) but boost the bass frequencies below or at 160hz and there’s no loss of low end. The mid control has a massive range too so you can still dial in addition mids freqs to suit your room/mix. See below for the range on the eq’s frequencies: Frequencies controlled by EQ Shift Knobs: Treble Shift - 2kHz to 30kHz – CCW lowers the center Freq, CW raises the center Freq. Middle Shift - 150Hz to 2.4kHz – CCW lowers the center Freq, CW raises the center Freq. Bass Shift - 20Hz to 440Hz – CCW lowers the center Freq, CW raises the center Freq. The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob. The HPF is a 2nd order 6dB per octave highpass filter. The -3dB cutoff freq (the frequency at which the filter starts to act) can be adjusted from 160Hz to 650Hz.
  4. Ok so it’s not as compact as a Noble but it offers so much more. I’d say it’s better value too when you’re into this price range based on what it offers.
  5. Had the m700 and it’s was delightful. Now use a Simone and really don’t need this but man it’s so cool. The sensitivity control hides the magic!
  6. Some do sound more pleasing to my ear than other. I was able to pick out my main gigging preamp as I was making dinner and listening on headphones. There’s certainly some I’d prefer to have than others but like most things on a gig who would know only us.
  7. Aye I think I could hear the weight of the transformer compared to the pre amp before it. Only I have now theee LBA passive transformers on my board and my main tube preamp it would get my main preamp slot. It’s a top notch eq and sounds big just by being in the signal chain!
  8. Janek just posted this yesterday
  9. Janek has just done a massive DI/preamp shoot out and you can hear this compared to other similar units. ***Spoiler alert below*** Janek is taking the coloubox on tour!
  10. Met up with Steve today had had a lovely chat. He’d agreed to buy a bass I was selling and true to his word he did and bought me a coffee for my efforts Some great stories and gear chat from a true gent. I’m glad to have met you in person Steve and happy to know the bass is going to a quality player and a true p bass (annd Mesa) aficionado!
  11. I’m gonna check that out. If you have the link handy do you mind posting but I’ll dig it out later when I’m free.
  12. I think the TC mimic pedal uses that type of thing to give the ‘doubling’ effect of double tracking guitars. I was reading that earlier post about note choice and filling out the space. I was gigging last night and wasn’t really conscious of it before but underneath solo sections I seem to play a bit more/busier on some tracks just to keep things moving along and fill stuff out more. I’m in a band with guitar drums fiddle and bass. I noticed with many tunes I’m keeping it simple on the verse just playing with the kick drum or the written bass part but in the chorus adding in the 5th’s in a ham fisted attempt to mimic rhythm guitar parts ( our guitarist is more of a singer songwriter chords guy than a rhythm/riffs guy), walking lines and then under solo sections getting busier. It does sound like the band is cooking once it’s all going off and folks were digging it. It’s one of those things where you do get youre doing it or subconsciously do more to fill things out. I noticed it in a few tracks last night when I was busier and trying to fill out more space under solos. The fiddle player does use octave down on some songs to fill out parts. I suppose we’ve done these songs so many times you just develop ways of playing them which play to the strengths of the line up and make them your own.
  13. You’re into crossover so something like the Darkglass x or I saw a pedal on the bass channel on YouTube which demonstrates a similar principle
  14. I was looking at the Effectrode but I’m using a Simone pre and wondered if it would be worth the investment and ultimately stick with what I have. I used the CaliTX and loved it as much for the comp as the tx. I now have the Simone and three of those wee Lightning Boy Audio transformers scattered across the board the most recent being the Fe23 which has a bit more grit/character to it than the 2020s models which have a bit of flatter response.
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